Category Archives: Entertainment

TV, Movies, etc

Game of Thrones (TV show)

HBO’s Game of Thrones is one of the best TV shows I’ve ever experienced, and it’s not even through its second season. It’s hard to make a great show: you need a great premise, strong writing, a solid cast, and a TV network that is willing to invest in a great idea. Game of Thrones has all the requirements to being awesome, and it also has dragons, which makes it even better.

I’ve noticed that there’s been a trend of TV shows based on books, like True Blood, Legend of the Seeker, and this show, which is based on George R. R. Martin’s A Song of Ice and Fire. Each season represents a book. HBO can afford to have amazing production values. Each episode feels like a movie. There is a scope that rivals any fantasy film, in most cases exceeding them.

There is a lot going on. There are multiple families competing against each other for power. The Stark family is feuding with the Lannister clan, but sometimes they get along. There’s a clan of warriors known as the Dothraki, and the Viserys, heirs of a usurped king, marry into their tribe to get access to their army so that they might one day reclaim their land. Basically there’s a shit ton of politics and wars and incest. The middle ages were truly a magical time.

This is one of those shows that you get on DVD or Blu-Ray and have a marathon where you watch all the episodes back to back. It’s addicting. There’s something for everyone. There’s talking. There’s action. There’s nudity. There’s violence. There’s romance. There’s politics. There’s nudity. There’s betrayal. There’s religion. There are dwarves. There are dragons. There’s nudity. There are fools and bastards and evil kings. Did I mention the nudity?

No character is safe. This is like a medieval 24. You get to know a character, you get to like them, and then WHAM! BAM! They are dead and your jaw is dropped. And there are a lot of characters. There are a lot of subplots. There are a lot of things going on, but everything ties together. This show is still young, it will get to be a cult phenomenon. It’s already on its way there.

George R. R. Martin has crafted an amazing world. HBO tries to respect it. They do a great job of it too. There is a sense of history. He created a whole backstory that you catch glimpses of that adds to the depth of the story. There are different religions, different gods. There are different languages and customs. There is a sense of honor and chivalry. This is a medieval period, there is still fear of the unknown. Magic still exists, it’s real and possible.

The show follows the book more strictly than True Blood follows the Sookie Stackhouse books. So if you don’t like spoilers you probably shouldn’t read the books. You don’t want to be the jackass pointing out all the differences anyway.

Game of Thrones is awesome. Dragons, kings, swords, nudity… it’s the best swords and sorcery TV show ever. HBO shows are usually awesome, and this is one of their best shows to date. I hope I’m not jinxing season three.

Critically Rated at 15/17

Leave a comment

Filed under Entertainment

The Rock (film, not an actual rock)

Michael Bay makes crazy blockbusters like Transformers and Bad Boys. His whole theory about filmmaking is if you have lots of explosions and loud noises, no one will realize that the movie sucks. The Rock is a perfect example of this style of shoddy filmmaking. If you only saw one movie during the summer of 1996, it was probably Independence Day. If you saw two movies, this might have been one of them.

A group of rogue Force Recon Marines lead by Brigadier General Frank Hummel (Ed Harris) take control of a bunch of  chemical weapons, get themselves some hostages, and threaten to attack San Francisco unless the US government pays a ransom to the families of deceased Force Recon Marines that died in action and were buried without honor or recognition. Nicholas Cage plays Dr. Stanley Goodspeed, a chemical weapons specialist with the FBI. He gets called in for his expertise, despite his lack of work in the field.

The FBI must sneak onto Alcatraz in order to free the hostages, stop the rogue Marines, and save San Francisco. The only one who can help them sneak into the Rock is the only one who successfully escaped it, a former spy named John Mason (Sean Connery). Mason is an unofficial prisoner, on paper he doesn’t exist. So naturally he’s not too keen to help the FBI.

There’s a lot of bullshit that happens in the movie. There’s a pretty ridiculous car chase through the SF streets involving a Hummer and a Ferrari. There’s a bunch of revelations, like the villain is not actually bad, he just wants what he deserves. You sympathize for him, he’s a victim of an uncaring government, just like John Mason.

A lot of stuff happens. I could tell you about all the little plot developments, but I’m lazy and don’t want to. Shit happens, shit gets resolved, and things blow up, but San Francisco doesn’t.

Nicholas Cage won the Academy Award for Best Actor for his role in Leaving Las Vegas. He followed that amazing performance by starring in The Rock, Con Air and Face/Off. That’s an interesting career choice, you win the highest award for your work and celebrate by becoming a parody of yourself. Nick Cage and Cuba Gooding, Jr. should go bowling together.

Nicholas Cage used to be an actor. Sometimes he still does act. But in most of his movies he’s just a performer. This is the start of his paycheck movies, where he will do whatever project for the money. Sean Connery has a cool voice and can get away with saying all kinds of mediocre shit that sounds awesome because of his crazy accent. Ed Harris a good actor, but this is kind of a waste of his talent.

The Rock is not a bad movie. It’s not a good movie. It’s just a movie with explosions and actors reciting dialog. There’s no reason to see this movie if you haven’t yet.

Critically Rated at 10/17

Leave a comment

Filed under Entertainment

True Lies

True Lies. What a great title. That might be the best part of the movie. James Cameron (Titanic, Avatar, Terminator… seriously, how do you not know James Cameron?) directs Arnold Shwarzengger in another blockbuster event. This time Arnie plays Harry Tasker, a family man with a wife and daughter who think he’s just a computer salesman… but he’s really a government super agent.

This is an over-the-top action film that doesn’t take itself seriously. It’s a celebration of action films, complete with elaborate deaths and comical one-liners.

Harry Tasker (Schwarzenegger) is a premier agent on the Omega Sector counter-terrorist task force. He hangs out with Tom Arnold riding horses through downtown buildings stopping terrorists from terrorizing. His latest foe is the Crimson Jihad, lead by a guy named Salim Abu Aziz (Art Malik). His wife Helen (Jamie Lee Curtis) and daughter Dana (a young Eliza Dushku) don’t know that he’s a spy, they think he’s just a regular guy.

His wife Helen thinks that he’s so boring and predictable that she decides to cheat on him. She is interested in a sleaze ball named Simon (Bill Paxton) and Harry gets jealous. He decides to spice things up a bit, but his plan backfires when members of the Crimson Jihad kidnap him and Helen.

Helen learns about Harry’s secret life as a spy and is hurt and betrayed, but gets over it pretty quickly when he starts killing terrorists and kicking ass. They learn about the Crimson Jihad’s master plan, which involves a nuke and a US city. Helen and Harry get separated, and Helen and Tia Carrere have a limo catfight. Harry saves Helen, and just when things look like they will be ok, they find out that the terrorists kidnapped their daughter.

Harry jumps into a Harrier jet and goes to rescue his darling daughter Dana. There’s some explosions and close calls and ultimately the main terrorist Aziz ends up walking around on the Harrier with an AK-47 before Schwarzenegger makes him fall off the jet, he gets stuck on one of the missiles, and Arnie fires the missile and blows up a helicopter full of terrorists with their fearless leader. That’s symbolism. He was mad.

Arnold Schwarzenegger does it all in this movie. He rides horses and Harrier jets. He tells terrorists how he’s going to kill them, and kills them that way. This movie is almost a spoof of action films. Jamie Lee Curtis drops an Uzi down the stairs and somehow kills ten terrorists. Everyone is so witty right before they murder somebody.

James Cameron knows how to direct. The story and premise aren’t believable. Arnold Shwarzengger is not a good actor. But that doesn’t matter. Every scene is entertaining. The movie flows, it gets you hooked, it rarely drags or gets boring. If you accept the world that he’s established within the first ten minutes, you will appreciate the rollercoaster ride that he takes you on. It might not be a good movie, but it’s a fun movie, and having fun is good.

Critically Rated at 12/17

Leave a comment

Filed under Entertainment

Actors in Multiple Movie Franchises

Some movies make a lot of money. And people like money, so they decide to make a sequel to make even more money. And if that sequel makes money they might make a third movie. And three movies in the same series makes a trilogy, and (for the purposes of this article) a trilogy is a film franchise. So if an actor appears in three or more movies in the same franchise and three or more movies in another franchise, then they will appear on this list. Unless I forgot about them. Sorry forgotten celebrity.

Harrison Ford starred in the original Star Wars trilogy and the Indiana Jones trilogy (and that shitty fourth movie that I try to forget about). He’s also rumored to come back in the new Star Wars movies.

Tim Allen starred in the Toy Story trilogy and the Santa Clause movies.

Michael J. Fox went Back to the Future three times and voiced Stuart Little three times.

Matt Damon was Jason Bourne three times and was in Ocean’s Eleven, Twelve, and Thirteen.

Eddie Murphy was Donkey in four Shrek movies and Axel Foley three times as a Beverly Hills Cop. Mike Myers was Shrek in the Shrek flicks and Austin Powers and Dr. Evil in the Austin Powers movies.

Shrek And Donkey - Shrek The Final Chapter Desktop Wallpaper

Orlando Bloom was Legolas in the Lord of the Rings trilogy, and he’s reprising his role in The Hobbit movie. He was also in the first three Pirates of the Caribbean movies too.

Sir Ian McKellen has saved the world as Gandalf in three Lord of the Rings movies and will do so again in The Hobbit trilogy. He’s also threatened the world three times as Magneto in the X-Men franchise.

Patrick Stewart played Captain Jean-Luc Picard four times on the big screen and played Charles Xavier in three X-Men movies with a cameo in the Wolverine movie.

Crazy anti-Semite Mel Gibson has been in four Lethal Weapon Movies and was Mad Max three times. You know he hates Jews right?

Warwick Davis was in six Leprechaun movies (about half were direct-to-video) and was also in all eight Harry Potter Movies playing duel roles as Professor Flitwick and Griphook.

Sylvester Stallone was Rambo four times and Rocky Balboa six times. I have a feeling he might be Expendable three times too.

Vin Diesel sucks a lot of balls, but he’s been in four Fast and/or Furious movies (one of them was just a cameo), and he will play Riddick again in 2013. I’m sure that there are at least four people who will pay to see that shit.

Ben Stiller has played Gaylord Focker in three movies and loaned his voice to three Madagascar movies.

Gary Oldman played Sirius Black in Harry Potter 3, 4, 5 and 7.5 and has been James Gordon three times in Christopher Nolan’s Batman trilogy.

Bruce Campbell has played Ash in the Evil Dead movies and had cameos in all of Sam Raimi’s Spider-man movies. That might be a stretch, but it still counts.

Antonio Banderas has been Puss in Boots in three Shrek movies and one spinoff and was in four Spy Kids movies (his scene was cut in the fourth one. Yes, there are four Spy Kids movies). He was played El Mariachi in two out of the three El Mariachi movies, so he doesn’t get any points for that.

John Cho has hung out with Kumar three times as Harold, and he was in American Pie, American Pie 2, American Wedding, and American Reunion. Cameos count. Right, Bruce Campbell?

Samuel L. Jackson was Mace Windu in Star Wars Episode I-III. He also played Nick Fury in Iron Man, Iron Man 2, Thor, Captain America, and The Avengers, which are all part of the same universe, so he gets included.

Jackie Chan has three franchises under his belt. Three Rush Hour movies, four Police Story movies, and he’s loaned his voice to two Kung Fu Panda movies with a third coming out in 2013.

Christopher Lee played Fu Manchu three times, he was Dracula in a bunch of movies. He was Count Dooku in Episodes II and III and the animated Clone Wars movie. He was in Lord of the Rings too.

Hugo Weaving has also been in three franchises. He threatened Neo three times as Agent Smith in the Matrix trilogy. He loaned his voice to Megatron in the Transfomers movies. And he was Elrond in the Lord of the Rings movie and will reprise his role again in one of the upcoming Hobbit movies.

So that’s my list. I think it’s pretty complete. If you see anyone that I’m missing leave a comment. And I’ll either correct you or add it to my list. I don’t know how to rate this so I will just settle for something like this:

Critically Rated at 12/17

Leave a comment

Filed under Entertainment

District 9

Neill Blomkamp’s District 9 is the best South African sci-fi film ever made, I’m pretty sure of that. In March of 1982, a huge alien spaceship arrives over Johannesburg. It’s filled with a bunch of sick and dying aliens, and they are forcibly relocated them into District 9, a government camp where they can live in squalor and poverty. A guy named Wikus is tasked with relocating the aliens to a new camp, but things hit a snag when he gets infected by a mysterious fluid and starts mutating into an alien

.

The aliens of District 9 are humanoid insect looking things called prawns. They have their own language, but can understand English. They have a thing for cat food. The South African government hired a private military company called Multinational United to remove the aliens from District 9 into a new ghetto called District 10. Wikus van de Merwe (Sharlto Copely) works at MNU, and while he’s in the middle of serving up eviction notices in District 9 he gets sprayed by a weird black fluid. Before long his hand and arm start mutating, becoming prawnlike.

MNU finds out, and they start experimenting on him. His newfound prawn DNA makes him the only human who can use alien weaponry. Wikus escapes from MNU and goes back to District 9 to find a cure.

He returns to the house where he got sprayed. It’s owned by a prawn named Christopher Johnson and his young prawn son. Christopher tells him that the fluid is spaceship fuel, and the prawns need it to go home, but it will also revert Wikus back to human form. Wikus and Christopher launch an attack on MNU headquarters, grab the fuel and try to reactivate the spaceship.

In the climatic battle, Wikus and Christopher are getting shot at by MNU soldiers and Nigerian gangsters. The best way to end a movie about alien racism is to have a shootout. It’s logical, it’s practical, it’s the only reasonable way to end the movie.

District 9 has a lot of political undertones. It’s a commentary on racism and bigotry. Wikus is an asshole in the beginning. He sees the prawns as inferior. He just assumes that he is better than they are. As he starts to become less human, he becomes more humane. He starts to care about the prawns, and at the end he sacrifices himself for them.

This is a cool movie. There are no big name actors. It’s shot like a documentary, with lots of interviews, hand-held shots, and pseudo-found footage. The CG prawns look realistic and the action scenes are pretty intense. It was originally a short film called Alive in Joburg, and it was expanded into the flick that it became.

District 9 proved that you can make a successful sci-fi movie without any stars, an established director, or a huge budget. All you need is a cool concept and an explosive over the top ending where people blow up and splatter blood everywhere. It’s a good movie with a mediocre ending. But it has a great concept and that’s what makes the movie worth watching.

Critically Rated at 14/17

Leave a comment

Filed under Entertainment

X-Men (film)

Bryan Singer (The Usual Suspects) directs the big screen adaptation of the X-Men. In the not too distant future, mutants with superpowers have been popping up more and more. People fear what they don’t understand, and people fear mutants, causing US Senator Robert Kelly to attempt to pass the Mutant Registration Act. Magneto’s Brotherhood of Mutants decides to wage war on mankind, and nothing can stop him… Except for Charles Xavier’s X-Men.

The movie begins with a young Eric Lehnsherr being separated from his parents in a concentration camp. He tries to get back to his parents, but the guards won’t let him. Desperately he reaches for them, and the gates start to bend and twist towards him, until the guards knock him out. This is a real quick scene and it’s a great introduction to the world of the X-Men. Right off the bat, you know that this world is both real and familiar, but also fantastic and different. You’re introduced to a mutant using his powers right away, and it also establishes Eric Lehnsherr a.k.a. Magneto as a sympathetic villain. No matter how diabolical he gets, you understand his reasons perfectly.

Senator Robert Kelly (Bruce Davison) is advocating the Mutant Registration Act, which would force mutants to identify themselves. Magneto (Ian McKellen) doesn’t want to go along with this, and he’s going to do something about it. His Brotherhood of Mutants wage war on humanity. The Brotherhood consists of the shape shifter Mystique (Rebecca Romijn-Stamos), Toad (Ray Park), and Sabretooth (Tyler Mane).

Magneto’s old friend Charles Xavier (Patrick Stewart) leads the X-Men, another team of mutants who are determined to stop the Brotherhood. The X-Men members are the telepathic/telekinetic Jean Grey (Famke Janssen), the cycloptic Cyclops (James Marsden), and the weather-controlling Storm (Halle Berry).

Meanwhile, a young mutant named Marie a.k.a. Rogue (Anna Paquin) accidently almost kills her boyfriend just by touching him and runs away. She meets a hairy, angry cage fighter named Wolverine and decides to get in the car with him. Wolverine (Hugh Jackman) and Rogue get attacked by Sabretooth and get rescued by Cyclops and Storm and they take them to the X Mansion. They chill there for a while, and they learn about how good Xavier is, and how misguided Magneto is. There’s bonding moments and character developing and a mutant montage.

Magneto is moving along with his plan, and he kidnaps Senator Kelly and turns him into a mutant. And he reveals his plan to turn a bunch of diplomats and world leaders into mutants at some summit for something. But Senator Kelly escapes and goes to the X-Men for help. He dies from complication of being turned into a mutant, but Magneto doesn’t know that, so he doesn’t know that he would just kill everyone if he goes through with his plan.

The next step in Magneto’s plan is kidnapping Rogue. Magneto will use Rogue to power the mutant conversion machine, the stress of which will kill her. So the X-Men have to step up and save Rogue and stop Magneto from killing diplomats and world leaders at that summit thing. And I don’t want to spoil the ending, but they do.

It has a pretty decent cast. It was Hugh Jackman’s breakout role. Patrick Stewart is perfect for Xavier. Ian McKellen is formidable as Magneto. Rebecca Romijn was a sexy blue chick way before Avatar. Halle Berry looks pretty but her Storm sucked in this one, she didn’t do anything. She had a stupid accent too.

This is a good flick. Not only did it launch the X-Men movie franchise, but it gave Hollywood the green light to start churning out comic book movies. I know they changed a lot of stuff. A lot of stuff. But the movies are their own thing. They acknowledge the comics. They make references to them. There are some differences with characters between the film version and the comic version. But that is ok. Bryan Singer made an awesome movie. It’s fun. It’s rewatchable. It’s a summer blockbuster popcorn movie.

Critically Rated at 15/17

Leave a comment

Filed under Entertainment

Hook

What if Peter Pan grew up? According to Steven Spielberg, he would become Americanized and look like Robin Williams. Hook tells the story of a grown up Peter Pan, who must return to Neverland to save his kids from the evil Captain Hook. Robin Williams plays Peter Banning, an American lawyer who finds out he is Peter Pan, and Dustin Hoffman plays Captain Hook, the Sleaziest Sleaze of the Seven Seas.

Peter Banning (Robin Williams) is a father and a lawyer, who would rather spend his time lawyering than being with his kids. His wife Moira (Caroline Goodall) worries that Peter isn’t spending enough time with his kids Jack and Maggie (Charlie Korsmo and Amber Scott). Peter misses Jack’s baseball games and is too busy working to notice his kids. The Banning family goes on vacation to visit their Granny Wendy (Maggie Smith). Wendy claims to be the Wendy from J.M. Barrie’s Peter Pan.

While Peter, Wendy, and Moira are out one night, the kids get kidnapped. The only clue to their abductor is a note signed by a James Hook. Granny Wendy tells Peter that he is Peter Pan, and that only he can save Jack and Maggie. He has a hard time believing her until Tinker Bell (Julia Roberts) shows up and takes him back to Neverland.

Peter finds himself in the midst of a bunch of pirates, including Smee (Bob Hoskins) and the notorious Captain Hook (Dustin Hoffman). Hook offers Peter his kids in exchange for a war. Peter has three days to find his inner Pan and fight Captain Hook.

Peter finds his old allies, the Lost Boys. They don’t recognize the old geezer in front of them as their former leader, until Pockets pulls back his wrinkles and finds his long lost friend in the folds. Not all the Lost Boys are convinced that Peter Banning is Peter, most notably Rufio (Dante Basco).

As Peter struggles to discover his inner child, Captain Hook decides to brainwash Jack and Maggie into loving him. Maggie is hard to convince, but Jack already had a strained relationship with his father, so he starts to turn to Hook’s side.

Peter eventually remembers who he is, and what he can do. He finds his happy thought, and he is Peter Pan again. He and the Lost Boys launch an attack on Hook and his pirates, freeing Jack and Maggie. But this is an exciting Hollywood climax, so people die. Like Rufio. Peter and Hook have an exciting duel, culminating in Hook getting devoured by a crocodile clock. Neverland’s a bitch sometimes.

Peter Pan wins, defeats Hook, and frees his kids. And then he goes home. He did what he had to do, and he can’t stay and have fun anymore because reality is waiting. It seems like kind of a bummer way to end a fantasy about childhood immortality, but who am I to judge?

This is probably my definitive childhood movie. I saw this movie when I was six years old in the theaters. I know every single line, every single moment. I grew up on this movie. I could watch it every day and not get tired of it. It’s almost like a part of me. It impacted me, especially lines like not wanting to grow up “because everyone who grows up has to die someday.”

I’ve seen this movie a lot. And I noticed that when the dog is barking and Toodles starts saying Hook (right before the kids get snatched), you can see a teddy bear. The same teddy bear that Peter later finds in Neverland that gives him a happy thought that allows him to fly. And later Hook tells Peter that he’s only dreaming. And Peter wakes up outside in the park… Maybe he was dreaming the whole time.

The imagination banquet, where Peter first uses his imagination, is one of my favorite scenes from any movie. It starts with an awesome battle of wits between Rufio and Peter as they hurl insults back and forth at each other. Peter wins and triumphantly flings an empty spoonful of food at Rufio, and everyone is amazed as brightly colored food smashes into his face. Everyone looks around astounded as the previously empty table is filled with generous platters of the most gorgeous and spectacular dishes you’ve ever seen. It’s a feast fit for a king and your mouth waters just thinking about it. Before the miraculous moment can fully sink in, a food fight starts. Slowly at first, but then it suddenly explodes into a frenzy of food and filth and laughter. The scene represents all the themes of the film.

Robin Williams does a great job playing a workaholic father, and he is able to transition from being a gruff adult into acting like a little kid. He even shaved his arms and chest so he would look more childlike and less like a yeti. That’s commitment.

Hook is one of my favorite movies of all time. I know that doesn’t make it a good movie, but I’m biased. Check it out if you haven’t.

Critically Rated at 16/17

Leave a comment

Filed under Entertainment

The Matrix Reloaded

Neo is back on the big screen in the second installment of the Matrix trilogy. Keanu Reeves, Carrie-Anne Moss, Laurence Fishburne and Hugo Weaving all return for the beginning of the Shyamalanization of the Wachowski Brothers. I had high hopes for this movie. I hate being disappointed.

So Neo is getting used to being the One. He spends his days chilling with Morpheus and Trinity in the Matrix, freeing people and acting like a holy man when he’s unplugged. Neo and his pals find out that the machines are going to launch an attack on Zion, the last remaining human city, where they like to have huge raves in underground caves. Not only do they have to deal with a massive machine invasion, but Agent Smith managed to escape death somehow, and now he’s wreaking havoc in the Matrix by making duplicates of himself. One of his copies manages to escape the Matrix and enter the real world.

Neo visits the Oracle and finds out that he needs to reach the Source of the Matrix. To do that he needs to find the Keymaker, who is being held prisoner by the Merovingian. Neo, Morpheus and Trinity manage to break the Keymaker out of the Merovingian’s grasp.

They come up with some complex plan to get Neo into the Source. The plan doesn’t work like it should, and the Keymaker dies and Trinity gets shot up by an agent. Neo reaches the Source meets the Architect and they have a conversation about how smart the Wachowskis are and how stupid you are because you don’t understand what they are talking about. And the Architect gives Neo a choice between saving mankind or saving Trinity. And Neo is selfish so he saves Trinity.

Neo discovers that he can disable the machines even without being plugged into the Matrix. But it’s too much for him to take and he collapses into a coma, and the movie ends in a cliffhanger.

There was a lot of potential for the Matrix sequels to be awesome. Instead the Wachowski Brothers decided ruining the franchise would be easier. You know that the movie was going to suck as soon as you realized that Tank is dead, even though he didn’t die in the first movie. There was no reason so replace a minor crewmember who didn’t die with another minor crewmember. It makes no sense. Link’s only redeeming feature is that he’s played by Harold Perrineau, and anyone from Lost is cool.

There are some cool action scenes, and even though they are more elaborate and complex, they are hollow, they don’t impact the story as much as the fights in the first movie. In the original the fights mean something. Morpheus fights Neo so he can learn what he is capable of for example. In Reloaded, there are fights just to fill screen time.

The fight between Neo and the Agent Smith clones could have been epic. It should have been. It starts out with a lot of promise. And about halfway through it becomes a cartoon. They get lazy with the fight choreography, with the animation, even with the sound effects. They actually use the sound of bowling pins falling over when Neo throws a Smith into other Smiths.

The best scene in the movie is the freeway chase. It might even be the best scene in the trilogy. A high speed chase with car crashes and albino twins and agents, Trinity and the Keymaker speeding the wrong way against traffic on the freeway, Morpheus fighting an agent on a semi truck… the whole sequence is exhilarating and you are almost relieved when Neo flies in and saves the day.

The Matrix Reloaded has its moments. But it’s a step in the wrong direction. It’s still worth seeing, but if you like the sequels more than the original you have issues.

Critically Rated at 11/17

Leave a comment

Filed under Entertainment

Anchorman: The Legend of Ron Burgundy

Will Ferrell makes Will Ferrell movies, and Anchorman is his best. Adam McKay (Talladega Nights, Eastbound & Down) directs and co-wrote the script with Will Ferrell, who stars as stars as Ron Burgundy, the best anchorman in San Diego. Paul Rudd, Steve Carell, David Koechner, and Christina Applegate costar, and Judd Apatow produces.

Ron Burgundy is the best damn anchorman in San Diego. He’s number one and isn’t afraid to let everyone know it. His Channel 4 News team is made up of meteorologist Brick Tamland (Steve Carell), sportscaster Champ Kind (David Koechner), and field reporter Brian Fontana (Paul Rudd). Brick is legally retarded, Champ has man crush on Ron Burgundy, and Brian fancies himself a ladies man, but doesn’t have much luck. It’s a happier and lighter style of reporting, showcased by the ongoing reports on Ling-Wong the pregnant panda.

Things are going great for a while, but it’s the ‘70s and times are changing. Veronica Corningstone (Christina Applegate) is the first female reporter hired at the station, and she has to deal with the immature men and blatant sexism as she battles for respect. Her and Ron get together and start a relationship, but it’s doomed because she’s looking forward to the future and Ron is stuck in the past.

One day Ron has a run-in with an angry biker who kicks Ron’s dog Baxter off a bridge. Ron is too distraught to report the news, so Veronica fills in and nails it. Ron is hurt and betrayed that Veronica would read his news and ends their relationship. There’s no denying Veronica’s talent and she is promoted to co-anchor.

Ron and his news team try to get rid of her in various ways, but Veronica sabotages Ron’s teleprompter so that he says, “Go fuck yourself San Diego”. You generally can’t say shit like that on TV, so Ron gets fired and Veronica becomes the lead anchor.

After a few months, Ron is just a drunk, but Veronica is more famous and successful than Ron ever was. One day Ling-Wong the pregnant panda finally starts to give birth, so the all of San Diego’s media shows up for the story of the year. Veronica gets shoved into a bear pit by a rival anchor that wants a good shot of Ling-Wong giving birth. When nobody can find Veronica, Ron Burgundy gets a chance to report once again.

Ron cleans himself up and shows up at the zoo to do some anchoring, but when he sees Veronica is in trouble, he jumps into the bear pit too. And just for good measure the rest of the news team jumps in too. Just when it seems like they are completely fucked, Baxter the dog shows up again. After he got kicked off the bridge by an angry biker, he had a fantastic journey to get back to Ron. He met a bear named Katow-jo, who coincidently happens to be the bear’s cousin, and so Ron and Veronica and the Channel 4 news team is safe. Talk about deus ex machine.

Will Ferrell is hysterical but he plays the same character in every single movie. Anchorman was before he wore his shtick into the ground. But there’s no denying he is funny as hell. Anchorman would not have worked without Will Ferrell, but Paul Rudd, Steve Carell and David Koechner deserve a lot of the credit for making the movie one of the best comedies of that decade. Sex Panther… 60% of the time, it works every time. There are a lot of cameos: Vince Vaughn, Ben Stiller, Luke Wilson, Jack Black, Seth Rogan, Tim Robbins, and a few other celebs make appearances. The news team showdown is one of the highlights of the movie.

Judd Apatow movies are usually always good. He track record is almost as good as Pixar’s. Drillbit Taylor sucked but Cars 2 was no gem either. This is Will Ferrell’s best movie. I can’t wait for the sequel.

Critically Rated at 15/17

2 Comments

Filed under Entertainment

Top Gun

If you haven’t seen Top Gun, you have not lived. Tom Cruise stars as Maverick, a renegade Navy pilot who gets recruited to the elusive Top Gun program, where the best of the best compete to be the best. Ridley Scott’s younger brother Tony Scott directs this classic action film. Ridley Scott may be a genius, but Tony has some pretty good action films under his belt. Top Gun is probably his best.

Maverick (Tom Cruise) is a natural pilot, but is impulsive and has some daddy issues. His dad was also a pilot, but his plane went down under some shady circumstances, and Maverick has to deal with his father’s tainted legacy. Maverick and his wingman Goose (Anthony Edwards) fly recklessly, but get the job done. Despite some reservations, Maverick gets a chance to prove himself as one of the best Naval Aviators.

Maverick and Goose face some fierce competition, but their main rivals are soon revealed to be Iceman (Val Kilmer) and his wingman Slider. Iceman is the best pilot, not because he is naturally gifted, but because he works hard to be the best. He doesn’t like the way Maverick flies, because Maverick doesn’t fly safe, and he doesn’t want to work as a team. Iceman is made out to be the villain. Iceman should be the hero. He trains and studies and strives to do well, he does the right thing, and he looks out for the team. He calls Maverick out for being a maverick and he gets shat on. You can’t look out for yourself in the military, you endanger everyone else.

No matter how arrogant Maverick is, no matter how brash and stuck up, he is still a gifted pilot, and so everyone bends over backwards for him. Even though Charlie (Kelly McGillis) repeatedly stresses that she can’t date him because it wouldn’t be professional, she ends up spreading her legs. Even though Maverick kills his best friend and wingman Goose, he still gets more chances to prove himself.

He struggles a bit, and then regains his confidence, just in time to shoot down some real enemy MiGs and save the day. And then gets the girl at the end. Hurray for cliché Hollywood endings.

Top Gun was made in a different time. Back then there was no CG… if you saw a couple of jets doing some crazy cool maneuvers, you knew that shit was real. I know Tom Cruise isn’t flying an F-14, but some guy is, and that guy is a bad ass.

Every ‘80s movie needs a hit soundtrack. And the Top Gun soundtrack is epic. Danger Zone by Kenny Loggins is one of the cheesiest macho songs ever. Berlin’s Take My Breath Away is an awesome and awkward love song. There might have been a few more songs on the soundtrack. None of them matter.

No movie about military life is complete without a homoerotic beach volleyball scene. Maverick knows that he has a date that night, with a really hot instructor nonetheless, but playing shirtless volleyball with the boys is a little more important apparently.

Top Gun is one of those action films that defines a decade. It’s like Star Wars, if you haven’t seen it, you are weird. Real planes doing real stunts means real excitement. Is anyone else slightly distracted by Tom Cruise’s unibrow?

Critically Rated at 14/17

Leave a comment

Filed under Entertainment

Neil Gaiman’s Neverwhere

Neverwhere was a BBC show that Neil Gaiman wrote and later adapted into a novel, which later got adapted into a comic book. Neil Gaiman’s Neverwhere is a comic adaptation of the novel. Gaiman wrote the novel, but Mike Carey wrote the comic with Glenn Fabry providing the art. It’s the story of Richard Mayhew, a regular guy with a regular life, who helps out a mysterious stranger and discovers the mysterious world of London Below.

Richard Mayhew has a boring job and a bossy fiancée. He can’t make any decisions for himself, that’s her job. The only time he defies her is to help hurt woman in the street. The hurt woman isn’t exactly from around here, she comes from London Below. The best way to describe London Below is that it’s made up of pieces from our world that got lost or went missing. That’s not a good way to describe it, but it is the best way.

The hurt woman is named Door, and she’s in trouble. Her family has been murdered, she has two assassins tracking her down, and she needs help. Richard helps her find the Marquis de Carabas, and he helps Door escape from the assassins (Croup and Vandemar).

Richard tries to go back to his old life and old routine, but there’s a problem. London Above seems to have forgotten him. His apartment is being shown to potential tenants, no one at the office can see him, his fiancée doesn’t recognize him. It’s as if he never existed.

Richard has to go back to London Below to find Door and recover his existence. After a few adventures and mishaps he finds Door and joins her on her journey to discover what happened to her family and why. A legendary warrior named Hunter joins their posse to act as Door’s bodyguard.

There’s a whole bunch of stuff that they have to do, there’s a lot of hoops to jump through, a bunch of crazy characters with hidden agendas that they have to deal with. London Below is a rich, dense, chaotic and confusing world, and it’s a joy to explore.

Richard Mayhew learns more about himself in London Below than he ever did in his real life. So in the end, when the conflict has been resolved, and he’s back in his routine, he feels hollow. How can you survive the fantastic and return the mundane and be satisfied? You can’t be content with mediocrity after a magic mission like he experienced. So he finds a way back to London Below, his new home.

The comic cuts out a lot of stuff. They had to; the story is way too dense to be crammed into a nine issue series. They changed a few things here and there, but it’s a pretty faithful adaptation overall. You can tell that Mike Carey is fan of Neil Gaiman. He takes time and puts a lot of care and effort into converting a dense novel into comic book form. I’ve never done that, but I imagine it’s a difficult task.

The art is awesome. The story is awesome. Neil Gaiman is awesome. Mike Carey is awesome at trying to be Neil Gaiman. This is a decent comic, but the book is better.

Critically Rated at 11/17

Leave a comment

Filed under Entertainment

The Animatrix

The Matrix is a great movie. The sequels have some great moments, but they are not great movies. The Animatrix is the best installment in the Matrix franchise. It’s a collection of eight animated shorts about the Matrix universe. Each segment has it’s own style of animation. Four of the stories are related to the movies, and the other four are independent. If you liked the first movie and thought the sequels sucked, you should give this one a try, it might redeem your faith in the Matrix franchise.

Final Flight of the Osiris is a CG animated short that ties directly into the Matrix Reloaded. The animation is reminiscent of the Final Fantasy movie. The Second Renaissance is a two-part film that explores how the machines came to dominate man. It’s pretty much a history lesson on how the Matrix universe was formed. B1-66ER will haunt your dreams. Kid’s Story is a tale about that weird kid that wanted to carry Neo’s luggage in the second movie. It’s how he escaped the Matrix, and Neo makes an appearance. Really cool animation, kind of like Waking Life.

Program is an independent short; it has no bearing on the films. It’s about a chick named Cis being tested as to whether or not she wants to be in the real world or go back to Matrix. It’s my least favorite segment. World Record is about a sprinter who pushes his body and mind to the limit, escaping the Matrix and finding freedom. Beyond is about a girl who goes looking for her lost cat and finds a haunted house. The haunted house isn’t actually haunted, it’s just a glitch in the Matrix. It’s the best of the independent stories and one of the highlights of the Animatrix. It’s simply fantastic.

A Detective Story is a film noir short about a detective trying to track down Trinity. It’s set in the ‘30s or ‘40s, and it’s like the Maltese Falcon meets the Matrix, but it works. Matriculated is the last short and a disappointing way to end the Animatrix. It’s done by the same guy who did Aeon Flux, so imagine that style with weird Matrix robots. It’s about a group of humans who try to reprogram machines to help humans and not kill them. It’s not a bad story, but the Animatrix should end with a short that is more relevant to the Matrix films.

The Animatrix is the best installment in the Matrix franchise. And it’s the most overlooked. The Animatrix is worth buying, high praise in these days of illegal downloads. The Second Renaissance and Beyond are reason enough to buy it. Great animation and great stories add up to a great time. And you gotta admit that it has a clever title.

Critically Rated at 16/17

Leave a comment

Filed under Entertainment

Jerry Maguire

When Tom Cruise isn’t making a fool of himself in interviews he makes movies. A few years back Tom Cruise starred as Jerry Maguire in Cameron Crowe’s Jerry Maguire. It’s the best movie about a sports agent of all time, hands down. Cuba Gooding, Jr. and Renée Zellweger turn in supporting roles, and little Jonathon Lipnicki taught the world that the human head weighs eight pounds.

Jerry Maguire is a successful sports agent who feels that the business is getting out of hand. He writes a memo about how honesty and personal relationships are more important than money. His bosses think that money is important and Jerry gets fired.

Jerry decides to start his own sports agency. His only employee is Dorothy Boyd (Zellweger), a single mother who is inspired by Jerry’s memo. Jerry’s main investment is in Frank Cushman, the potential NFL #1 Draft Pick. His only other client is Rod Tidwell (Cuba Gooding, Jr.), a wide receiver for the Arizona Cardinals. On the night of the draft, Jerry finds out that his rival now represents Cushman, and Jerry is fucked.

Jerry hits a bit of a rut, breaks up with his fiancée and turns to Dorothy for comfort. He starts a relationship with her, but it’s complicated because she loves him, he doesn’t know if he loves her back, and she’s got a cute little kid that Jerry starts to love like a son.

Jerry invests all his time into helping Rod get a big contract. The two of them form a friendship, with Rod giving Jerry advice on marriage and love, and Jerry giving Rod advice on how to become a superstar.

By the end of the movie, Jerry is a happy and content family man. Rod gets his big contract. And you, the viewer, are happy for everyone.

Tom Cruise does a great job as Jerry Maguire. He’s a complex character; he’s incomplete but acts whole. He has good intentions but can’t always act on them. Cuba Gooding, Jr. elevates the film. Every scene with him interacting with Jerry is memorable. I have a feeling that Terrell Owens spent his career trying to be Rod Tidwell. Cuba won the Oscar for his performance and he celebrated by never making a decent movie again.

This was Renée Zellweger’s breakout role. And she actually looks good. In a lot of her movies she looks weird. She’s pretty, but she’s not Hollywood pretty. Jonathan Lipnicki plays Ray, Dorothy’s son. He’s a little scene-stealer. I want to punch him in the face though. Just to see what would happen.

Kelly Preston has a small role as Jerry’s fiancé. It’s a little bit of a stretch to pretend like she’s attracted to a homosexual scientologist, but she was able to pull it off. That’s acting (This is a very clever joke, because in real life she’s married to John Travolta, a scientologist who many believe to be a homosexual).

This movie came out in 1996 and people are still yelling, “Show me the money!” Shut the fuck up. This movie had a bunch of corny lines that people are still quoting: “You complete me” and “You had me at hello” are among the worst offenders. It’s a sign of a good movie when people constantly quote it.

Jerry Maguire is a good movie. It might be Tom Cruise’s best film. I don’t like Tom Cruise, so that’s a big compliment. There’s no denying that he’s a movie star. Jonathon Lipnicki might have been the cutest kid on the planet for a few short years. I still want to punch him in the face. This is a good movie, there’s sports for the guys and a love story for the girls, everyone wins.

Critically Rated at 14/17

Leave a comment

Filed under Entertainment

The Matrix

No one can be told what the Matrix is; you have to see it for yourself. And you’ve should have seen it by now. It’s been out for 13 years. Andy and Larry Wachowski wrote and directed The Matrix, one of the greatest action/sci-fi films ever. Keanu Reeves plays Neo, a hacker who finds out the world is a lie perpetrated by machines to control and harness energy from humans, and that he is the One prophesized to save mankind.

Thomas Anderson A.K.A. Neo (Keanu Reeves) is a hacker by night and an office drone by day. He senses that there’s something wrong with the world, but he can’t quite grasp it. He gets enigmatic clues about something called the Matrix, but he can’t figure out its meaning. He meets a mysterious hacker named Trinity (Carrie-Anne Moss) who leads him to man named Morpheus who can help him find out what the Matrix is. Morpheus (Laurence Fishburne) gives Neo a pill to swallow, and since you should always take strange pills that a stranger gives you, Neo swallows it and reality collapses into a dream and he wakes up in the Real World.

Morpheus finds Neo and takes him on his ship, the Nebuchadnezzar. Morpheus is the captain, Trinity is a crewmember, and there are a few other crewmembers including the shady Cypher (Joe Pantoliano). Neo finds out the truth about the Matrix. Humans developed machines that got too smart and that lead to a war and that lead to us getting our asses kicked. Now the bulk of mankind is harvested for energy. The Matrix is a simulated reality that the controlled humans are connected to. The world that they know is a computer program.

Neo learns that he can manipulate the computer program, that he can bend the rules of gravity and physics and learn Kung Fu. Morpheus believes that Neo is the One, that he will end the war between the machines. Neo doubts himself; he can’t quite free his mind. Neo learns all the rules about the Matrix, and he learns that the Agents are bad. Especially Agent Smith (Hugo Weaving).

So there’s a bunch of philosophical hoopla about the nature of reality and prophecy and fate vs. freewill. They visit the Oracle and she talks to Neo about his future. She tells him what he needs to hear. Then the shady Cypher is revealed to be working for the Agents. He sells out his crew and tips off their location. Morpheus gets captured, the unnecessary crewmembers die, and now its time for Neo to man up and save Morpheus.

They get a shit ton of guns and have a cool fire fight and kill lots of innocent guards who aren’t agents or evil. They decided not to bring spare magazines, so each time the clip runs out they just whip out a new gun. I guess it’s easier to just carry 20 guns rather than reloading. Neo and Trinity rescue Morpheus. Trinity and Morpheus go back to the real world, and Neo gets attacked by Agent Smith. And Neo stands his ground for a while, but then he runs away like a bitch. Just as he’s about to exit the Matrix, he gets shot. And he dies. And then Trinity kisses him and he comes back to life. And now he’s the One. And then he kills Agent Smith, but not really, because Agent Smith comes back in the sequels. But we don’t know that yet. But for now, Neo has saved the day, and things are looking up for mankind

.

Quick factoid: Will Smith turned down the part of Neo to star in Wild Wild West. Thank god, because he would have ruined this movie. Keanu Reeves is not a good actor, but he is perfect for Neo. He lets the events unfold around him, he doesn’t talk much, and he just reacts and looks bewildered by everything. And it suits the movie perfectly.

The action was and still is amazing. The fight choreography is as good as it gets. The bullet time sequence is one of the coolest shots in history. The action is great, but this film works because the action and philosophical scenes go hand in hand. This is a smart movie. The sequels tried to be smart and got pretentious

.

If you haven’t seen this movie in a while, go back and watch it. There’s a great buildup, and the dialog is very layered. There’s a lot more to The Matrix than you might remember. It deserved to be the start of a franchise. And even though the Wachowski Brothers went kind of crazy, the Matrix Universe is still worth exploring.

Critically Rated at 15/17

Leave a comment

Filed under Entertainment

Saving Movie Stubs

You went and saw the biggest blockbuster. It’s not enough to say that you saw it, you need to prove it. The best way to prove it is to present your ticket stub. I saw The Avengers on May 4th, motherfucker. You don’t believe me?!? Here’s my stub, bitch. Saving movie stubs is important. It’s proof of purchase. And how else are you going to remember what crappy movies you saw in theaters 30 years from now. You gotta talk to your kids about something some day, why not make it mediocre movie experiences?

Critically Rated at 10/17

Leave a comment

Filed under Entertainment

Teen Wolf (film)

Rod Daniel directs Michael J. Fox in Teen Wolf. Michael J. Fox plays Scott Howard, an average teenager who wishes he wasn’t so average. And then he finds out he’s a werewolf. It’s a coming of age story and it’s also a werewolf comedy. People did a lot of cocaine in the ‘80s.

Scott plays for his shitty high school basketball team. He likes a girl named Pamela, but she’s dating a jerk/jock/bully named Mick. He doesn’t notice that his friend Boof has a crush on him. Boof is a stupid name. I hate it. Scott also has a party animal friend named Stiles.

Scott starts to notice changes. Not your standard puberty stuff, but sometimes he grows claws or gets pointy ears or suddenly has fur. It turns out that he’s a werewolf. This movie is different from most werewolf movies because his condition is genetic. He wasn’t bitten by a werewolf, he was always had werewolf genes thanks to his werewolf father. Werewolves aren’t uncontrollable monsters. They are just furry people who are good at basketball for some reason.

Scott uses his werewolfism to win games and become more popular. And you better believe there are multiple montages showcasing how awesome being a teen wolf is. He even gets laid by his dream girl, but she turns out to be a bitch.

Scott eventually realizes that there’s a downside to being a werewolf, and he’s not sure how to handle his popularity. He loses sight of who he is for a while, but eventually decides he needs to tame the wolf. So he plays the championship game as his regular human self (his tiny human self). And somehow the team wins. Because it’s Hollywood and little white people are amazing at basketball. And he finds happiness and love with Boof, the girl who loved him all along.

I think the message of the movie is clear: ignore what makes you special and unique and act like everyone else and you will be happy.

Mark Holton plays Chubby, one of the teammates on the basketball team. Here is a well-developed character. His name is Chubby and he is chubby. His locker is filled with food and snacks, because fat people stash food everywhere. He even plays in a game while eating an apple. Anyone who thinks Hollywood has shoddy writers needs to study Chubby’s character arc.

Teen Wolf is not the best werewolf movie. It doesn’t try to be. It doesn’t take itself seriously. I don’t know how or why it was made, but people did a lot of cocaine in the ‘80s. I’ve seen this movie a pretty decent amount of times. It’s on TV a lot. If you see it, check it out.

Critically Rated at 12/17

Leave a comment

Filed under Entertainment

Independence Day (film, not the day)

Before Roland Emmerich went crazy and started spewing out ridiculous disaster movies like The Day After Tomorrow and 2012, he made an awesome disaster movie called Independence Day. This was one of the best summer movies of the ‘90s. It had it all: a sweet cast, amazing special effects, and good action scenes. Plus Vivica A. Fox plays a stripper.

The movie stars out with a bang. It starts on the moon and a giant shadow creeps across its surface, steadily heading for Earth. Before long, giant spaceships are hovering over 36 major cities across the world. As we learn about the threat, we are introduced to the main characters. Jeff Goldblum plays David Levinson, a genius who discovers a hidden code that indicates the aliens are going to attack. He goes to Washington, D.C. to warn his ex-wife who works for the President of the United States. Bill Pullman plays the President, a former combat pilot.

Will Smith plays Captain Steve Hiller, a pilot for the Marines. He wants to become an astronaut, and he has a stripper girlfriend named Jasmine (Vivica A. Fox). Randy Quaid plays Russell Casse, he’s a pilot too. Seriously, the whole world gets destroyed, but half the survivors are pilots. If you wanna survive Independence Day, you should start taking flying lessons.

The hidden code that David finds turns out to be valid, and the ships attack simultaneously across the world. Millions of people die, but if you jump into a storage closet in a tunnel, you’ll be fine. That’s how Vivica A. Fox survived. She plays a stripper in the movie by the way.

So the world’s been half destroyed, and we have no idea how to stop them. Will Smith flies around and gets one to crash and then he punches it in the face and welcomes it to Earth. And then he and the alien body get a ride from Russell Casse and his family to Area 51. And the President is there, along with David and all the other people who haven’t died yet. The alien turns out not to be dead, and we find out that they want to take over the world and they want us to die. So we decide to nuke them. And it doesn’t work, and we don’t know what to do. And we seem pretty fucked.

Then David gets an idea. He’ll simply use his Apple laptop to upload a virus to the mother ship to disable all the other ships, while simultaneously the survivors across the world will launch a global attack on the alien ships. Will Smith and David fly to the mother ship, and the President and Russell Casse and all the other survivor pilots take to the skies in a desperate attempt to save mankind.

Not to spoil anything, but we won. We beat the aliens. And David takes up smoking. He probably stops recycling too.

This movie came out when I was ten years old. It was the movie of the summer. It was like my Star Wars. It was an event. And when we went back to school we shunned the ones who didn’t see it.

There are a lot of funny moments and lots of great one-liners. There are also some touching moments, like when the President has to tell his daughter that mama ain’t coming back. Some of the actors do a great job, like Judd Hirsch as Julius, David’s father. Some of the actors do a terrible job, like James Duval as Miguel Casse, Russell’s son. He looks like he went to the Keanu Reeves School of Wooden Acting. I think Bill Pullman’s speech with the bullhorn is one of the best fake president speeches of all time. Oh, and Vivica A. Fox plays a stripper.

Of course there are lots of plot holes (like where’s the Secret Service?) and poorly written characters, but the movie is exciting and fun and entertaining. I like being entertained, it’s fun. I think it’s weird how everyone laughs at Russell whenever he mentions being abducted by aliens ten years earlier. They know that aliens exist now. They should be apologizing for having doubted him.

Independence Day is a cool movie. It was the first time Will Smith saved the world. He does that every other summer now. This was back when it was still special. Seriously if you haven’t seen this movie you missed the ‘90s and I feel bad for you.

Critically Rated at 15/17

Leave a comment

Filed under Entertainment