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Chef

Chef is a 2014 dramedy film written, directed, produced, and starring Jon Favreau. Favreau plays Carl Casper, a successful celebrity chef who has become stuck in a rut, cooking the same dishes over and over again. After a bad review from a notable critic, Casper goes on a rant that gets uploaded to the internet and goes viral. Casper ends up quitting his restaurant and gets his own food truck at the behest of his ex-wife, Inez (played by Sofía Vergara). Casper and his young son start to bond while fixing up the truck. Casper’s love for cooking returns and the relationship with his son becomes stronger and stronger. Casper’s food is a hit with customers and critics alike, and the film concludes with Casper opening a new successful restaurant and remarrying his ex-wife. Sorry, spoiler alert. I always forget to mention the spoiler alert.

Chef is an enjoyable movie. It was a passion project of Favreau and you can tell. I have a few complaints though. For starters, it’s too long. It takes about forty-five minutes for him to even get the truck. We didn’t need that much exposition. It shouldn’t take that long to establish that he’s a great cook and a lousy family man. And the film seems to be a commercial for Twitter, Vine, and other forms of social media. I thought I was watching a movie about food, not technology.

The supporting cast is great, although somewhat underused. Robert Downey, Jr., Scarlett Johansson, Oliver Platt, Dustin Hoffman, and John Leguizamo all play supporting roles. John Leguizamo’s character, Martin, is there in the beginning, disappears for a while, and suddenly comes out of nowhere halfway through the film to work with Casper in his truck for no money and no reason other than to give Casper more time to bond with his son. Martin seemingly does all of the prep work and does most of the cooking during the food truck scenes. He’s more of a chef than the titular chef.

Watching this film makes you hungry. Be forewarned. Make sure you have something to snack on because your stomach will be grumbling every five minutes. It’s a good movie, a little redundant at times, but still solid entertainment. I watched it on Netflix. You can too.

Critically Rated at 13/17

Written, Rated, and Reviewed by Brendan H. Young

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TV Shows are Better than Movies

Movies used to be the premier form of Hollywood entertainment. They were the pinnacle. They had the best actors, the best directors, the best stories, and the best effects. But then HBO started making their own shows. They had the budget to hire quality actors to portray quality characters. Characters are the most important part of storytelling. If you don’t care about the character, then you don’t care about what happens to them. And a TV series allows a character to get developed over multiple episodes and seasons. You get to know their personality, their quirks, their pet peeves, and you feel like you truly know them.

AMC has a lot of amazing character based dramas, like Mad Men and Breaking Bad, with interesting characters and intriguing storylines. The Walking Dead not only has great characters but also feels like a zombie movie that never ends. And it has more graphic and creative zombie deaths than anything in the movies. There are shows like True Blood that are extremely sexual and violent and Spartacus (which makes True Blood seem like a family show). The quality writing on television is extended to Cartoon Network. Even the worst season of Star Wars: The Clone Wars is better than anything the prequel trilogy has to offer.

In the old days, any actor could be on TV but only a few actors could transition to the big screen and be a box office draw. Now movie stars want to be on television. The Simpsons and Scrubs are famous for their celebrity cameos and guest roles. Former Hollywood heavyweights like Keifer Sutherland got a career boost by turning to TV. Dustin Hoffman, Steve Buscemi, and Sean Bean put aside film opportunities to star in HBO shows. Kevin Spacey, Christian Slater, William H. Macy, Alec Baldwin, Kathy Bates, Zooey Deschanel, Danny DeVito, Christina Ricci, Laura Linney, Don Cheadle, and Glenn Close have all chosen television over film. Who needs to go to the theater with that kind of star power available on a weekly basis?

With HBO hits like The Sopranos and Sex in the City, other networks started paying more attention to quality programming. Premium cable channels like Starz and Showtime stepped up their game. Basic cable networks like FX and AMC had to keep up and they did. And the major networks took note and started taking more risks. We get shows as diverse as Lost and Community and everybody wins. The production quality and star power of television shows is only going to increase. It’s a good time to be a couch potato with a Netflix subscription.

Critically Rated at 16/17

Written, Rated, and Reviewed by Brendan H. Young

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Kung Fu Panda 2

Kung Fu Panda was a surprisingly good film, and this sequel takes everything good about the first one, and expands it. It is a deeper and more complex film but is just as entertaining as the first one. Director Jennifer Yuh Nelson directs and Jack Black reprises his role as Po the Kung Fu Panda. It’s a cool CG movie with lots of action, comedy, and heart.

Angelina Jolie, Jackie Chan, David Cross, Seth Rogan, Lucy Liu, and Dustin Hoffman all return for the sequel, and Gary Oldman, Michelle Yeoh, Danny McBride, Dennis Haysbert, and Jean-Claude Van Damme join the voice cast as well. Props must be given to Jennifer Yuh Nelson for directing the highest grossing movie ever for a woman. Being a Korean American, she respects Asian culture and it shows on screen.

The main villain of this movie is an evil peacock tyrant named Lord Shen (Gary Oldman) who fears that a panda will one day defeat him. So he kills off all the pandas in China, except for one… the one who would grow up to be Po the Dragon Warrior (Jack Black). Po is living with his goose dad, Mr. Ping, and he begins to question his origins. Ping explains that he found Po in a radish crate when he was a baby, and he adopted him.

Po’s teacher, Master Shifu (Dustin Hoffman) continues training Po, saying that he still has to achieve inner peace. Shifu soon finds out that Lord Shen has returned to power. Shen has a powerful new weapon that is capable of wiping out Kung Fu. It’s up to Po and his animal posse to stop him.

They have a few battles with Shen, and they lose when Po’s past catches up with him. Shen and Po fight and it looks like Shen kills Po. But Po is the Kung Fu Panda and the franchise wouldn’t work without him, and so Po comes back and saves the day, having finally achieved inner peace. Inner peace makes you a more violent and efficient fighter. The movie ends on a cliffhanger, setting things up for a third chapter.

Kung Fu Panda was a fun movie. Kung Fu Panda 2 is a fun movie that is about self-discovery. Po is questioning who he is. His past comes into play. It references the first film while preparing you for the next one. It is the perfect second act in a trilogy. I have high hopes for the next one.

The animation is pretty good. It’s not as impressive as Pixar’s animation, but it serves the story well. The story is improved over the first one. It explores more themes and delves into more complex issues than the first movie.

Jack Black pretty much plays Jack Black in all his movies. When you hear Jack Black but see a fat panda, it is more enjoyable. He has a face made for voiceover.

Kung Fu Panda 2 is on par or perhaps exceeds the original. DreamWorks will never be Pixar, but they still know how to entertain.

Critically Rated at 13/17

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Hook

What if Peter Pan grew up? According to Steven Spielberg, he would become Americanized and look like Robin Williams. Hook tells the story of a grown up Peter Pan, who must return to Neverland to save his kids from the evil Captain Hook. Robin Williams plays Peter Banning, an American lawyer who finds out he is Peter Pan, and Dustin Hoffman plays Captain Hook, the Sleaziest Sleaze of the Seven Seas.

Peter Banning (Robin Williams) is a father and a lawyer, who would rather spend his time lawyering than being with his kids. His wife Moira (Caroline Goodall) worries that Peter isn’t spending enough time with his kids Jack and Maggie (Charlie Korsmo and Amber Scott). Peter misses Jack’s baseball games and is too busy working to notice his kids. The Banning family goes on vacation to visit their Granny Wendy (Maggie Smith). Wendy claims to be the Wendy from J.M. Barrie’s Peter Pan.

While Peter, Wendy, and Moira are out one night, the kids get kidnapped. The only clue to their abductor is a note signed by a James Hook. Granny Wendy tells Peter that he is Peter Pan, and that only he can save Jack and Maggie. He has a hard time believing her until Tinker Bell (Julia Roberts) shows up and takes him back to Neverland.

Peter finds himself in the midst of a bunch of pirates, including Smee (Bob Hoskins) and the notorious Captain Hook (Dustin Hoffman). Hook offers Peter his kids in exchange for a war. Peter has three days to find his inner Pan and fight Captain Hook.

Peter finds his old allies, the Lost Boys. They don’t recognize the old geezer in front of them as their former leader, until Pockets pulls back his wrinkles and finds his long lost friend in the folds. Not all the Lost Boys are convinced that Peter Banning is Peter, most notably Rufio (Dante Basco).

As Peter struggles to discover his inner child, Captain Hook decides to brainwash Jack and Maggie into loving him. Maggie is hard to convince, but Jack already had a strained relationship with his father, so he starts to turn to Hook’s side.

Peter eventually remembers who he is, and what he can do. He finds his happy thought, and he is Peter Pan again. He and the Lost Boys launch an attack on Hook and his pirates, freeing Jack and Maggie. But this is an exciting Hollywood climax, so people die. Like Rufio. Peter and Hook have an exciting duel, culminating in Hook getting devoured by a crocodile clock. Neverland’s a bitch sometimes.

Peter Pan wins, defeats Hook, and frees his kids. And then he goes home. He did what he had to do, and he can’t stay and have fun anymore because reality is waiting. It seems like kind of a bummer way to end a fantasy about childhood immortality, but who am I to judge?

This is probably my definitive childhood movie. I saw this movie when I was six years old in the theaters. I know every single line, every single moment. I grew up on this movie. I could watch it every day and not get tired of it. It’s almost like a part of me. It impacted me, especially lines like not wanting to grow up “because everyone who grows up has to die someday.”

I’ve seen this movie a lot. And I noticed that when the dog is barking and Toodles starts saying Hook (right before the kids get snatched), you can see a teddy bear. The same teddy bear that Peter later finds in Neverland that gives him a happy thought that allows him to fly. And later Hook tells Peter that he’s only dreaming. And Peter wakes up outside in the park… Maybe he was dreaming the whole time.

The imagination banquet, where Peter first uses his imagination, is one of my favorite scenes from any movie. It starts with an awesome battle of wits between Rufio and Peter as they hurl insults back and forth at each other. Peter wins and triumphantly flings an empty spoonful of food at Rufio, and everyone is amazed as brightly colored food smashes into his face. Everyone looks around astounded as the previously empty table is filled with generous platters of the most gorgeous and spectacular dishes you’ve ever seen. It’s a feast fit for a king and your mouth waters just thinking about it. Before the miraculous moment can fully sink in, a food fight starts. Slowly at first, but then it suddenly explodes into a frenzy of food and filth and laughter. The scene represents all the themes of the film.

Robin Williams does a great job playing a workaholic father, and he is able to transition from being a gruff adult into acting like a little kid. He even shaved his arms and chest so he would look more childlike and less like a yeti. That’s commitment.

Hook is one of my favorite movies of all time. I know that doesn’t make it a good movie, but I’m biased. Check it out if you haven’t.

Critically Rated at 16/17

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