Tag Archives: drama

Dear Zachary: A Letter to a Son About His Father (documentary)

This documentary will change your life. When filmmaker Kurt Kuenne’s childhood friend was murdered, Kuenne set out to make a documentary about him to show his son one day. The goal was to interview the friends and family of Andrew Bagby to paint a portrait for the son who would never know him. But real life is crazier than any Hollywood story and the loving tribute for a fallen friend becomes a quest for justice.

There once was a promising young doctor named Andrew Bagby. He was the only child of two loving parents, he had a million lifelong friends, he was happy, funny, respected, and an all-around great guy. He also had a psychotic girlfriend who responded to their break-up by murdering him in cold blood and fleeing the country.

A few months later Andrew Bagby’s parents found out that their son’s murderer is pregnant with his child. David and Kathleen Bagby decided that their grandson should live with them and not with his murderous mother. This sets off a fierce legal battle for the custody of baby Zachary. But the legal system is flawed and justice is never easy. Sometimes there is no justice. Sometimes a mother kills her baby and herself out of spite.

This is one of the most heartbreaking films I have ever experienced. You don’t have a soul if you don’t cry. You really get a sense of Andrew Bagby’s genuine warmth and sympathize with his grieving parents. You feel outraged that his killer is allowed to walk free and feel sad for a kid growing up without his father. And you’ll never get over the shocking conclusion to this true story. If you have 90 minutes and a box of Kleenex to spare, check out this film.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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Glory is based on the true story of the 54th Massachusetts Volunteer Infantry, the first formal US Army unit made up of black soldiers. And Hollywood is racist, so Matthew Broderick plays the main character. Edward Zwick (The Last Samurai) directs and Morgan Freeman, Denzel Washington, and Cary Elwes costar in one of the better movies set during the US Civil War.

Captain Robert Gould Shaw (Ferris Bueller) is the son of abolitionists and is currently fighting in the Civil War for the Union Army. He gets injured in a battle and goes home to Boston where he gets promoted to Colonel and assumes control over the 54th Massachusetts Volunteer Infantry. He recruits his friend Cabot Forbes (Cary Elwes) to be his second-in-command. He’s also white. The first black guy who joins them is Thomas (Andre Braugher), a childhood friend of Cabot and Shaw’s.

A bunch of men join the unit for a chance to fight, to prove themselves both honorable and equal. Denzel Washington plays Trip, an escaped slave with a chip on his shoulder for understandable reasons. Jihmi Kennedy plays Jupiter Sharts, a free black man who seems naïve and innocent compared to Trip. Morgan Freeman plays Rawlins, who plays the wise old mentor figure who can still kick some ass.

Shaw’s tasked with getting the 54th into fighting shape, something that’s not easy to do. The men train and bond and establish their characters and relationships. They have to fight for boots, rifles, and uniforms. The men work hard and improve, but it becomes clear that they aren’t likely to see any action on account of all the racism.

Shaw blackmails his commanding officers and gets his men to the front lines. They win a small skirmish in South Carolina. And Shaw volunteers the 54th to lead a suicide assault on Fort Wagner. Not to ruin anything, but they pretty much all die. It was a suicide assault after all.

Robert Shaw was a real guy. He really did command the 54th infantry. The movie has to include him. But Shaw is a shitty main character. He is kind of racist but not really. He’s kind of a coward but not really. He just kind of stands around and occasionally does something to advance the plot, but he seems to just be plodding along. All of the good scenes are about Trip, Rawlins, Thomas, and Jupiter. They are the heart of the movie. A movie about a black army unit should focus on the black army unit.

Morgan Freeman is always good, and this movie is no exception. But Denzel Washington steals the show. Trip is a great character. The scene where he gets whipped for desertion is hard to watch, but you can’t turn away. You feel his pain.

The battle scenes are explosive, violent, bloody, and realistic. Edward Zwick knows how to balance out riveting action sequences with quieter and more reflective scenes. This is a great movie, it’s a classic. You watch it and you want to learn more about the 54th. Those brave soldiers fought with courage and honor and deserve to be remembered. They should be the focus of the film, not their white leader.

Critically Rated at 14/17

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What Dreams May Come (film)

Vincent Ward directs Robin Williams in one of his more dramatic roles. This is not a comedy. This is a depressing movie about death and the afterlife. It’s about the lengths a guy will go through to be reunited with his soul mate. It’s based on a book that I never read and probably never will because I’ve seen the movie.

Robin Williams plays Dr. Chris Nielsen, and when he was young, he met an artist named Annie (Annabella Sciorra). They fell in love and had a couple of kids and life was good. Then life wasn’t so good when their kids died in a car accident. Annie goes a little crazy with grief and tries to kill herself, but Chris pulls her through. He is her strength, her rock. And then he dies too, and Annie is all alone.

Chris is dead, but he’s not gone. A part of him still exists and he stays around for a while. A blurry Cuba Gooding, Jr. appears and acts as his guide to the afterlife. They watch Annie grieving at his funeral and at his gravesite. He has to move on and so he goes to his own personal Heaven.

You create your own Heaven and Chris goes into his wife’s paintings. His old Dalmatian is there and so is Cuba Gooding, Jr. and he’s no longer blurry. Cuba identifies himself as Albert Lewis, Chris’s old mentor. He teaches Chris the basics of Heaven, what you can and can’t do, free your mind, all that hoopla. Chris and Albert see a tree that wasn’t in the painting before. Annie just painted it, and they are able to reach each other through her art. Because they are soul mates. And that’s how it works.

Chris mentions that he hasn’t seen his kids. Albert says he will see them when he wants to see them. Even though he saw his dog right away. I guess we know his priorities. Chris continues touring Heaven and meets a hot Asian chick. She ends up being his daughter. I saw this movie in theaters and I was really confused at this point, because I thought he had two sons that died in a car accident. I didn’t know that the younger kid was a girl. Girls should have long hair. I thought he just had an effeminate son. Anyway, the hot Asian chick is his daughter. His daughter assumed the form of a sexy Asian because her dad said that Asians were sexy. So she wanted to look attractive for her daddy. That’s kinda gross. And I guess that even though Chris loves Annie he still has a case of yellow fever.

So after this awkward father-daughter reunion, Albert tells Chris that Annie committed suicide and is now in Hell. She was suffering and she ended her suffering and ended up in Hell. When the dog was suffering and they ended his suffering, it ended up in Heaven. Why did she end up down there and the dog end up in Heaven? Did they murder the dog? Is that the difference?

Anyway, Chris decides he wants to go to Hell to rescue Annie. Albert takes him to a Tracker (Max von Sydow). They all go to Hell, and Chris remembers telling his son that he wouldn’t walk through Hell with anyone other than him. And he realizes that Albert is actually his son. So the first two people he meets in the afterlife were actually his kids and they were lying to his face. Everyone lies in Heaven. Maybe his dog is really his old cat.

So Albert/Actually-his-son stays behind and Chris and the Tracker go through Hell to find Annie. And the Tracker reveals that he is actually the real Albert Lewis, the same guy who his son was pretending to be. Small world or lazy writing?

Chris finds Annie trapped in her own personal Hell. She doesn’t recognize him. He chooses to stay in Hell with her and they end up back in Heaven. Because they are soul mates and that’s how it works. They are reunited in Heaven with their two kids and it seems like the perfect ending. But Chris and Annie decide to get reincarnated and get sent back to Earth to start a new life together. The two kids get to stay in Heaven and not live full lives, while their parents get to go back and start a new family and forget about their two kids they already had. That’s a terrible ending. It’s child neglect from beyond the grave.

This is not a comedy. Just because you see Robin Williams on the cover doesn’t mean it’s a good time. This movie is sad. It tries to be uplifting but it fails. There are great depictions of Heaven and Hell, and the plot seems original at first, but it becomes mundane. It’s a decent movie, but I wouldn’t say it is essential viewing.

Critically Rated at 11/17

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Boy Meets World

When I was a kid, Friday nights were reserved for ABC’s TGIF lineup. Boy Meets World was one of my favorite shows growing up. I grew up watching that show. Ben Savage is Cory Matthews, the Boy who meets the World for seven seasons, taking him from middle school to high school to college. The first couple of seasons were grounded in reality and it was a family show. Then something happened and the show became self-referential and a parody of itself. And it was awesome.

Cory Matthews is a regular kid growing up in Philadelphia. He lives with his parents Alan and Amy (William Russ and Betsy Randle), his older brother Eric (Will Friedle), and his younger sister Morgan (played by Lily Nicksay and later Lindsay Ridgeway). He spends his days hanging out with his best friend Shawn Hunter (Rider Strong) and later on with his girlfriend Topanga (Danielle Fishel). He lives next door to his perpetual teacher, Mr. Feeny (William Daniels).

At first Cory deal with issues like falling asleep in class and failing a test, thinking his mom is having an affair before realizing it’s a misunderstanding, and dealing with an embarrassing haircut. In later seasons the storylines become absurd: Eric goes to Hollywood and joins the cast of Kid gets Acquainted with Universe for an episode, Cory becomes a WWII soldier who gets amnesia, Shawn gets into college.

This really isn’t a good show. If I didn’t grow up watching it, I probably wouldn’t like it. But I did grow up watching it, and so if I’m channel surfing and catch it, I have to watch it. It’s a curse.

The show has a hazy sense of continuity. Topanga had an older sister that disappeared and she became an only child. Shawn had an older sister and a half-brother that both disappeared, but that’s cool because later he got another half-brother (Matthew Lawrence) who became a cast member. Cory’s sister disappeared for a season and came back as a different actress. Mr. Turner (Anthony Tyler Quinn) was a big character for a while, and then he got in a motorcycle accident and never showed up on camera again. Minkus (Lee Norris) was the stereotypical nerd and he also vanished for a few seasons before he popped up when they graduated from high school.

When you’re watching the show season by season you can see that it gets really bizarre. My guess is that they replaced the writers with people who had never seen the show. They just made up backstories and histories to spice up episodes, and never bothered to see if it conflicted with continuity.

The show was on from September 24, 1993 until May 5, 2000. This show was the 90’s. You get to see Cory and Shawn grow up, both physically and emotionally. They had to revamp the show a few times, and it jumped the shark quite a few times. But people love to watch a train wreck, so they kept coming back each week, for seven seasons. You can’t deny that it’s a cult classic. It’s no Saved by the Bell, but it’s still a staple of my generation’s childhood.

Critically Rated at 12/17

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Jerry Maguire

When Tom Cruise isn’t making a fool of himself in interviews he makes movies. A few years back Tom Cruise starred as Jerry Maguire in Cameron Crowe’s Jerry Maguire. It’s the best movie about a sports agent of all time, hands down. Cuba Gooding, Jr. and Renée Zellweger turn in supporting roles, and little Jonathon Lipnicki taught the world that the human head weighs eight pounds.

Jerry Maguire is a successful sports agent who feels that the business is getting out of hand. He writes a memo about how honesty and personal relationships are more important than money. His bosses think that money is important and Jerry gets fired.

Jerry decides to start his own sports agency. His only employee is Dorothy Boyd (Zellweger), a single mother who is inspired by Jerry’s memo. Jerry’s main investment is in Frank Cushman, the potential NFL #1 Draft Pick. His only other client is Rod Tidwell (Cuba Gooding, Jr.), a wide receiver for the Arizona Cardinals. On the night of the draft, Jerry finds out that his rival now represents Cushman, and Jerry is fucked.

Jerry hits a bit of a rut, breaks up with his fiancée and turns to Dorothy for comfort. He starts a relationship with her, but it’s complicated because she loves him, he doesn’t know if he loves her back, and she’s got a cute little kid that Jerry starts to love like a son.

Jerry invests all his time into helping Rod get a big contract. The two of them form a friendship, with Rod giving Jerry advice on marriage and love, and Jerry giving Rod advice on how to become a superstar.

By the end of the movie, Jerry is a happy and content family man. Rod gets his big contract. And you, the viewer, are happy for everyone.

Tom Cruise does a great job as Jerry Maguire. He’s a complex character; he’s incomplete but acts whole. He has good intentions but can’t always act on them. Cuba Gooding, Jr. elevates the film. Every scene with him interacting with Jerry is memorable. I have a feeling that Terrell Owens spent his career trying to be Rod Tidwell. Cuba won the Oscar for his performance and he celebrated by never making a decent movie again.

This was Renée Zellweger’s breakout role. And she actually looks good. In a lot of her movies she looks weird. She’s pretty, but she’s not Hollywood pretty. Jonathan Lipnicki plays Ray, Dorothy’s son. He’s a little scene-stealer. I want to punch him in the face though. Just to see what would happen.

Kelly Preston has a small role as Jerry’s fiancé. It’s a little bit of a stretch to pretend like she’s attracted to a homosexual scientologist, but she was able to pull it off. That’s acting (This is a very clever joke, because in real life she’s married to John Travolta, a scientologist who many believe to be a homosexual).

This movie came out in 1996 and people are still yelling, “Show me the money!” Shut the fuck up. This movie had a bunch of corny lines that people are still quoting: “You complete me” and “You had me at hello” are among the worst offenders. It’s a sign of a good movie when people constantly quote it.

Jerry Maguire is a good movie. It might be Tom Cruise’s best film. I don’t like Tom Cruise, so that’s a big compliment. There’s no denying that he’s a movie star. Jonathon Lipnicki might have been the cutest kid on the planet for a few short years. I still want to punch him in the face. This is a good movie, there’s sports for the guys and a love story for the girls, everyone wins.

Critically Rated at 14/17

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Lords of Dogtown

Dogtown and Z-Boys and the Lords of Dogtown go hand in hand. Dogtown and Z-Boys is an awesome documentary about how a group of kids revolutionized skateboarding. Lords of Dogtown is its Hollywooded-out film counterpart. Catherine Hardwicke directs and Heath Ledger, Emile Hirsch, John Robinson, Victor Rasuk, and Michael Angarano lead the cast.

The documentary primarily focuses on Stacy Peralta, Tony Alva, and Jay Adams, and the movie does the same. The movie adds a character named Sid (Michael Angarano), who hangs out with them and has an inner ear problem. They surf, skate, and raise mayhem on the streets of Dogtown. They hang out at the Zephyr Skate Shop and try to impress the cool owner Skip Engblom (played by Heath Ledger). I know Heath Ledger kicked ass as the Joker and a lot of people were surprised that he really could act. Watch the documentary and the movie back to back and compare Heath Ledger’s performance to the real life Skip Engblom. He becomes Skip Engblom, he is Skip Engblom.

One glorious day, Skip gets polyurethane wheels and skateboarding changed forever. The new wheels grip the pavement, and the boys go crazy with the possibilities. They start curving and carving and copying surfing moves. Skip decides to start a skateboard team and forms the Z-Boys.

The Z-Boys tear it up at skating contents and start getting noticed. They discover that empty swimming pools are great for skating, and push the sport to new heights. Stacy, Tony, Jay and the other Z-Boys not only revolutionized the sport, they started a new industry. Skating become profitable and companies and sleazy businessmen start coming after the Z-Boys. The team breaks up and friendships start to dissolve. Stacy and Tony become rich and successful, and they handle it in different ways. Jay thinks that skating stopped being fun, so he joins a violence gang. And then they find out that Sid’s inner ear problem was a brain tumor. He gets his dad to empty their swimming pool, and invites Stacy, Tony and Jay to skate it. The friends are reunited, however briefly, and skate for fun again, however briefly.

The movie is decent, but the documentary is better. You should watch the documentary before you watch the movie version. Hollywood has a tendency to whitewash movies. I couldn’t help but notice that Jeff Ho is completely missing. The same Jeff Ho of Jeff Ho & Zephyr Surfboard Productions. He was Skip Engblom’s fucking boss. And he’s just not there. You’ll notice the film borrows a few quotes and songs from the documentary too. It makes them feel connected.

By the way Catherine Hardwicke directed Twilight. So this movie just lost a few cool points by association. Fucking Twilight.

Critically Rated at 12/17

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The Shawshank Redemption

Some movies transcend the big screen and will change your life. The Shawshank Redemption is one of those movies. The first time you see it you want to run around shouting about it and share it with the world. Frank Darabont directs this adaptation of a short Stephen King novella, and Tim Robbins and Morgan Freeman headline the amazing cast. Tim Robbins plays Andy Dufresne, a hotshot banker who gets locked up for killing his wife and her lover.

Andy’s not cut out for prison. He doesn’t belong there, he kind of strolls around like he doesn’t have a care in the world. He maintains his innocence, but so do all the other prisoners except for Red (Morgan Freeman), the only guilty man in Shawshank. Andy and Red form a friendship, and he makes a few more friends as well. Tim Robbins does a great job, but Morgan Freeman steals every scene that he’s in, plus he narrates the movie (which is always awesome cause his voice is like sexual chocolate).

Prison life kinda sucks. Especially when you’re constantly getting man-raped by the Sisters. And when the corrupt warden relies on your prodigious banking skills to launder money. And when a sadistic guard will beat the shit out of anyone for any reason. And when you’re getting thrown into solitary confinement for months at a time.

Despite a few minor setbacks like those, Andy is able to maintain his sanity when a lesser man would break. He finds flashes of freedom by celebrating the little things in life. He makes a deal with the guard and gets a few bottles of beer and Morgan Freeman goes, “We sat and drank with the sun on our shoulders and felt like free men. Hell, we could have been tarring the roof of one of our own houses. We were the lords of all creation. As for Andy, he spent that break hunkered in the shade, a strange little smile on his face, watching us drink his beer.” Another memorable part is when he broadcasts the opera music over the loudspeaker and all the prisoners drop what they are doing and listen in silence. Little victories like these make you all warm and fuzzy inside like an Irish coffee in the shower.

Some of the happier moments are really inspirational, and you kinda want to go to prison. Then you remember the man-rapes and realize you’re stupid.

The Shawshank Redemption

So here comes a little spoiler: Andy actually is innocent. He’s just a victim of circumstance. He also escapes at the end. Oh yeah, another spoiler. Not only does he escape, he escapes in spectacular fashion. It’s not super spectacular, there’s no ninjas or exploding hot air balloons, but it’s a memorable reveal that blows your mind the first time you see it.

Most chicks don’t like prison movies. But they like this movie. That’s because it’s not really a prison movie. It just takes place in a prison. It’s about a man who finds freedom, hope, and happiness within himself. So even though he’s trapped he’s free. Brooks (the decrepitly old inmate) got institutionalized, and when he finally got released he couldn’t handle the world. He had no friends, no family, no hope. He was trapped in his freedom, and took his own life. Red is going down the same path as Brooks, but Andy’s friendship saved him. You have two choices: get busy living or get busy dying.

The Shawshank Redemption is one of the best movies of all time. Go to IMDB and see for yourself. It’s practically a perfect picture. If you don’t like this movie you have no soul.

Critically Rated at 16/17

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Full Metal Jacket

Stanley Kubrick is responsible for some other cinema’s greatest films. Dr. Strangelove, 2001: A Space Odyssey, The Shining, A Clockwork Orange… and Full Metal Jacket. Matthew Modine, Vincent D’Onofrio, Adam Baldwin, and R. Lee Ermey turn in amazing performances, but the Vietnam War is the main character.

There are a few films about the Vietnam War that are required viewing to call yourself a film buff. Oliver Stone’s Platoon is one. Francis Ford Coppala’s Apocalypse Now is another. But Full Metal Jacket is the best of the bunch.

The film starts with a new group of Marines arriving for basic training. The two main recruits are Joker (Matthew Modine) and the bumbling Gomer Pyle (Vincent D’Onofrio). Pyle isn’t cut out for the Marines; he is fat, slow, and lazy. To make matters worse, their Drill Instructor, Sargent Hartman, has it out for Pyle. He targets him, humiliates him, punishes him, and tries to break him. Nothing works, so he makes Joker responsible for training him, and for a while things get better.

Pyle keeps fucking up, and eventually Hartman decides to punish the other Marines instead of Pyle. This causes the other Marines to start hating Pyle, and they let him know that he sucks. Pyle eventually becomes a model Marine, but suffers a nervous breakdown. In a disturbing scene, he shoots and kills Hartman and then turns the gun on himself. And just like that, two of the main characters are gone.

Joker ends up reporting for Stars and Stripes, and goes to Vietnam in time to experience the Tet Offensive. Joker meets and interviews a bunch of Marines and they all have different views on war and combat and life in general. During a patrol a single sniper begins picking off the Marines. They track down the sniper and discover it is a teenage girl. Talk about a mind fuck. Joker kills her out of mercy, and he gains the thousand-yard stare of a man who has seen war.

Full Metal Jacket shows what war does to a man. It can make him, or it can break him. Joker made it, he became a good Marine, he saw war, and he survived. Pyle didn’t make it. He wasn’t ever cut out for the Marines, and lost track of who he was. He went crazy, and his descent into madness is one of the most memorable moments of this movie.

Props go out to R. Lee Ermey. He isn’t even acting; he is a real life drill instructor that they hired as a technical advisor. You can’t contain him. He spews out poetic insults like Shakespeare pops out beautiful sonnets. Half the stuff he says is improvised, and Kubrick was a control freak, so you can’t deny his talent.

This movie doesn’t have a strong plot. It kind of meanders around loosely, but that adds to the theme of the movie: that war is pointless. Pyle and Hartman die halfway through the film. But the movie doesn’t end, just like the war doesn’t end just because someone died.

Full Metal Jacket is a classic. You owe it to yourself to experience this film at least once. Kubrick is a great director, and this might not be his best flick, but it is definitely his best Vietnam War movie.

Critically Rated at 15/17

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The League of Extraordinary Gentlemen, Volume One

Alan Moore is a genius. The League of Extraordinary Gentlemen is proof of such. There are a few volumes out already, this rant is about the first Volume. A bunch of characters from Victorian literature work together to recover a stolen item in order to prevent an aerial attack on British soil. Mina Murray, Allan Quaterman, Hawley Griffen (the Invisible Man), Dr. Jekyll/Mr. Hyde, and Captain Nemo are the Extraordinary Gentleman (and Woman). A bunch of other literary characters also make cameos, it’s rewarding to whoever paid attention in English class.

Kevin O’Neill’s artwork is scratchy and rough, a good fit for Moore’s storytelling. It feels old fashioned, and it captures the vibe of Victorian London.

It is quite a chore to take characters from different authors and different genres and be able to tell a story that would actively involve all of them. It’s a pretty dense story, and Moore is able to give each character time to develop and contribute to the action. A lazy author would be content merely writing famous characters into an original story, Moore makes them his own and gives them something to advance the plot.

There’s a lot of steampunk technology, but it’s nowhere near as obnoxious as Wild Wild West. I won’t even comment about the League of Extraordinary Gentlemen movie fiasco. That shit was just insulting.

This is a cool comic book. It is essential reading if you like Alan Moore. You can bring up this book in literary conversations and advance the dialog. It’s a very smart comic, you have to have read classic literature to know these characters. Moore assumes that you know them, or at least know about them, and brings them together in a clever way.

Critically Rated at 14/17

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If you remember hard enough, you might recall that Nick Cannon was a moderately successful actor before Mariah Carrey ate him. Drumline was his masterpiece. You’ve seen the plot a million times before: a cocky kid with natural talent joins a team, clashes with them for a bit, learns about teamwork and grows up a little bit, and leads the team to victory. Along the way he meets a girl, gets her, loses her and gets her again when he leads the team to victory. The twist in the plot is that the kid with talent is good at drums and the team he joins is a college marching band. It’s not original in the slightest, but the music makes it entertaining.

Nick Cannon plays Devon Miles, a drummer who gets a full scholarship to join the prestigious and fictional Atlanta A&T University marching band. He’s a great drummer, music comes naturally to him. He is really cocky. I mean really cocky. There’s no reason why anyone would like this guy. He’s a dick. He’s selfish. He doesn’t bother learning how to read music, unlike all his fellow band members. He didn’t want to cut his hair as required by the team so he quit. He changes his mind a little later, shows up to a party with clippers and everyone cheers. Yeah right, fuck you man, you just quit the team like a bitch, but whatever, its ok because you’re good at drums. He challenges the student leader and questions authority. He is not a team player, and the film vilifies the few characters that treat Devon like the asshole that he is.

Zoe Saldana (Avatar, Star Trek) plays Laila, the love interest. There is no reason why she would possibly like Devon. First off, he’s a stupid freshman, and she is a sexy upperclassman. She has a car, doesn’t live in a dorm, and can legally drink. The first few times they meet he comes off as being really arrogant, stupid, and acts superior to her. There is no reason she would ever talk to him, let alone fall for him. Zoe Saldana is sexy even when she’s a nine foot tall sparkly blue cat.

The music and the marching sequences are the redeeming aspects of the movie. The band choreography and music selections are exciting and will have you tapping your feet to the beat. A good marching band runs like a machine, each part has to work perfectly or it sucks. You get a glimpse into how marching bands function.

So the plot sucks, but the movie is redeemed by the music. Nick Cannon sucks, but his character sucks even more. The supporting cast is much more interesting and likeable. It’s a very flawed movie, but if it’s on TV I wouldn’t bash you for watching it. I wouldn’t set the DVR for it though.

Critically Rated at 6/17

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