Category Archives: Entertainment

TV, Movies, etc

Shadow Puppets

A shadow puppet is one of the oldest forms of entertainment. All you need is a something that casts a shadow, a light source, and something to cast the shadow on. Cultures and societies all over the world have been using shadow puppets as entertainment for thousands of years. It’s simply another form of storytelling. You use flat figures or your hands to create shadows and then you can act out a little skit or scene for the amusement of others. There are articulated flat cut-outs that are intricate and can be quite detailed, but skilled shadow puppeteers can use their hands and forearms to create silhouettes of dogs, geese, elephants, human faces, and countless other things. There are a million ways to manipulate shadows into new shapes. The possibilities are only limited by your imagination. Be forewarned though, it’s hard to be entertained by shadows in this age of HDTVs and iPads. I wouldn’t recommend shadow puppetry as a career path. Even if you’re the best in the world, nobody will take you seriously.

Critically Rated at 10/17

Written, Rated, and Reviewed by Brendan H. Young

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End of the Year Facebook Montage

2014 is winding down and I don’t even need a calendar to know that. I just have to go on Facebook. As soon as I do, I’m bombarded by all of the End of the Year Facebook montages that everybody is posting. They are all the same. They start with a caption that reads, “It’s been a great year! Thanks for being a part of it.” Then it starts breaking down their year by displaying their most trafficked pictures. It’s all the same. There’s a picture of a wedding or an engagement, there’s a picture from some sporting event, there’s a couple of friends at bars or parties, and a few shots from vacations or day trips. It’s kind of weird how everyone has different lives but still do the exact same shit. There are so many End of the Year Facebook montages that you can’t watch them all. You have to choose which ones to watch, and you’re going to choose the ones that will most likely include a picture of you. You tell yourself that you’re not going to give in and do one of your own, but curiosity sets in and you’ll see what your year looks like in review. And you’ll kind of like it because you forgot how awesome your year actually was. Then you’ll share it because everybody else is doing it too and you don’t want to jump on the bandwagon too late.

Critically Rated at 11/17

Written, Rated, and Reviewed by Brendan H. Young

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Playback – Tom Petty and the Heartbreakers

Tom Petty and the Heartbreakers is an American band that’s been active since 1976. Tom Petty is the leader, founder, and genius behind one of the greatest bands of all time. Playback is a box set that proves how versatile and influential his music is. It’s the one album that any Tom Petty fan really needs. It’s a six-disc compilation. The first three discs are like an expanded greatest hits collection, featuring practically everything from “Breakdown” to “Mary Jane’s Last Dance.” The final three discs include alternate versions, B-sides, previously unreleased songs, demos, and early songs from Petty’s first band Mudcrutch.

It’s a very thorough box set that makes you appreciate Tom Petty more than you ever would have thought possible. Some of the tracks that he cut from other albums appear in this compilation for the first time. Some of those songs are simply incredible and deserve to be released as singles. “Trailer” is one of my favorite Petty songs of all time. It probably would be one of yours too if you ever heard it. It’s got that kind of rambling, jangling rock and roll sound to it. “Up In Mississippi Tonight” is an early track that deservers more attention as well. A couple of song showcase Petty’s dry wit like “Heartbreaker’s Beach Party” and “Moon Pie.” He’s not just a rocker, he’s got a wry sense of humor as well.

Playback would get a perfect rating but it was first released in 1995 so it excludes the second half of his career. They should make a sequel box set compilation called More Playback or Playback In The Saddle Again. Tom Petty is the shit. The Heartbreakers aren’t too shabby either. Get this album. Ask for it for Christmas or use your Hanukkah money to buy it. It’s worth it.

Critically Rated at 16/17

Written, Rated, and Reviewed by Brendan H. Young

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Futurama: Bender’s Big Score

Some things just can’t stay dead and quality programming is one of them. Bender’s Big Score is the direct-to-video film that brought Futurama back to life. It serves as both a movie and as the first four episodes of Futurama’s fifth season. Let’s do a brief recap of the show’s history: Futurama first premiered on March 28, 1999 and aired its last episode on August 10, 2003. FOX treated the show like shit and constantly changed its timeslot around. They sabotaged the ratings so they would have a reason to cancel it. They did, but Cartoon Network’s Adult Swim picked it up and aired in in syndication for a couple of years. It became a cult classic and Comedy Central bought the rights and decided to bring it back with all new episodes. Bender’s Big Score was the Futurama reunion we were all waiting for.

Matt Groening and company reunited the writers, animators, and voice cast to bring us this funny and smart feature-length story. It’s sci-fi gold. You can geek out on it and laugh hysterically at the same time. It’s about time travel and paradoxes and true love. They brought back most of the characters that you were missing and they pay homage to previous jokes while cracking new ones. I don’t even want to waste my time talking about the plot. It’s too complex and witty. I’ll just compare it to Inception because it’s the kind of movie that you need to watch multiple times so you can fully grasp what is happening. It’s funny and smart and a worthy start to a new era of Futurama.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Scrooged

            Bill Murray gets the Ebenezer Scrooge treatment in this 1988 Christmas Comedy. Scrooged tells the tale of Frank Cross, a power-obsessed TV executive who has chosen work over friends and family. He’s in charge of a live Christmas Eve broadcast of Charles Dickens’ A Christmas Carol, the classic story of a grumpy guy who gets visited by ghosts and learns the true meaning of Christmas. Life begins to imitate art, and Frank gets visited by the ghost of his old mentor who warns him that he will be visited by three other ghosts.

Over the course of the evening and throughout his live broadcast, Frank gets visited by the Ghost of Christmas Past, the Ghost of Christmas Present, and the Ghost of Christmas Future. He becomes increasingly jumpy and disturbed, but comes to realize the error of his ways by the end of his final visit. He celebrates by rekindling his relationship with the love of his life and leading the cast and crew in a rousing rendition of “Put a Little Love in Your Heart” as the credits roll.

This is a darker version of A Christmas Carol. The humor is edgy and more cynical than other Bill Murray comedies. The Christmas Ghosts are kind of scary, especially for kids. It’s distinctly ‘80s and doesn’t hold up very well. It’s kind of dated. They have product placements for prehistoric products like VCRs. There are a lot of cameos from people who used to be famous. You probably wouldn’t like it if you saw it today for the first time. But it’s necessary holiday viewing if you grew up watching it like I did. It makes you nostalgic. It makes you remember happy memories. And isn’t that what holiday films are all about?

Critically Rated at 13/17

Written, Rated, and Reviewed by Brendan H. Young

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Jobs

Jobs is a 2013 biopic based on the life of Steve Jobs. If you don’t know who Steve Jobs is, look him up on your iPhone, iPad, or iMac. It was directed by Joshua Michael Stern and stars Ashton Kutcher as the titular character. The film doesn’t show his whole life. It starts with his college days in 1974 and continues through the introduction of the iPod in 2001. He died in 2011, so the movie leaves out a lot of important stuff. How can you make a movie about Steve Jobs and completely omit the iPhone and the iPad?!? Not only that, but the movie twists a lot of facts and manages to make an interesting man seem boring.

Ashton Kutcher delivers a decent performance as Jobs, but he’s not given much to work with. The script is boring. The whole movie falls flat. I’d much rather watch a documentary about Steve Jobs. At least facts would be more accurate and the drama would be realistic. This movie is a by-the-numbers biopic. It’s formulaic and fails because Steve Jobs didn’t follow a formula. He followed his gut. And really, no mention whatsover of iPhones or iPads or the last ten years of his life? Steve Jobs had an amazing life and career. This film is a terrible, shoddy tribute to his memory.

Critically Rated at 4/17

Written, Rated, and Reviewed by Brendan H. Young

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Anchorman 2: The Legend Continues

Anchorman2: The Legend Continues is the 2013 sequel to Anchorman: The Legend of Ron Burgundy. Adam McKay returns as director and Will Ferrell, Steve Carell, Paul Rudd, David Koechner, and Christina Applegate all reprise their roles. It’s not as funny as the first one, and honestly there’s no way that it ever could have been better. The first one is a classic. This one is just a sequel. It has its moments, but it’s not as quotable and some of the jokes seem forced (like not understanding how cruise control works, what a tired gag). The movie tries too hard to be funny. They resort to recycling or paying homage to jokes from the first film, and they trot out celebrity cameos like it’s going out of style.

It spoofs the rise of 24-hour cable news networks that deliver more entertainment than actual news. There might not be much of a message, but there is a message: don’t be duped by sensationalist newscasts. Will Ferrell’s character is still funny. Paul Rudd and David Koechner’s characters are still funny. But Steve Carell’s Brick Tamland is a black hole. His character had some decent moments in the original movie, but he drags down the sequel. Ron Burgundy, Brian Fantana, and Champ Kind are all unintelligent characters because they have big egos and stubborn personalities. Brick Tamland is an unintelligent character because he is mentally handicapped. Steve Carell plays him as a retard and that’s lazy. And his whole romantic subplot with Kristen Wiig was downright stupid and unnecessary. Cool, lets hook up a retard with another retard and let hilarity ensue.

Did I enjoy this movie? Yeah, a little bit. I would only recommend it if you liked the first one. It’s not a masterpiece, but it’s not a rehash of the first one like The Hangover Part II. It’s not hard for a sequel to be better than The Hangover Part II though.

Critically Rated at 11/17

Written, Rated, and Reviewed by Brendan H. Young

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Airplane!

Airplane! is it. It’s the one comedy that everybody should see before they die. It is beyond a mere comedy. It is nonstop absurdity. Practically every single line of dialog is a joke. Almost every shot has a gag. The film premiered in 1980 and is still being quoted regularly. It had a tremendous impact on Hollywood and pop culture in general. The response is always the same whenever people find out that somebody hasn’t seen the movie: they all say, “Surely, you must be joking.” The unlucky chap doesn’t know that he is being called Shirley.

Jim Abrahams, David Zucker, and Jerry Zucker all wrote and directed the film. Robert Hays stars as Ted Striker, a former war pilot with a drinking problem, and he’s forced to fly a commercial airliner when the flight crew gets food poisoning. He’s trying to reconcile with his ex-girlfriend Elaine (played by Julie Hagerty), who happens to be a stewardess on the flight. Leslie Nielsen play Dr. Rumack in the role that turned him into a comedic genius. Lloyd Bridges has a role as a flight tower supervisor tasked with guiding the plane home safely, and he picked a hell of a week to quit drinking.

Some of the jokes are dated and the punchlines have been lost to time. I doubt anybody under the age of twenty will get half the jokes, but that doesn’t stop the film from being hilarious. Good comedy is timeless and that’s why Airplane! is still relevant today. Airplane! is a good personality test. I wouldn’t trust anybody who doesn’t appreciate this movie.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Janet Jackson

Janet Jackson is an American singer/songwriter and actress. She’s had a successful career but she will always be most famous for being Michael Jackson’s sister. She’s had quite a few hits and a lot of success, but she will forever be overshadowed by the King of Pop. She’s sold over 140 million albums, he’s sold over 400 million. Michael died in 2009, her career died long before that. Sorry, but it’s true. The last time Janet Jackson was really worth talking about was the infamous wardrobe malfunction during Super Bowl XXXVIII. That was over ten years ago. I’ll admit that Janet had a successful career but she was way too dependent on her sexuality to sell records. It’s kind of creepy because she looks like Michael Jackson but with cleavage. Nobody ever wanted to see Michael Jackson with cleavage. That’s Nasty (see what I did there?).

Critically Rated at 8/17

Written, Rated, and Reviewed by Brendan H. Young

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Knuckleball! (documentary)

Knuckleball! is a 2012 documentary about the notoriously tricky baseball pitch. The film focuses on Tim Wakefield and R.A. Dickey, the last two knuckleballers, during the 2011 baseball season. The two pitchers talk about how the knuckleball started as a gimmick, but how learning to throw it brought them out of obscurity and gave them longevity. They point out that it’s hard to hit because the movement is so unpredictable. But they are also quick to point out that the unpredictable movement is hard to control. Passed balls, beaned batters, and monster homeruns are just some of the unfortunate side effects.

The documentary was directed by Ricki Stern and Anne Sundberg and runs about 93 minutes long. That’s about 33 minutes longer than it needs to be. The film doesn’t need to drag on for that long. Just show the pitch, show what it means to the pitchers, and show how the knuckleball affects catchers, hitters, and managers. That’s all they needed to do. We don’t need that much backstory on R.A. Dickey’s journey to the Majors. That has very little to do with the baseball’s movement. The film is called Knuckleball!, not Dickey!

The film is available on Netflix and that’s where I watched it. You should watch it too if you like baseball and/or documentaries. It’s not as good as the ESPN 30 for 30 documentaries, but it will give you some insight to an underrated pitch. It’s not always reliable, yet you can build a career out of it with some determination.

Critically Rated at 12/17

Written, Rated, and Reviewed by Brendan H. Young

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World War Z (film)

World War Z is a 2013 zombie flick based on the book written by Max Brooks. Marc Forster (Monster’s Ball, Quantum of Solace) directs and Brad Pitt stars as Gerry Lane, a former UN investigator who is called back into action to stop a zombie outbreak. These aren’t slow-moving Romero or Walking Dead zombies. These are 28 Days Later and 2003’s Dawn of the Dead zombies. They are fast and vicious, which leads to explosive action scenes. One zombie in the midst of a crowded area causes complete chaos. It’s almost impossible to escape. But Gerry Lane always finds a way to survive because he’s smart, calm under pressure, and he’s played by Brad Pitt and they need him for the sequel.

The basic plot is simple. There is a zombie pandemic and Gerry Lane must find the source in order to find a cure. He goes all over the world, from Philadelphia to Newark to South Korea to Jerusalem to Cardiff. It’s pretty easy to travel the world during the zombie apocalypse if you have UN connections apparently. He doesn’t find a cure but he finds a temporary solution, and the movie ends with a glimmer of hope for survivors around the globe.

World War Z made $540,007,876 at the box office, making it the highest-grossing zombie movie of all time. The filmmakers cited The Bourne Identity as an influence and you can see glimmers of it. The violence is gritty and realistic for the most part, despite using a lot of CG zombies that appear cartoonish at times. I never read the book so I can’t compare the two, but I enjoyed the movie. It was entertaining, had some good political points, and a lot of solid action scenes that keep you engaged. It’s a satisfying zombie movie, but it doesn’t bring anything original to the genre. You get infected if you get bit (unless you perform a quick amputation), the zombies die if you shoot them in the head, there are ways to make yourself invisible to the zombies, and the living are just as dangerous as the dead. Been there, done that.

Critically Rated at 13/17

Written, Rated, and Reviewed by Brendan H. Young

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Linsanity (documentary)

Linsanity is a 2013 documentary about NBA player Jeremy Lin and his rise to international stardom. Director Evan Jackson Leong and narrator Daniel Dae Kim tell the story one of the most famous athletes in the world, a spectacular feat considering he’s not that great of a player and barely managed to eke his way into the NBA. Everybody loves inspirational sports stories like Rudy, but Lin’s journey was way more impressive. Lin was one of the best high school players in California, but he was hardly recruited by any colleges because he didn’t fit the mold. By not fitting the mold, I mean that nobody wanted him because he’s Asian. He didn’t get any athletic scholarships and ended up going to Harvard because he would have a place on the team. He went undrafted after college, but eventually signed with the Golden State Warriors. He didn’t get much playing time and they waived him at the end of the season. The Houston Rockets picked him up and they waived him too. He managed to get a gig with the New York Knicks but he still wasn’t getting a chance to play.

The Knicks were in a bit of a slump and they decided to mix things up a bit by giving Lin some playing time. He took advantage and had twenty-five points, seven assists, and five rebounds in thirty-six minutes. That was enough to grant him a start the next game and he dominated again. Then he dominated the game after that. And the game after that. All in all, he had a nine game stretch where he averaged twenty-five points and nine assists in thirty-nine minutes per game. He became a superstar virtually overnight. Something special was happening and everyone wanted to be a part of it. It could only be described as Linsanity.

Linsanity takes you back to Jeremy’s childhood, how he inherited his love for the game from his father, the bond he shares with his brothers, and his dislike for playing piano. They stress his values in life are religion, family, and basketball (in that order). The filmmakers also show you Lin’s impact on the Asian community. He became a role model, albeit somewhat reluctantly. Jeremy Lin is not a great basketball player, but he is capable of great things. He inspired the world for fifteen days in February of 2012 and etched himself into our collective memory. Relive Linsanity with Linsanity. I watched it on Netflix. You should too.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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Snapchat

Snapchat is a social media app. It’s the trendy thing that all the cool kids are doing right now. The premise of Snapchat is simple. You take pictures and videos and share them with friends and followers. The hook is that the videos and pictures can only be viewed briefly before they disappear. It’s great for sexting, but you can also use it as a personal video journal of sorts. You can share a snippet of a concert or sunset with friends. You can show everybody that weird guy at the grocery store instead of merely describing him later on. I got Snapchat a couple of months ago and I use it a couple of times a day on average. Mostly I’m watching whatever my friends send me, but I’ve been known to do a few Snaps when I’m drunk or bored (or both). I mostly take selfies with something weird in the background, like a toilet bowl or a coworker eating lunch. The most important thing about Snapchat is being aware that it will notify the other person if you take a screen shot of something they sent you. Remember that when you’re sending pictures of your cooter out, ladies.

Critically Rated at 12/17

Written, Rated, and Reviewed by Brendan H. Young

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Survive and Advance (documentary)

Survive and Advance is a documentary that was released as part of ESPN’s 30 for 30 series. I can’t get enough of the 30 for 30 documentaries. There are so many great stories in sports, and it seems like ESPN is out to cover them all. This documentary is about the 1983 NC State Wolfpack winning nine elimination games in a row on their way to capturing the national championship in a spectacular upset. Derek Whittenberg threw up a shot in the closing seconds out of pure desperation. The ball was a little bit offline, but Lorenzo Charles was there to snatch the ball out of the air and slam it through the net with a second left on the clock. It was a great play to end the game, and it was further immortalized when coach Jim Valvano ran out onto the court in celebration and couldn’t find anybody to hug. Even non-sports fans can appreciate an underdog story, and it doesn’t get much more underdog than this.

Director Jonathan Hock does a marvelous job introducing up to the NC State Wolfpack players and their charismatic coach. Jim Valvano seemed more like an entertainer than a coach, but he had the skills and vision to lead the Wolfpack to an unlikely victory. And then another one. And another one. And even more after that. The Wolfpack survived nine elimination games, seven of which they were losing with a minute left to play. They were able to beat the top ranked college teams, defeating legendary players like Michael Jordan, Sam Perkins, Clyde Drexler, and Akeem Olajuwon. Check it out if you can. It’s inspirational, motivational, and well worth watching.

Critically Rated at 13/17

Written, Rated, and Reviewed by Brendan H. Young

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Star Trek Into Darkness

Star Trek Into Darkness is a 2012 sci-fi film, and the twelfth cinematic installment of the Star Trek series. It’s a sequel to 2009’s Star Trek reboot and it’s once again directed by J.J. Abrams (so get ready for lens flares!). Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Karl Urban, and John Cho all reprise their roles, and Benedict Cumberbatch, Alice Eve, and Peter Weller join the cast. The film made $467,381,584 at the international box office, which is good enough to make it the highest grossing Star Trek film. Avatar made $2,787,965,087. Basic math tells us that Avatar is 5.965% better than Star Trek Into Darkness.

The basic plot of Star Trek Into Darkness involves Captain Kirk and Commander Spock matching wits with Kahn, a genetically engineered superhuman. If that sounds familiar, it’s because it’s the basic plot of Star Trek II: The Wrath of Kahn. It’s more of a rehash/remix than a virtual retelling, but it pays homage to the Star Trek movies/episodes that came before it. There’s even a reference to tribbles.

I enjoyed this movie until someone pointed out that it’s not advancing the plot from 2009’s Star Trek. The entire crew was fully assembled and ready to go on adventures by the end of that movie. J.J. Abrams didn’t know how to proceed, so he chose to dismantle the crew at the beginning of the sequel so that they could reassemble by the end of the flick. It’s almost the same movie, only with new characters and a different villain with a different motive. It’s still entertaining; it’s just not moving the franchise forward. Oh well, I’m more of a Star Wars fan than a Trekkie anyway. Bring on Episode VII!

Critically Rated at 12/17

Written, Rated, and Reviewed by Brendan H. Young

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Blackfish

Blackfish is 2013 documentary about the dangers of keeping orcas in captivity. The film focuses on a male killer whale named Tilikum, and how he was whalenapped from his pod and forced into a tank with other killer whales that constantly asserted their dominance over him at night, while being forced to perform tricks in front of thousands of screaming fans during the day. Tilikum’s biggest claim to fame is the fact that he’s responsible for the deaths of three people.

This documentary was seen as a devastating expose on aquatic amusement parks. SeaWorld suffered from a lot of bad publicity and a huge loss of profits from people boycotting their parks. You can’t watch this film and not be affected by it. The filmmakers might have skewed some facts, but you can’t deny that SeaWorld relies on animal slavery as a business model. It was only a matter of time before the world finally realized it.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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Django Unchained

Django Unchained is a 2012 Tarantino flick. It fact, it’s Quentin Tarantino’s highest grossing film to date. It’s not his best film, but it’s worth watching (all his films are). It’s about a slave named Django who teams up with a bounty hunter. They go around killing bad guys and collecting bounties while searching for Django’s wife in an effort to free her. It’s an interesting story but it’s not as structured as Tarantino’s other films. It’s more rambling and loose, and it feels almost as if he was trying to stretch out the running time. Granted it’s Tarantino, so it’s never boring. There’s always tremendous dialog, beautiful visuals, an epic soundtrack, and glorious violence. It’s a great movie. It’s just not quite a masterpiece.

Jamie Foxx plays Django and he’s good and all, but Christoph Waltz carries the movie as Dr. King Schultz. Schultz is arguably the main character. He’s the one that sets the story in motion. He frees Django, he teaches him how to become a bounty hunter, and he helps him find his wife. This movie has tremendous actors in it. Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Kerry Washington, etc. all had solid performances, but the movie wouldn’t have worked without Christoph Waltz. He won the Oscar and Golden Globe for Best Supporting Actor, and it was well deserved.

You can’t claim to be a movie lover if you don’t watch Tarantino movies. You don’t have to like them, but you have to experience them. Tarantino watches films, studies them, analyzes them, and incorporates certain aspects of great films into his films. He pays homage to classic cinema while simultaneously pushing the boundaries forward. Yeah, he overuses the N-word and has a foot fetish. He’s still a true artist and you can’t deny his impact on cinema and pop culture.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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