Tag Archives: christoph waltz

Django Unchained

Django Unchained is a 2012 Tarantino flick. It fact, it’s Quentin Tarantino’s highest grossing film to date. It’s not his best film, but it’s worth watching (all his films are). It’s about a slave named Django who teams up with a bounty hunter. They go around killing bad guys and collecting bounties while searching for Django’s wife in an effort to free her. It’s an interesting story but it’s not as structured as Tarantino’s other films. It’s more rambling and loose, and it feels almost as if he was trying to stretch out the running time. Granted it’s Tarantino, so it’s never boring. There’s always tremendous dialog, beautiful visuals, an epic soundtrack, and glorious violence. It’s a great movie. It’s just not quite a masterpiece.

Jamie Foxx plays Django and he’s good and all, but Christoph Waltz carries the movie as Dr. King Schultz. Schultz is arguably the main character. He’s the one that sets the story in motion. He frees Django, he teaches him how to become a bounty hunter, and he helps him find his wife. This movie has tremendous actors in it. Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Kerry Washington, etc. all had solid performances, but the movie wouldn’t have worked without Christoph Waltz. He won the Oscar and Golden Globe for Best Supporting Actor, and it was well deserved.

You can’t claim to be a movie lover if you don’t watch Tarantino movies. You don’t have to like them, but you have to experience them. Tarantino watches films, studies them, analyzes them, and incorporates certain aspects of great films into his films. He pays homage to classic cinema while simultaneously pushing the boundaries forward. Yeah, he overuses the N-word and has a foot fetish. He’s still a true artist and you can’t deny his impact on cinema and pop culture.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young


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Inglourious Basterds

Inglourious Basterds is Quentin Tarantino’s seventh film and an abomination of spelling. It’s your basic World War II fairy tale, taking place in an alternate timeline. The basic plot involves a Jewish-French chick and a ragtag group of soldiers trying to kill Hitler. And everyone has snazzy dialog because it’s a Tarantino movie.

Brad Pitt plays Lieutenant Aldo Raine, the leader of the Jewish-American “Basterds.” The Basterds enjoy spending their time killing and scalping Nazis. One of their main targets is Hans Landa (Christoph Waltz), a.k.a. the “Jew Hunter.” Landa is a formidable foe. His job is to track down Jews and he does his job well and without mercy. He’s a master of languages and is cunning and diabolical. His only mistake was letting the young Shosanna Dreyfus (Mélanie Laurent) escape from his clutches.

Shosanna goes on to change her name to Emmanuelle Mimieux and takes over a small cinema. One day she gets the opportunity to host a Nazi movie premiere that will be attended by the Nazi elite, including Hitler. She decides to use the opportunity to kill him. The Basterds also have a plan to kill Hitler. The result is rather explosive when two Hitler assassination plots merge in a Tarantino movie.

The best thing about the movie was casting Christoph Waltz as Hans Landa. He steals every scene; it doesn’t matter whether or not he is speaking English, German, French or Italian. You hate the guy and you like hating the guy. It makes it really satisfying when Aldo carves a swastika in his head. The worst thing about this movie is all the foreign languages resulting in a whole lot of subtitles. I don’t mind subtitles most of the time, but sometimes I just want to watch a movie without reading.

Inglourious Basterds is a good film. But it’s not one of Tarantino’s best. Reservoir Dogs, Pulp Fiction, and the Kill Bill saga are better. Inglourious Basterds is too ambitious with too many plot holes. For instance, Aldo’s plan never would have worked if Landa didn’t have a secret agenda. All in all, this is a solid film and is required viewing if you’re a Tarantino fan.

Critically Rated at 13/17

Written, Rated, and Reviewed by Brendan H. Young

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