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Ranking the Batman Movies

Batman has graced the big screen multiple times over the years. Some versions are light and campy, some versions are dark and gritty, and some of them are simply disappointing. I’ll attempt to Critically Rate the Batman films, but keep in mind that these are my opinions. You can disagree with me all you want… You’ll be wrong, but you can still disagree with me. Here is my list ranking the Batman movies from worst to best.

#8: Batman & Robin was director Joel Schumacher’s second Batman film, and was the first and only time that George Clooney played the Caped Crusader. This was the film that introduced us to Batgirl and to Batnipples. It was an awful film and effectively killed the franchise until Christopher Nolan rebooted it 8 years later. It suffered from a terrible story and from action scenes that only existed to sell toys. And Arnold Schwarzenegger delivers some of the worst ice-related puns in cinematic history.

#7: Batman was a 1966 movie based on the ‘60s TV show. It’s super campy, but that’s what it was trying to be. Adam West plays Batman, Burt Ward plays Robin, and together they take on the Joker, the Riddler, Penguin, and Catwoman. They also fight an obviously fake shark at one point. This is the one where it says BAM! and POW! and WHAM! every time Batman punches somebody. It’s safe to say that it put comic book movies back a few decades.

#6: Batman Begins marked the successful return of Batman to the big screen after the fiasco that was Batman & Robin. It was a critical and financial success, and it depicted a more realistic Batman. Too bad this movie sucked. Christian Bale is a bad Batman. He plays a decent Bruce Wayne, but he’s a terrible Batman. His stupid fucking Batman voice ruins the movie. The action scenes were chaotic and poorly choreographed. You can’t see what is going on. I paid good money to watch Batman punch people, and it looked like Michael J. Fox was the cameraman. Everything is shaky and out of focus. And they ruined the Batmobile. Christopher Nolan was trying to bring Batman to the real world, but superheroes have no place in the real world.

#5: Batman Forever was a turning point in the franchise. It’s gritty, it’s campy, it’s very ‘90s. Joel Schumacher took over for Tim Burton, Val Kilmer took over for Michael Keaton, and Chris O’Donnell was brought in to play Robin. Tommy Lee Jones and Jim Carrey play Two-Face and the Riddler and they were both horribly miscast. Batman Forever is a step in the wrong direction, but it’s still a guilty pleasure for a lot of Batman fans.

#4: The Dark Knight Rises was the final chapter of Christopher Nolan’s trilogy. It was a satisfying conclusion, but was ultimately a letdown because The Dark Knight was so much better. The movie suffers from a lot of plot holes and poor execution, not to mention a villain with an unintelligible accent. And the nuke at the end would have caused radiation and cancer in Gotham City. So the citizens wouldn’t die instantly, they would die slowly and painfully. Good job, Batman.

#3 Batman Returns was the first Batman sequel. Tim Burton and Michael Keaton were reunited from their smash 1989 film, and it was a very satisfying follow-up. It’s defiantly Tim Burton’s Batman, it has a dark and dreamlike quality. He takes a lot of liberties with the source material, and some people hate the movie because of that. But the film is redeemed because it has the best villain lineup out of all the movies. Danny DeVito is the terrifying and creepy Penguin. Michelle Pfeiffer is the deadly and seductive Catwoman. And Christopher Walken plays the corrupt and powerful Max Shreck.

#2: The Dark Knight would be at the top of most people’s Batman movie list because most people are sheep. It’s a very solid movie, there’s no denying that. Heath Ledger did an amazing job playing the Joker. But everyone else is just kind of so-so. Christian Bale keeps using that stupid fucking voice, Maggie Gyllenhaal replaces Katie Holmes as Rachel Dawson and drags the film down every time she’s on screen, and Aaron Eckhart is mediocre as Harvey Dent/Two-Face. There were some cool action scenes, but this movie was mostly a huge success because Heath Ledger died and people wanted to see the movie that killed him. It’s a really good film, but it’s not as amazing as everyone pretends it is. The opening scene is the highlight of the film, a great IMAX sequence that introduces us to the Joker. But it’s a Batman movie and they don’t even give Batman the IMAX treatment when he first appears on screen. It seems kind of backwards to me, but what do I know?

#1: The best Batman movie to date is Tim Burton’s Batman. This was the first gritty version of Batman to hit the big screen. They took a risk by casting Michael Keaton as Batman, but it paid off and he’s still the best Batman/Bruce Wayne to date. Jack Nicholson is an excellent Joker and is disturbingly maniacal despite his exaggerated performance. It’s kind of dated now (mostly because of Prince’s soundtrack), but it still holds up. If this movie flopped, they wouldn’t have made any more Batman movies. It effectively saved superhero movies, and for that reason alone it deserves the top spot on this list.

So that’s my list. I hope you agree with it. Let me know if you don’t.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Big Fish

Big Fish is a 2003 fantasy film and quite possibly Tim Burton’s masterpiece.  Billy Crudup stars as William Bloom, a writer who is trying to connect with his dying father. He feels like his relationship with his dad is like two strangers who happen to know each other extremely well. The problem is that William was never able to connect with his father. His father was a traveling salesman with a passion for telling tall tales and embellishing the truth, and he feels like he never knew the real person behind the stories.

The film is framed by an elderly Edward Bloom (played by Albert Finney) who is bedridden and slowly fading away. The story flashes back to a younger Edward (played by Ewan McGregor) doing fantastic things and having amazing adventures. He meets a giant, a werewolf, Siamese twins, a witch, and has a few encounters with a particularly big fish. On the surface this is a modern fairy tale. But it’s really about reconciliation. Edward and William have a broken relationship. Everything Edward ever told William was embellished and elaborated. William thinks that everything his father told him was a lie. They are bonded by blood but don’t have much in common.

This film is more sophisticated than Tim Burton’s other films. It’s more adult and decidedly less gothic. There is a great supporting cast including Jessica Lange, Danny DeVito, Steve Buscemi, and apparently a young Miley Cyrus. Helena Bonham Carter is in it too and Danny Elfman provides the score. Johnny Depp is the only Burton Regular who doesn’t show up.  I guess there wasn’t a part for a pale pedophile. This is the type of movie that you can watch with your parents and feel like you’ve bonded. Real art effects emotion. This film is art.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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Edward Scissorhands

Edward Scissorhands is Tim Burton’s best movie and the first one starring Johnny Depp. Now it’s practically a requirement for a Tim Burton movie to have Johnny Depp in it. Tim Burton movies have a dreamlike quality about them. He likes to deal with the fantastic and shuns reality. The main character has fucking scissors for hands. That’s pretty fantastic.

Peg Boggs (Diane Wiest) is the friendly local Avon lady who decides that the gloomy, creepy mansion is a great place to make a sales pitch. Instead of making a sale, she finds a Goth kid with scissors for hands. She talks to him for a few minutes and decides to unofficially adopt him and takes him home to her family. Because that’s what you do when you find someone who has been living in isolation for years and has weapons for hands. You take them home to live with your young son and sexy teenaged daughter.

Edward learns about life from the Boggs family and starts to fall in love with Kim (Winona Ryder). But she has a douchebag boyfriend that makes life difficult. Edward uses his scissor hands to trim bushes and cut hair, and he becomes the talk of the neighborhood. Then shit happens and the neighbors start to distrust and fear the artificial man with fucking scissors for hands. And they drive him out of town and he goes back to live in isolation in the gloomy and creepy mansion.

Edward is a great character, but it’s his effect on the neighbors that drives the story. They embrace him at first and eventually shun him because of gossip and hearsay. The housewives are leeches and they want Edward’s blood. The suburban setting is like a dream that turns into a nightmare. During the day everything is perfect. All the houses are painted in pastel colors, the husbands all leave for work and come home at the same time, all the housewives spend their days gossiping, it’s all so ideal. Then Edward comes and shakes things up a bit, and by the end of the movie the neighborhood is dark and hostile.

This is a timeless movie. It’s a modern day fairy tale. And if you’re slacking if you haven’t seen it yet. Stop slacking.

Critically Rated at 16/17

Written, Rated, and Reviewed by Brendan H. Young

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Beetlejuice

Beetlejuice is the best Tim Burton movie that doesn’t star Johnny Depp. Alec Baldwin and Geena Davis play the Maitlands, and they are living in wedded bliss, but then they die, and things aren’t so great anymore. They are stuck in purgatory for 125 years and must get used to being ghosts. A New Yorker family moves into their house and they must rely on a bio-exorcist named Betelgeuse (pronounced Beetlejuice) to get rid of the Deetzes.

Beetlejuice is a classic film. Everyone has seen it at least once, and if they haven’t than they suck. Alec Baldwin and Geena Davis play an overly happy, extremely lovey-dovey couple. All they have are each other and a handcrafted scale model of their hometown. The first few scenes of the movie showcase their nearly perfect life. About eight minutes into the movie, they crash into a bridge and careen into the water. Not to ruin anything, but they die.

The movie explores the afterlife, but Death is portrayed as a bureaucracy, something you have to deal with, like going to the DMV.  The Maitlands receive a guidebook called the Handbook for the Recently Deceased. There is an afterlife waiting room with a receptionist and numerous dead employees. The afterlife reception waiting room is this movie’s Cantina scene. The Maitlands are assigned a caseworker, who offers them advice on dealing with the Deetzes, but her most important advice is to avoid soliciting help from Betelgeuse.

The Maitlands don’t like the Deetzes initially, but they gradually form a friendship with their daughter Lydia, played by Winona Ryder. She is a Goth chick and can see ghosts, because everyone knows that Goths see ghosts.

Michael Keaton plays Beetlejuice. He only has about seventeen minutes of screen time. He is not the main character; he is just the title character. There is a difference. Keaton is like Alan Rickman in this movie, he just does so much with so little. Alec Baldwin and Geena Davis do a great job, but Keaton steals the movie. It wouldn’t have been as good with any other actor.

Tim Burton movies are very distinctive. CG advancements have cheapened his vision though. Beetlejuice and Edward Scissorhands are his two best movies, and they were made without much computer magic. Second-rate effects don’t cheapen a movie if it is made with heart. This movie proves that.

Death is scary. This movie makes it funny. If the afterlife is half as cool as it’s depicted in this movie, I can’t wait to bite the dust. I hope death is lip-syncing Harry Belafonte songs and fighting sand worms. I’m pretty good at both already.

Critically Rated at 15/17

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