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Ranking the Batman Movies

Batman has graced the big screen multiple times over the years. Some versions are light and campy, some versions are dark and gritty, and some of them are simply disappointing. I’ll attempt to Critically Rate the Batman films, but keep in mind that these are my opinions. You can disagree with me all you want… You’ll be wrong, but you can still disagree with me. Here is my list ranking the Batman movies from worst to best.

#8: Batman & Robin was director Joel Schumacher’s second Batman film, and was the first and only time that George Clooney played the Caped Crusader. This was the film that introduced us to Batgirl and to Batnipples. It was an awful film and effectively killed the franchise until Christopher Nolan rebooted it 8 years later. It suffered from a terrible story and from action scenes that only existed to sell toys. And Arnold Schwarzenegger delivers some of the worst ice-related puns in cinematic history.

#7: Batman was a 1966 movie based on the ‘60s TV show. It’s super campy, but that’s what it was trying to be. Adam West plays Batman, Burt Ward plays Robin, and together they take on the Joker, the Riddler, Penguin, and Catwoman. They also fight an obviously fake shark at one point. This is the one where it says BAM! and POW! and WHAM! every time Batman punches somebody. It’s safe to say that it put comic book movies back a few decades.

#6: Batman Begins marked the successful return of Batman to the big screen after the fiasco that was Batman & Robin. It was a critical and financial success, and it depicted a more realistic Batman. Too bad this movie sucked. Christian Bale is a bad Batman. He plays a decent Bruce Wayne, but he’s a terrible Batman. His stupid fucking Batman voice ruins the movie. The action scenes were chaotic and poorly choreographed. You can’t see what is going on. I paid good money to watch Batman punch people, and it looked like Michael J. Fox was the cameraman. Everything is shaky and out of focus. And they ruined the Batmobile. Christopher Nolan was trying to bring Batman to the real world, but superheroes have no place in the real world.

#5: Batman Forever was a turning point in the franchise. It’s gritty, it’s campy, it’s very ‘90s. Joel Schumacher took over for Tim Burton, Val Kilmer took over for Michael Keaton, and Chris O’Donnell was brought in to play Robin. Tommy Lee Jones and Jim Carrey play Two-Face and the Riddler and they were both horribly miscast. Batman Forever is a step in the wrong direction, but it’s still a guilty pleasure for a lot of Batman fans.

#4: The Dark Knight Rises was the final chapter of Christopher Nolan’s trilogy. It was a satisfying conclusion, but was ultimately a letdown because The Dark Knight was so much better. The movie suffers from a lot of plot holes and poor execution, not to mention a villain with an unintelligible accent. And the nuke at the end would have caused radiation and cancer in Gotham City. So the citizens wouldn’t die instantly, they would die slowly and painfully. Good job, Batman.

#3 Batman Returns was the first Batman sequel. Tim Burton and Michael Keaton were reunited from their smash 1989 film, and it was a very satisfying follow-up. It’s defiantly Tim Burton’s Batman, it has a dark and dreamlike quality. He takes a lot of liberties with the source material, and some people hate the movie because of that. But the film is redeemed because it has the best villain lineup out of all the movies. Danny DeVito is the terrifying and creepy Penguin. Michelle Pfeiffer is the deadly and seductive Catwoman. And Christopher Walken plays the corrupt and powerful Max Shreck.

#2: The Dark Knight would be at the top of most people’s Batman movie list because most people are sheep. It’s a very solid movie, there’s no denying that. Heath Ledger did an amazing job playing the Joker. But everyone else is just kind of so-so. Christian Bale keeps using that stupid fucking voice, Maggie Gyllenhaal replaces Katie Holmes as Rachel Dawson and drags the film down every time she’s on screen, and Aaron Eckhart is mediocre as Harvey Dent/Two-Face. There were some cool action scenes, but this movie was mostly a huge success because Heath Ledger died and people wanted to see the movie that killed him. It’s a really good film, but it’s not as amazing as everyone pretends it is. The opening scene is the highlight of the film, a great IMAX sequence that introduces us to the Joker. But it’s a Batman movie and they don’t even give Batman the IMAX treatment when he first appears on screen. It seems kind of backwards to me, but what do I know?

#1: The best Batman movie to date is Tim Burton’s Batman. This was the first gritty version of Batman to hit the big screen. They took a risk by casting Michael Keaton as Batman, but it paid off and he’s still the best Batman/Bruce Wayne to date. Jack Nicholson is an excellent Joker and is disturbingly maniacal despite his exaggerated performance. It’s kind of dated now (mostly because of Prince’s soundtrack), but it still holds up. If this movie flopped, they wouldn’t have made any more Batman movies. It effectively saved superhero movies, and for that reason alone it deserves the top spot on this list.

So that’s my list. I hope you agree with it. Let me know if you don’t.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Big Fish

Big Fish is a 2003 fantasy film and quite possibly Tim Burton’s masterpiece.  Billy Crudup stars as William Bloom, a writer who is trying to connect with his dying father. He feels like his relationship with his dad is like two strangers who happen to know each other extremely well. The problem is that William was never able to connect with his father. His father was a traveling salesman with a passion for telling tall tales and embellishing the truth, and he feels like he never knew the real person behind the stories.

The film is framed by an elderly Edward Bloom (played by Albert Finney) who is bedridden and slowly fading away. The story flashes back to a younger Edward (played by Ewan McGregor) doing fantastic things and having amazing adventures. He meets a giant, a werewolf, Siamese twins, a witch, and has a few encounters with a particularly big fish. On the surface this is a modern fairy tale. But it’s really about reconciliation. Edward and William have a broken relationship. Everything Edward ever told William was embellished and elaborated. William thinks that everything his father told him was a lie. They are bonded by blood but don’t have much in common.

This film is more sophisticated than Tim Burton’s other films. It’s more adult and decidedly less gothic. There is a great supporting cast including Jessica Lange, Danny DeVito, Steve Buscemi, and apparently a young Miley Cyrus. Helena Bonham Carter is in it too and Danny Elfman provides the score. Johnny Depp is the only Burton Regular who doesn’t show up.  I guess there wasn’t a part for a pale pedophile. This is the type of movie that you can watch with your parents and feel like you’ve bonded. Real art effects emotion. This film is art.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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TV Shows are Better than Movies

Movies used to be the premier form of Hollywood entertainment. They were the pinnacle. They had the best actors, the best directors, the best stories, and the best effects. But then HBO started making their own shows. They had the budget to hire quality actors to portray quality characters. Characters are the most important part of storytelling. If you don’t care about the character, then you don’t care about what happens to them. And a TV series allows a character to get developed over multiple episodes and seasons. You get to know their personality, their quirks, their pet peeves, and you feel like you truly know them.

AMC has a lot of amazing character based dramas, like Mad Men and Breaking Bad, with interesting characters and intriguing storylines. The Walking Dead not only has great characters but also feels like a zombie movie that never ends. And it has more graphic and creative zombie deaths than anything in the movies. There are shows like True Blood that are extremely sexual and violent and Spartacus (which makes True Blood seem like a family show). The quality writing on television is extended to Cartoon Network. Even the worst season of Star Wars: The Clone Wars is better than anything the prequel trilogy has to offer.

In the old days, any actor could be on TV but only a few actors could transition to the big screen and be a box office draw. Now movie stars want to be on television. The Simpsons and Scrubs are famous for their celebrity cameos and guest roles. Former Hollywood heavyweights like Keifer Sutherland got a career boost by turning to TV. Dustin Hoffman, Steve Buscemi, and Sean Bean put aside film opportunities to star in HBO shows. Kevin Spacey, Christian Slater, William H. Macy, Alec Baldwin, Kathy Bates, Zooey Deschanel, Danny DeVito, Christina Ricci, Laura Linney, Don Cheadle, and Glenn Close have all chosen television over film. Who needs to go to the theater with that kind of star power available on a weekly basis?

With HBO hits like The Sopranos and Sex in the City, other networks started paying more attention to quality programming. Premium cable channels like Starz and Showtime stepped up their game. Basic cable networks like FX and AMC had to keep up and they did. And the major networks took note and started taking more risks. We get shows as diverse as Lost and Community and everybody wins. The production quality and star power of television shows is only going to increase. It’s a good time to be a couch potato with a Netflix subscription.

Critically Rated at 16/17

Written, Rated, and Reviewed by Brendan H. Young

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Man on the Moon

Milos Forman directs Jim Carrey in this biopic about the zany Andy Kaufman. Andy Kaufman wasn’t a comedian, he was a performance artist. He didn’t tell jokes; he had characters and tricks and would try to get real reactions from his audience. Is he entertaining the audience or himself?

When people defend Jim Carrey’s acting ability they usually name Eternal Sunshine of the Spotless Mind and/or the Truman Show. The fact is that there are a dozen actors that could have played the lead in those movies. John Cusack would’ve killed as Truman. Johnny Depp could have been Eternally Sunshining. The Majestic sucks; we don’t talk about that travesty. Man on the Moon works just because of Jim Carrey. Only Carrey has the ability to transform into the enigmatic Andy Kaufman. You forget that you are watching Jim Carrey. There are times in Truman or Eternal Sunshine where he kind of flails about and you remember that you’re watching Jim Carrey and not a movie. Jim Carrey is Andy Kaufman, you forget about Jim Carrey entirely.

Most biopics are about a very famous person, but Jim Carrey is more of a celebrity than Kaufman ever was. I was born in 1985, there’s no way I ever would have heard of Andy Kaufman if it weren’t for Jim Carrey reintroducing him to the world. Without Carrey, Kaufman might have been forgotten by my generation and the ones that follow.

The cast was great. Danny DeVito and Paul Giammatti play great supporting roles. Even Courtney Love turns in a good performance as the love interest. You can almost forgive her for killing Kurt. Almost. There are lots of cameos from celebrities in Kaufman’s life. David Letterman, Lorne Michaels, the cast of Taxi, and a bunch of other celebrities show up as themselves.

The whole movie is summed up in one simple scene. Andy is sick and dying and seeks out a psychic surgeon. He realizes that it’s just a scam artist pulling a fast one and laughs at the irony.

Kaufman was larger than life, a true original. He deceived the audience and loved messing with them. It didn’t matter if they loved him or hated him, as long as their emotions were real. Real responses and reactions make real art. The film covers a lot of Andy’s great moments, from his early standup, to his SNL appearances, to his antics as Tony Clifton, and to his final triumphant show at Carnegie Hall. When you finish watching it, you want to go online and find more of his bits and material. You want to learn more about Andy Kaufman, and that’s the sign of a successful biopic.

Critically Rated at 15/17

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