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Ranking the Batman Movies

Batman has graced the big screen multiple times over the years. Some versions are light and campy, some versions are dark and gritty, and some of them are simply disappointing. I’ll attempt to Critically Rate the Batman films, but keep in mind that these are my opinions. You can disagree with me all you want… You’ll be wrong, but you can still disagree with me. Here is my list ranking the Batman movies from worst to best.

#8: Batman & Robin was director Joel Schumacher’s second Batman film, and was the first and only time that George Clooney played the Caped Crusader. This was the film that introduced us to Batgirl and to Batnipples. It was an awful film and effectively killed the franchise until Christopher Nolan rebooted it 8 years later. It suffered from a terrible story and from action scenes that only existed to sell toys. And Arnold Schwarzenegger delivers some of the worst ice-related puns in cinematic history.

#7: Batman was a 1966 movie based on the ‘60s TV show. It’s super campy, but that’s what it was trying to be. Adam West plays Batman, Burt Ward plays Robin, and together they take on the Joker, the Riddler, Penguin, and Catwoman. They also fight an obviously fake shark at one point. This is the one where it says BAM! and POW! and WHAM! every time Batman punches somebody. It’s safe to say that it put comic book movies back a few decades.

#6: Batman Begins marked the successful return of Batman to the big screen after the fiasco that was Batman & Robin. It was a critical and financial success, and it depicted a more realistic Batman. Too bad this movie sucked. Christian Bale is a bad Batman. He plays a decent Bruce Wayne, but he’s a terrible Batman. His stupid fucking Batman voice ruins the movie. The action scenes were chaotic and poorly choreographed. You can’t see what is going on. I paid good money to watch Batman punch people, and it looked like Michael J. Fox was the cameraman. Everything is shaky and out of focus. And they ruined the Batmobile. Christopher Nolan was trying to bring Batman to the real world, but superheroes have no place in the real world.

#5: Batman Forever was a turning point in the franchise. It’s gritty, it’s campy, it’s very ‘90s. Joel Schumacher took over for Tim Burton, Val Kilmer took over for Michael Keaton, and Chris O’Donnell was brought in to play Robin. Tommy Lee Jones and Jim Carrey play Two-Face and the Riddler and they were both horribly miscast. Batman Forever is a step in the wrong direction, but it’s still a guilty pleasure for a lot of Batman fans.

#4: The Dark Knight Rises was the final chapter of Christopher Nolan’s trilogy. It was a satisfying conclusion, but was ultimately a letdown because The Dark Knight was so much better. The movie suffers from a lot of plot holes and poor execution, not to mention a villain with an unintelligible accent. And the nuke at the end would have caused radiation and cancer in Gotham City. So the citizens wouldn’t die instantly, they would die slowly and painfully. Good job, Batman.

#3 Batman Returns was the first Batman sequel. Tim Burton and Michael Keaton were reunited from their smash 1989 film, and it was a very satisfying follow-up. It’s defiantly Tim Burton’s Batman, it has a dark and dreamlike quality. He takes a lot of liberties with the source material, and some people hate the movie because of that. But the film is redeemed because it has the best villain lineup out of all the movies. Danny DeVito is the terrifying and creepy Penguin. Michelle Pfeiffer is the deadly and seductive Catwoman. And Christopher Walken plays the corrupt and powerful Max Shreck.

#2: The Dark Knight would be at the top of most people’s Batman movie list because most people are sheep. It’s a very solid movie, there’s no denying that. Heath Ledger did an amazing job playing the Joker. But everyone else is just kind of so-so. Christian Bale keeps using that stupid fucking voice, Maggie Gyllenhaal replaces Katie Holmes as Rachel Dawson and drags the film down every time she’s on screen, and Aaron Eckhart is mediocre as Harvey Dent/Two-Face. There were some cool action scenes, but this movie was mostly a huge success because Heath Ledger died and people wanted to see the movie that killed him. It’s a really good film, but it’s not as amazing as everyone pretends it is. The opening scene is the highlight of the film, a great IMAX sequence that introduces us to the Joker. But it’s a Batman movie and they don’t even give Batman the IMAX treatment when he first appears on screen. It seems kind of backwards to me, but what do I know?

#1: The best Batman movie to date is Tim Burton’s Batman. This was the first gritty version of Batman to hit the big screen. They took a risk by casting Michael Keaton as Batman, but it paid off and he’s still the best Batman/Bruce Wayne to date. Jack Nicholson is an excellent Joker and is disturbingly maniacal despite his exaggerated performance. It’s kind of dated now (mostly because of Prince’s soundtrack), but it still holds up. If this movie flopped, they wouldn’t have made any more Batman movies. It effectively saved superhero movies, and for that reason alone it deserves the top spot on this list.

So that’s my list. I hope you agree with it. Let me know if you don’t.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Man of Steel

You know what everyone loves? Comic book movies and reboots. And Man of Steel is both. Henry Cavill stars as Kal-El/Clark Kent/Superman/the Man of Steel in Zack Snyder’s latest comic book adaption. The movie begins fittingly on Krypton during its final days. Jor-El (Russell Crowe) decides the best way to preserve the Kryptonian race is to send his infant son to Earth. That pisses off General Zod (Michael Shannon) and he vows to track down Kal-El, thus setting the plot in motion. The movie jumps ahead a few years, and you see a dejected Clark Kent trying to find his place in the world. He moves around, he uses false names, he is running from something, but he doesn’t know what. All that changes when he comes across a spaceship, meets the electronic ghost of his alien father, learns his true name and history, and gets a spiffy new spandex suit complete with cape. He spends a few glorious minutes teaching himself how to fly, and then General Zod arrives with his Kryptonian henchmen, eager for some space vengeance. Zod demands that the people of Earth must hand over Superman, but he’s got ulterior motives involving terraforming the Earth into a new Krypton. And Supes isn’t having any of that.

There have been a lot of mixed reviews about this movie. I don’t know why. It’s pretty solid. The action scenes are cool, and some of the dialog/exposition scenes are cheesy, but it’s a summer blockbuster and that’s how it’s supposed to be. It’s smarter than most comic book flicks. The movie is non-linear and a lot of important moments are revealed in flashbacks. It’s important to note that aside from the opening scene, Clark has no direct contact with his two father figures. He only experiences Jor-El through the holographic representation of his consciousness, and you only know Jonathan Kent (Kevin Costner) through flashbacks. There are a few notable changes from the comics. For starters, Lois knows that Clark Kent is Superman pretty quickly. That kind of changes their whole relationship (traditionally she worships Superman and ignores Clark). For some unnecessary reason, Perry White is black and Jimmy Olsen had a sex change and became Jenny Olsen. Neither change has any effect on the plot whatsoever.

Superman is a Christian allegory and this movie really rubs it in your face. You only know Jesus as a baby, then briefly as a young adolescent, and then when he finally returns as a savior at the ripe old age of 33. That’s how you experience the Man of Steel in this movie. As a baby, as a tween, and again as an adult who mentions that he’s 33 a few times throughout the movie. He even does the obligatory crucifixion pose.

This isn’t your Richard Donner/Christopher Reeve Superman… this is Zack Snyder and Christopher Nolan’s version of Superman. It’s noticeably darker, more intense, and more gritty. It strives to be more realistic than fantastic and it succeeds for the most part. But Superman isn’t supposed to be gritty. He’s supposed to be about hope and he’s supposed to inspire you. That’s where this film falls short. It’s not as fun and not as thrilling as what you’d want from a Superman movie. There isn’t as much of a sense of wonder. There are no reaction shots of citizens craning their necks to the sky as Superman does something spectacular.

There are two major fight scenes that deserve to be discussed. The first takes place in Kansas, and Superman takes on two of Zod’s soldiers while simultaneously being attacked by the US Army. I think this is the best sequence of the film. The fight choreography is intense and explosive, and it’s set amidst a backdrop of Americana. A small town is suddenly host to an intergalactic battle, and the local 7-Eleven, IHOP, and Sears are all demolished in the process. The climactic fight between Superman and Zod takes place in Metropolis and the city gets leveled in the process. Building after building gets destroyed, and after a while you stop caring. It gets boring. The two invincible foes exchange punch after punch, blow after blow, fly around smashing into buildings and landmarks, and are stuck in a complete stalemate (until someone gets the upper hand and wins. Spoiler: Superman wins).

Man of Steel is not a perfect movie. But you can say that about any movie. I will be bold and say that this is the best Superman movie to date. It has great action sequences, great characters, great actors, and a serviceable plot. If you see one movie this summer, you should see the movie I made with your mom last night. If you see two movies this summer, Man of Steel should be the second.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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The Amazing Spider-Man (film)

Hollywood has a thing for unnecessary reboots and remakes of popular franchises. So I was more than a little doubtful about seeing a new Spider-Man movie with a new cast and director. I thought it would just be another origin story about Peter Parker’s transformation into Spider-Man. Marc Webb made an already established franchise seem new and fresh, and Andrew Garfield plays a great Peter Parker.

Garfield’s Parker is not a loser, he’s shy, kind of quiet, but he rocks a skateboard and wears contacts. He gets picked on by a bully named Flash Thompson, but Flash is an asshole and no one else bullies Peter. He’s a regular kid (smarter than average), and that’s what makes his transformation more exciting.

Peter gets bitten by a magic spider and he gets spider-like powers. One inevitable day, his beloved Uncle Ben (Martin Sheen) tries to stop a robber and gets shot and dies on the street. Peter uses his new abilities to try to track down his uncle’s killer. He goes around dark alleys and streets, searching for his uncle’s killer and attacking anyone who matches his description.

He eventually starts wearing a mask, and later a spiffy spandex spidey suit. He also wears some artificial web shooters and he becomes an icon around the city. He gets more confident and asks out his crush, the beautiful and smart Gwen Stacy (Emma Stone). Her dad is the chief of police and thinks that Spider-Man is a dangerous vigilante who needs to be stopped.

While Peter is busy playing hero and fighting crime and saving people, Dr. Curt Connors (Rhys Ifans) is busy trying to regrow his stump of an arm and turns himself into a giant lizard and goes on a rampage. Peter is able to figure out that Connors is the Lizard, and that Connors wants to improve humanity by turning them all into lizard monsters. Peter has to stop him because he has the power to stop him.

Then there’s an exciting climax where Spidey fights the Lizard and things break and people die. Then they resolve some unresolved plot issues and drop some hints about the sequel and you leave the theater feeling content.

The movie is called The Amazing Spider-Man. It should really be called the Amazing Peter Parker. There is a lot of emphasis on the man under the mask. He takes off his mask to save a kid, when he’s fighting the lizard in the school, and when he pleads to Chief Stacy to let him stop the lizard. The Spider-Man suit is just a costume, it doesn’t make Peter a hero. Peter is already a hero. Before Peter even gets bitten, he stops a bully from picking on a kid, and gets his ass beat as a result. He was a hero way before the spandex.

When you watch this movie, you can’t help but compare it to Sam Raimi’s Spider-Man. Raimi’s version is campy, it’s childish, it’s like the ‘60s Batman TV show. Marc Webb’s Amazing Spider-Man is more realistic; it’s more like Christopher Nolan’s Batman movies, just not as dark. Spider-Man is a fun character, he says witty things and wears a colorful suit and wants to be in the spotlight, not in the shadows.

Marc Webb is a great director. He creates genuinely emotional moments between the characters, and he is also able to create amazing and inspiring action sequences. When Uncle Ben dies, he pretty much just lies on the ground and is gone. There are no sentimental last words of advice, no “With great power comes great responsibility” hoopla.

Emma Stone and Andrew Garfield have a great dynamic. They play off each other well. They have a lot of memorable moments, like when he asked her out with out asking her out, how he revealed he was Spider-Man to her, and how he gets her back in the end with a subtle whispered comment in class.

Emma Stone and Andrew Garfield Star in The Amazing Spider-Man

The movie does a lot to establish itself as the foundation for a new series. A large amount of the movie takes place at OsCorp. Dr. Connors is working for the mysterious Norman Osborn, who you never see but often hear about. Peter never catches his uncle’s killer. You find out that there’s more to the deaths of Peter’s parents than what was revealed.

Spider-Man 2 used to be one of my favorite comic book movies. The Amazing Spider-Man just usurped that spot I think. It’s the best Spider-Man movie, without a doubt. Go see it and agree with me.

Critically Rated at 16/17

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The Avengers

It’s very refreshing to go to the movies and pay a shit ton of money and know that you are going to be entertained. Very few films come with that kind of guarantee. The Avengers is one of those movies. It has everything you want in a summer blockbuster: a great cast, a great director, great characters, great special effects, and great story. Joss Whedon knows how to direct large ensemble casts, and every character gets adequate screen time and at least one memorable moment. The Avengers kicks off the summer blockbuster season, and it’s going to be a tough act to follow. The world is in trouble and the Avengers must assemble, and it takes a while, but they learn to overcome their differences and become a team (and a family), and save they New York City and the world.

There is a huge cast. Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Gwyneth Paltrow, and Samuel L. Jackson all show up. And they all get their moment to shine. There is no lead, but Robert Downey, Jr. wants you to think it’s him. Quick props to Clark Gregg as Agent Phil Coulson. He has no powers, but he was no doubt a hero. He inspired the Avengers to become the Avengers, with a little manipulation from Nick Fury.

It might be helpful to first watch Iron Man, Iron Man 2, the Incredible Hulk, Thor, and Captain America: The First Avenger but it’s not necessary. I never saw Captain America, and I don’t feel like I had to. I understood his role and position on the team, and each Avenger gets ample screen time to establish or reestablish characters. Hawkeye and the Black Widow each get a good introduction scene; you learn their personalities, their capabilities and get a sense of who they are.

Iron Man, Thor, and Captain America all have dramatic entrances. You know the real heroes have arrived when they show up. The first half hour to 45 minutes kind of drags, but it’s important for the plot and it’s never really boring. As soon as the Helicarrier gets attacked and Banner transforms into the Hulk, the movie kicks into overdrive and never gives up. The action is intense and overwhelming. It’s sensory overload like Transformers, but unlike Transformers you are aware of what’s happening. You know who the villains are, who the heroes are, and what’s at stake.

Some of the funniest moments happen in the midst of battle. The Hulk in particular had some great moments (throwing the ejected pilot, sucker punching Thor, beating the shit out of Loki). Mark Ruffalo became the best Hulk with the shortest amount of screen time. BTW, Lou Ferrigno voiced the Hulk, a little nerd knowledge for you. Each hero has their share of quips though. It’s very reminiscent of comics: some spectacular display of violence followed by a witty remark.

Comic book fans will jizz in their pants. There are so many hidden Marvel moments to get excited about. Everyone loves a good Stan Lee cameo, but there are so many references to the Marvel Universe that your geeky head will explode. There is too much to take in, and you have to see it multiple times and talk about it to people nerdier than you are just to calm down a little. It makes you feel like a little kid, asking who that was, or what this was about. It’s rare to be excited about a movie these days. Don’t take it for granted.

I saw it in 3D. I was a little skeptical, because most films shot in 2D that get converted to 3D look terrible. The 3D is shoddy and the characters look like cardboard cutouts. A simple test is to take off your 3D glasses: blurry means that it is 3D, unblurred and in-focus means you wasted your money. This movie is actually 3D, and it’s worth paying a few extra bucks for the full experience. The cinematography alone is impressive, so seeing it in 2D is not missing out on much. Everybody wins. There are some great shots in the NYC battle. There’s a rapid shot where the camera is looking through the shattered rear window of a cab. Another great shot shows Captain America’s reflection in an overturned motorcycle’s mirror.

So this movie has already been ridiculously hyped. It has made over $207 million in its first 3 days in the US. It’s made over $1.008 billion. It’s already the #11 movie of all time. It wont be Avatar status, but it’s going to be in the top ten for sure. This isn’t the best movie of all time. But it will be a lot of people’s favorite movie. And you can’t fault them for that. This movie is a great blockbuster. There are a lot of great characters, funny moments, and jaw-dropping special effects. And it has heart.

Joss Whedon compares the Avengers to a family. They don’t always get along. They fight and bicker and argue with each other. But they come together when the need to. They work together and they save New York City. And saving New York City is always good.

This movie appeals to everyone. I saw it with three lesbians and an old man. We all had a blast. This is an awesome movie and I can’t wait to see it again. It is one of those movies that you geek out over and you do your best Iron Man and Hulk impressions to try and recreate the magic. Just see it already. Don’t be the only one left out.

Critically Rated at 15.5/17

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Green Lantern (film)

The Green Lantern is an iconic DC comic. The Green Lantern Corps is an intergalactic police force that patrols the DC universe. Each Green Lantern has their own sector to protect, and each Green Lantern gets a power ring and power lantern that lets them harness their willpower to control over the physical world. There are a bunch of different Green Lanterns, but this movie is about Hal Jordan. Sorry Guy Gardner. Ryan Reynolds plays Hal Jordan and Martin Campbell directs.

Most superhero movies really play up the origin story. As if you can’t enjoy Superman until you see Clark Kent growing up for an hour. This movie doesn’t do that. They give you a little background on the Green Lantern Corps, and you spend a little bit of time with Hal Jordan, but it jumps into the main plotline pretty quick. An evil alien named Parallax fought a Green Lantern named Abin Sur. Abin Sur escaped to Earth and passed his lantern and ring on to Hal Jordan. Parallax somehow comes back and takes infects Hector Hammond’s brain and makes him the antagonist.

Hal and Hammond fight a few times. Hal quits the Green Lanterns for a little bit. Hector Hammond gets more and more powerful. Hal has a change of heart and rejoins the Corps, just in time to beat Hammond and save the world from Parallax.

Hollywood likes to make big blockbusters. But just because you have a $200 million budget and an established character with a built-in fan base doesn’t mean you will have a hit. A decent script is way more beneficial for box office success. The special effects in this movie are sometimes slightly awesome, but they don’t mean anything. It’s just eye candy. And you actually feel bad because everything looks great but sounds stupid because of the half-assed script. It’s not a terrible as you might think, but when you have good comic book movies like the Dark Knight and the Avengers it makes this translation seem even worse.

There is a decent supporting cast. Blake Lively plays the love interest. Peter Sarsgaard plays Hector Hammond. Angela Bassett and Tim Robbins also show up unnecessarily in supporting roles for some reason. Geoffrey Rush and Michael Clark Duncan lend their voices to a couple of CG Green Lantern aliens. Ryan Reynolds should stick to comedies. He’s just not cut out to be an action star.

This movie had a lot of potential. And it was pretty shitty. It’s not the worst superhero movie ever made, it is just really disappointing. You wonder how they blew $200 million to make such a mediocre movie. There are no memorable moments that stand out. No director will ever look upon this shit for inspiration. It’s just a really expensive exercise in futility.

Critically Rated at 8/17

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American Splendor (film)

I’ve noticed that whenever critics compile their lists of best comic to film translations they always neglect American Splendor. X-Men, Superman, Batman, Spider-man… these are all well known comic icons who successfully made the transition to the big screen. Harvey Pekar’s highly personal autobiographical cult comics don’t have the mainstream built-in audience that DC and Marvel characters have.  That doesn’t change the fact that this movie is one of the best comic translations ever.

Harvey Pekar wrote about himself and his life, and you relate to him because he is real. Different artists drew his stories, and drew him because he was the main character. Different people depicted him in many different ways throughout his comics. The film captures that by having multiple actors and illustrations, as well as the real life counterparts playing themselves. The overall effect seems like it would be jarring and confusing, but it works extremely well and captures the feel of the comics. You don’t even need to have read them, because the art and stories are all interwoven through the whole film. By the end you know his type of humor and appreciate his art. You might even buy one of his books.

Paul Giamatti stars as Harvey Pekar, but Pekar also makes appearances as himself. His wife and friends also make appearances as well as have actors portraying them. Harvey deals with his mundane and often depressing life in a humorous way. His comics deal with everything from choosing which line to wait in at the grocery store to experiencing painful chemotherapy treatments.

It is a great experience. It is funny, heartfelt and real. Harvey Pekar lived an incredibly fascinating, incredibly ordinary life. And it was a privilege to experience a glimpse of it. Take the time and check out this movie if you haven’t yet.

Critically Rated at 15/17

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