Tag Archives: DC

Batman v Superman: Dawn of Justice

I finally got around to seeing Batman v Superman: Dawn of Justice last night. I’m slacking, I know. It’s the sequel to 2013’s Man of Steel and Zack Snyder returns to direct, while Henry Cavill, Amy Adams, Laurence Fishburne, and Diane Lane reprise their roles as Superman, Lois Lane, Perry White, and Martha Kent respectively. New to the series is Ben Affleck as Batman/Bruce Wayne, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred Pennyworth, and Gal Gadot as Wonder Woman/Diana Prince. It’s also the feature film debut of Aquaman, Cyborg, and the Flash but they only appear for a few moments on screen. Even though it’s a sequel to Man of Steel, Superman takes a backseat to Batman in this movie. There are more heroes and villains and bigger action sequences, but the film seems like a step backward. It wasn’t fun. It wasn’t exciting. It was pretty disappointing.

The film was too bleak. It’s supposed to be a comic book movie. They were trying to capture the gritty realism of The Dark Knight but the studio doesn’t seem to realize that Superman is not dark and gritty. Wonder Woman is not dark and gritty. Lex Luthor is not dark and gritty. It should have been more campy and upbeat. There were hardly any jokes or humor. It wasn’t fun. Comic book movies should be fun. The action sequences were bigger than the ones in Man of Steel, but the action wasn’t as good. Snyder likes to speed up and slow down the action and that worked really well in Man of Steel because it captured the power of Superman. It made him seem unworldly and godlike. You don’t get that feeling in Dawn of Justice. Superman isn’t as impressive. It feels tired.

It’s not a terrible movie, but it did not live up to the hype. The plot was meh. The characters were meh. The acting was meh. Like Jesse Eisenberg as Lex Luthor? Lex Luthor is one of the most formidable villains in the DC Universe. Jesse Eisenberg is not formidable in the slightest. It’s like casting a pug to play Cujo. It doesn’t work and it brings down the film’s integrity. DC and Warner Bros. were using this flick as their foundation for their Justice League franchise. There are a lot of cracks. Doesn’t seem like Marvel has much to worry about competition wise.

Critically Rated at 10/17

Written, Rated, and Reviewed by Brendan H. Young

batman-v-superman-dawn-justice

Leave a comment

Filed under Entertainment

Batman R.I.P. (comic)

Batman R.I.P. is a comic book arc written by Grant Morrison with art by Tony Daniel and covers by Alex Ross. It was first published in Batman #676-681 and it’s hard to write about because it’s so hard to read. This is very layered story. There are a lot of things going on and you will be lost if this is the first Batman comic that you’ve ever read. It’s not for beginners. The basic plot outline involves a group of villains called the Black Glove trying to destroy Batman by breaking his mind. They cause Bruce Wayne to lose his sanity, but the world’s greatest detective is prepared for everything. He’s not going to let a little case of the crazies get in the way of justice.

Grant Morrison had been planting the seeds for months in earlier issues and it’s nice to see how he ties things together. The story is much bigger than this one arc and spills over in Final Crisis and other DC titles. It’s a very good Batman story, but I wouldn’t call it a masterpiece. A classic maybe, but not a masterpiece.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

Leave a comment

Filed under Entertainment

Superman: Whatever Happened to the Man of Tomorrow? (comic)

Superman is the most important comic book character of all time. He basically launched the comics industry and became a global phenomenon. He transcends the page; he’s an icon, a symbol. But how does his story end? Well, we got to find out back in 1986 when DC decided to simplify things and get rid of the multiverse and reboot their history. They brought in Alan Moore to write Superman’s final adventure of the Silver Age and bring his story to a close. Moore uses a framing device with a reporter interviewing an older Lois Lane about the last time she saw Superman, who has been missing for ten years and assumed dead. The story flashes back to Superman’s final days. Most of his major foes have been defeated and are out of the picture. But then they start coming back, and they are more twisted than ever before. They discover his secret identity and start attacking the people that Clark cares about most, some of them even die. Superman must find a way to save the day, and he does (cause he’s fucking Superman) but he pays the ultimate price.

            Whatever Happened to the Man of Tomorrow? is one of the most important comics in Superman’s long history. It’s a good read for casual fans and it’s essential reading for comic nerds. There’s a trade paperback that contains both Superman #423 and Action Comics #583, and as a bonus they throw in two more standalone stories. The Jungle Line is about Superman suffering from a strange Kryptonian flu and getting saved by the Swamp Thing. And there’s another one called For the Man Who Has Everything, which is Superman’s “what if” story showing what his life on Krypton would have been like if it never blew up.

            So if you ever wondered how the saga of Superman would end, this is the story for you. It has This is Alan Moore at the top of his game working on a Superman story to end all Superman stories. It has great artwork too. Curt Swan’s sketches are brought to life by inkers George Pérez and Kurt Schaffenberger. My biggest complaint is that it’s too short. You start reading and it and BAM! It’s over and you were just getting into it. You don’t want it to end, and then it’s over before you know it. But it sticks with you. It’s a great way to say good-bye to Superman. Even though he never really went away… you know there’s a new Superman movie coming out?

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

Leave a comment

Filed under Entertainment

Justice Volume 3 (comic)

The final four issues of Justice are collected in the third volume. The first two volumes are setting up the story and this one resolves everything in an epic way. Alex Ross and Jim Kreuger’s story reaches its exciting conclusion as the Justice League of America squares off against the formidable Legion of Doom with the fate of the world at stake. There are huge fights and battles between good and evil. And futuristic-looking superhero armor to jazz things up.

The best way to solve problems is resorting to violence, and so the JLA decide to punch their way to victory. They use their superpowers and smarts to punch the bad guys and save the day. There are dozens of DC characters, both famous and obscure ones, facing off and fighting and punching their way through the plot. Alex Ross and Doug Braithwaite’s stunning artwork makes the punches look incredible.

There are a lot of characters and a lot of things going on. It’s not as convoluted as Crisis on Infinite Earths, but you’ll still be lost if you’re a newcomer to comics. There are just too many names and powers and histories to keep track of. You can still admire the artwork though. It’s stylistically realistic and fantastic to look at. It’s not essential reading but it’s still nice to own.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

Leave a comment

Filed under Entertainment

Justice Volume 1 (comic)

Justice is a 12-issue comic about the Justice League of America doing battle with a group of super villains. The first volume contains the first four issues. Alex Ross and Jim Krueger wrote the story with art by Doug Braithwaite and painted by Alex Ross. The twist is that the villains seem to be helping humanity and trying to save the world. They claim that the JLA are the real villains for never doing anything to change the world; they’ll save you from danger but wont save you from your meaningless life.

The story starts with a handful of villains experiencing the same dream over and over again: nuclear bombs start falling on cities around the world and Superman and his super friends are powerless to stop it. The villains team up and start healing the sick and crippled and bringing food and water to starving people. They are able to win over the public’s trust.

Even though the villains seem to be doing good things, they still have a hidden agenda that involves kidnapping Aquaman and hacking into JLA computer files to find out secret identities and weaknesses. The villains use their intelligence to stage a coordinated attack on the JLA. Will the JLA emerge triumphant? Will they find out the sinister motives behind the villains? Will they save the world?

Justice has a cool story, but the art makes it even better. Alex Ross uses paint to bring Braithwaite’s illustrations to life. Superman looks like a real guy. Even the most fantastic villains and set pieces look realistic. It humanizes the characters and makes them more relatable. It’s not the best comic ever, but it’s pretty much all you want from a comic: a cool story and cool art with cool characters. Alex Ross did the story justice. That’s a pun.

Critically Rated at 13/17

Written, Rated, and Reviewed by Brendan H. Young

Leave a comment

Filed under Entertainment

DC vs. Marvel (comic)

Have you ever wondered what would happen if the greatest, most powerful heroes and villains from the DC and Marvel Universes met? How awesome would that be? Well, it already happened in 1996, so you missed out. But you can relive the past and pick up DC vs. Marvel and see the two worlds collide.

There is actually a pretty coherent storyline. Writers Ron Marz and Peter David are able brings some of the biggest characters from two rival companies together in a comprehensive way. So back in the day, these two brothers/entities were controlling their own separate universes, until they learned of each other’s existence. One brother is the DC Universe, and the other represents the Marvel Universe. They decide to have a battle between their top superheroes to determine which universe will be destroyed.

Each separate universe starts to be aware that something weird is happening when heroes and villains start vanishing in a flash of light, and new, different masks start showing up. A young man named Axel Asher finds himself inexplicably drawn to an alley where a crazy homeless guy is trying desperately to keep an inter-dimensional gateway contained in a cardboard box. Axel is the Access, and he just might be the key to solving the crisis if he ever accepts his destiny.

6 Marvel characters are chosen to fight 6 DC characters in one-on-one battles to determine the mightier universe. There are some really obvious fights between similarly powered characters like Aquaman vs. Namor, Wolverine vs. Lobo, and Flash vs. Quicksilver. There are also weird, random fights like Robin vs. Jubilee and Superboy vs. Spider-man. Elektra fights Catwoman, the Green Lantern and Silver Surfer duke it out in space, Wonder Woman somehow loses to Storm, Batman and Captain America are pretty evenly matched, and Superman barely beats the Hulk into submission.

Instead of one universe getting destroyed, the Spectre and the Living Tribunal are able to temporarily merge the two universes together. This buys them some time, and has the awesome bonus of creating hybrid superheroes like Dark Claw (a mixture of Batman and Wolverine) and Super-Soldier (Superman and Captain America’s lovechild).

Access finally gets his shit together and it able to separate the merged universe back to the two separate ones. He gets a little assistance from Batman and Captain America to end the Space Brothers’ hissy fit. And now the two universes can co-exist and life is good.

Yeah, there’s a lot of nonsense about two brother universes using magic humans to end a cosmic dispute, but once you get past that you can appreciate the story. What if the superhero you depended on was powerless to stop the end of the world? What if that superhero vanished and was replaced by a stranger in tights? What if you are a superhero and you can’t simply punch your way to victory?

The art is awesome. The panels spill over into each other, they overlap, it feels very fluid. Dan Jurgens and Claudio Castellini’s drawings are bold and powerful. And it’s pretty cool to see the Hulk and Superman exchanging blows in the desert.

There are a lot of characters to keep track of, but it doesn’t slow down the momentum of the story. If you like DC, it’s worth checking out. If you like Marvel, it’s worth checking out. If you like comics, then you should have read this already. You’re slacking.

Critically Rated at 13/17

Leave a comment

Filed under Entertainment

Batman: Haunted Knight

Jeph Loeb and Tim Sale are reunited yet again for another Batman graphic novel. Haunted Knight is actually a collection of three short stories, all of which take place on Halloween night. The title is a pun, he’s a haunted knight and the stories take place on a haunted night. That’s clever; see what they did there?

The first story is called Fears and it’s about Batman facing his fears. He has a showdown with the Scarecrow and gets trapped in a giant corn maze and he almost goes crazy. But then he doesn’t and he escapes the maze because he’s the goddamn Batman.

The second story is called Madness. The Mad Hatter kidnaps James Gordon’s adopted daughter. The Mad Hatter has a twisted tea party with kidnapped kids and it’s up to Batman to stop the madness. There’s a parallel storyline involving a young Bruce Wayne and his pre-murdered mama reading Alice in Wonderland to him on a rainy day.

Ghosts is the final story and it’s a spin on A Christmas Carol. Bruce Wayne gets visited by the ghost of Halloween past (she looks like Poison Ivy), the ghost of Halloween present (he looks like the Joker), and the ghost of Halloween yet-to-be (and this ghost is a dead, decomposed Batman). The ghosts teach Bruce not to let Batman take over his life.

There is no sense of continuity between the stories. In fact, you’re not even sure when they take place. It must take place after the events of The Long Halloween storyline because Two-Face is referenced, but before Dark Victory because there is no mention of Robin. And they take place over three years because there are three Halloweens and there’s only one Halloween per year. I might have to double-check my math, but I’m pretty sure I’m right.

The Long Halloween is awesome. Dark Victory is still good, but not as great as The Long Halloween. Haunted Knight is just lazy. Loeb and Sale make great comics, but even they are susceptible to making shitty ones. This is their Kingdom of the Crystal Skull. You wanted to like it, you tried to like it, but they did everything they could to fuck it up and they succeeded in making it suck. It’s not terribly bad. It’s just soul-crushingly disappointing. There are a million better stories out there, and this collection is not necessary.

Critically Rated at 9/17

Leave a comment

Filed under Entertainment

Batman: Dark Victory

Jeph Loeb and Tim Sale reunite for the sequel to Batman: The Long Halloween. Both The Long Halloween and Dark Victory take place in the same canon as Frank Miller’s Batman: Year One. Gotham City is in the midst of a transition from crime families to masked freaks taking over the criminal underworld. To make matters worse, a new serial killer is in town, and he’s targeting cops. If that wasn’t enough, Bruce Wayne takes in a young orphaned circus acrobat named Dick Grayson.

The story picks up a few months after the events of The Long Halloween. There’s a new district attorney called Janice Porter, Sofia Gigante has taken over the Falcone Crime Family, Batman and James Gordon are still distraught over the whole Harvey Dent-turning-into-Two-Face incident, and a mass breakout at Arkham Asylum only makes matters worse. Not only does Batman have to deal with the warring crime families, but there’s a whole bunch of villainous freaks that he has to contend with too.

Alberto Falcone a.k.a. the Holiday killer is released and allowed to serve the remainder of his sentence in house arrest under the supervision of his brother, Mario. Alberto starts to hear the voice of his dead father telling him to return to his murderous ways and become Holiday again.

Shortly after Alberto’s release, Gotham City cops start being killed on a holiday each month. The killer leaves behind a hangman riddle on it, and the riddle is always on a document associated with Harvey Dent.

Naturally there are two main suspects as to who the Hangman killer is. It is either Harvey Dent, because everything is related to him, or it could be Alberto Falcone, because all the murders are happening on holidays. Or it could be someone else entirely. Just saying.

The personal lives of the main characters are shattered. Bruce Wayne/Batman is more isolated and alone than ever before. James Gordon has been promoted to Commissioner but at the expense of his marriage. Both men miss their friend Harvey Dent and still feel betrayed by him.

While dealing with a mafia war and a bunch of freaks, Bruce still finds time to go to the circus. But it’s not a fun night because a gangster ends up killing two trapeze artists to send a message to the circus owner; in the process Dick Grayson ends up orphaned. Bruce Wayne takes him in because he feels responsible, obligated, inclined, whatever, to take care of this young kid and teach him to hate the world and fight crime in an elaborate costume.

This comic feels like a continuation of The Long Halloween in a lot of ways. The plot is very similar. A guy is killing people on holidays and Batman has to find out who, and at the same time he has to deal with gangsters and mobsters and villainous freaks. The twist is that this time, the killer is killing cops and not mobsters. And then they tacked on a Robin origin story to spice things up.

Batman has to decide which side Catwoman is on and if she’s trustworthy again. He has to fight the Joker again. He has issues with Two-Face again.  The Scarecrow shows up. And Solomon Grundy. And the Calendar Man. And the Riddler. And a few more. It’s easy to mix up plot points between The Long Halloween and this story. It doesn’t feel as much like a continuation as much as a rehash. It’s good, but it’s not as good and nowhere as original. It’s worth reading. It’s not the best Batman story, but it’s one of the better ones.

Critically Rated at 13/17

Leave a comment

Filed under Entertainment

Smallville (tv show)

Smallville is a TV show about Clark Kent before he becomes Superman. Tom Welling plays a young Clark Kent and you see him go from a nerdy high school freshman to a reporter for the Daily Planet over the course of ten seasons. The early seasons are about Clark discovering strange new abilities and learning how to control them and he also starts exploring his origins. The later seasons are about him accepting his destiny, and there’s tons of characters and references to the DC universe. The cast changed quite a bit over the years as well. The early seasons were about Clark’s life in Smallville and growing up on a farm with his parents John and Martha (John Schneider and Annette O’Toole). He hangs out with his friend Pete and Chloe (Sam Jones III and Allison Mack) and has a crush on the smoking hot Lana Lang (Kristen Kreuk). Over the course of the series most of the supporting characters are phased out, but Allison Mack stuck around for most of the show’s run. In the pilot episode Lex Luthor (Michael Rosenbaum) hits Clark with his car and they both fall off a bridge and land in the water. Clark saves Lex and they become friends, but Lex becomes obsessed with how Clark escaped without injury. Lex and Clarks friendship dissolves over a few seasons and Lex gradually becomes a bad guy. Lex has one of the best character arcs of the series, even if Rosenbaum left after seven seasons. Clark pines for Lana for a few seasons and they even get together a few times, but eventually Lois Lane shows up. Erica Durance is pretty smoking hot too and you can’t have a show about Superman without having Lois Lane, so she was a great addition to the cast. There are lots of references to the Superman movies. Christopher Reeve and Margot Kidder both guest starred on the show. Terrence Stamp (General Zod in Superman II) provides the voice for Clark’s biological father, Jor-El. Other DC characters joined the show. Oliver Queen a.k.a. Green Arrow (Justin Hartley) became a series regular and other members of the Justice League show up like Flash, Aquaman, Cyborg, Martian Manhunter to name a few. Bruce Wayne/Batman never showed up though. A few notable villains show up too. General Zod, Brainiac, Bizarro, Doomsday and other DC bad guys make appearances. The first season had a lot of one-time villains. Usually someone from Smallville has an encounter with Kryptonite and transform somehow before Clark tears shit up and gets things back to normal so that next week something else could happen. Later on the storylines become more complex and there’s more story arcs that last multiple episodes or span over a few seasons. Every once in a while there will be a random episode that doesn’t have much to do with the overall storyline, but that happened less and less as the show progressed. The special effects are pretty solid for a TV show. There’s some cool CG work when Clark is using his superpowers and there are some pretty awesome fight scenes. But there’s also a lot of soap opera drama going on. Sometimes the show was a little more Gossip Girls than a superhero series. But I’m ok with it because Clark usually punches something or someone and I like violence. Smallville isn’t the best show of all time, but it’s still pretty good. Ten seasons is a great run for a TV series. They turned it into a comic book, so you can keep following the ongoing adventures of Clark Kent. Give this show a chance if you haven’t yet. Superheroes, hot chicks, cool CG, cool fight scenes… that’s entertainment. Critically Rated at 14/17

Leave a comment

Filed under Entertainment

Batman: The Killing Joke

Alan Moore has some amazing stories under his belt, and Batman: The Killing Joke is another one in his arsenal. It is just one issue, but it’s the best Joker story written. Batman and the Joker are two sides of the same coin, and like Harry Potter and Voldemort, neither can live while the other survives.

The Joker escapes from Arkham Asylum, shoots and paralyzes Barbara Gordon, and kidnaps Commissioner Gordon. The Joker thinks that anyone can end up like him; all it takes is one bad day. The Joker wants to break Gordon, to make him go insane. Batman has a problem with this and sets out to save Gordon and confront the Joker.

The story flashes back to the Joker’s early life, before he was crazy. He’s a failed comedian who agrees to help out some gangsters stage a robbery to get some much needed cash. Before the heist, his wife and unborn child die in a freak accident. He has no reason to commit the crime now, but he’s forced into it. The caper doesn’t go as planned, and long story short, shit goes down and he becomes the Joker.

The main storyline and the flashbacks echo each other. The panels have a lot of parallels: similar character poses and arrangements provide a seamless transition between the past and present. Brian Bolland’s art is amazing. It suits the story perfectly.

Batman and the Joker are both the result of one bad day. They just channeled their pain in different ways. Batman chose to face reality and fight crime. The Joker chose to embrace insanity and fight reality. He truly is crazy. He even admits that he can’t trust his own memories: “Sometimes I remember it one way, sometimes another… If I’m going to have a past, I prefer it to be multiple choice!”.  There is an iconic ending. The Joker tells Batman a joke and they share a laugh. It makes you wonder if Batman is also insane

.

Batman comics are awesome. Alan Moore comics are awesome. Alan Moore Batman Comics are exponentially awesome. That’s a lot of awesome. This is a really good story. It’s a really important Batman comic. It’s also really short, so you have no reason to not read it. So read it.

Critically Rated at 15/17

Leave a comment

Filed under Entertainment

Identity Crisis

Brad Meltzer’s Identity Crisis is a “who-done-it?” murder mystery involving superheroes. Someone is targeting family members of the Justice League. What lengths would you through to protect your family? Especially if you have superpowers and actually do something?

Sue Dibny, wife of the Elongated Man, is mysteriously killed. But how? And by who? How did someone discover who she was and kill her without leaving a trace? A few Justice League members suspect Doctor Light. There was a little incident a few years earlier where he snuck in JLA headquarters and raped Sue. The Atom, the Elongated Man, Hawkeye, Green Lantern, Black Canary, Flash and Zatanna walk in on it, and decide to erase his memory and alter his personality. Is it ethical to do mind-wipes and personality alterations? Eventually more family members of JLA heroes are attacked and more mind-wipes are revealed. Shit goes down.

There is a very clear story being told. I know a lot of DC loyalists are mad that some characters are changed drastically or killed off, but if you are somewhat new to comics you can follow the story. It’s the most welcoming, least confusing of the Crisis storylines (Crisis on Infinite Earths, Infinite Crisis, Final Crisis). It’s a good detective story, and the final reveal was pretty shocking. There’s more of a focus on lesser known heroes like the Elongated Man, the Atom, Tim Drake a.k.a. Robin, and their civilian family members that they care about.

I like the Elongated Man’s quick backstory about how he and Sue got together. She was around heroes all the time, big ones like Superman, Batman, and the Flash. But she chose him. “That’s why ice cream stores don’t just sell chocolate and vanilla. Every once in a while someone walks in and orders butter pecan”. Yeah, that’s corny, but it makes the heroes relatable.

 

Great artwork by Rags Morales and Michael Bair. An intriguing and comprehensive plot by Brad Meltzer. Identity Crisis is a good read.

Critically Rated at 13/17

Leave a comment

Filed under Entertainment