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Batman v Superman: Dawn of Justice

I finally got around to seeing Batman v Superman: Dawn of Justice last night. I’m slacking, I know. It’s the sequel to 2013’s Man of Steel and Zack Snyder returns to direct, while Henry Cavill, Amy Adams, Laurence Fishburne, and Diane Lane reprise their roles as Superman, Lois Lane, Perry White, and Martha Kent respectively. New to the series is Ben Affleck as Batman/Bruce Wayne, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred Pennyworth, and Gal Gadot as Wonder Woman/Diana Prince. It’s also the feature film debut of Aquaman, Cyborg, and the Flash but they only appear for a few moments on screen. Even though it’s a sequel to Man of Steel, Superman takes a backseat to Batman in this movie. There are more heroes and villains and bigger action sequences, but the film seems like a step backward. It wasn’t fun. It wasn’t exciting. It was pretty disappointing.

The film was too bleak. It’s supposed to be a comic book movie. They were trying to capture the gritty realism of The Dark Knight but the studio doesn’t seem to realize that Superman is not dark and gritty. Wonder Woman is not dark and gritty. Lex Luthor is not dark and gritty. It should have been more campy and upbeat. There were hardly any jokes or humor. It wasn’t fun. Comic book movies should be fun. The action sequences were bigger than the ones in Man of Steel, but the action wasn’t as good. Snyder likes to speed up and slow down the action and that worked really well in Man of Steel because it captured the power of Superman. It made him seem unworldly and godlike. You don’t get that feeling in Dawn of Justice. Superman isn’t as impressive. It feels tired.

It’s not a terrible movie, but it did not live up to the hype. The plot was meh. The characters were meh. The acting was meh. Like Jesse Eisenberg as Lex Luthor? Lex Luthor is one of the most formidable villains in the DC Universe. Jesse Eisenberg is not formidable in the slightest. It’s like casting a pug to play Cujo. It doesn’t work and it brings down the film’s integrity. DC and Warner Bros. were using this flick as their foundation for their Justice League franchise. There are a lot of cracks. Doesn’t seem like Marvel has much to worry about competition wise.

Critically Rated at 10/17

Written, Rated, and Reviewed by Brendan H. Young

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Now You See Me (film)

Now You See Me is a 2013 heist flick, but with magicians instead of bank robbers. Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco star as The Four Horsemen, street magicians who were brought together by a mysterious benefactor. They have a hugely successful show in Las Vegas, but they really hit the big time when they seemingly rob a bank in Paris during one of their shows. This gets the attention the FBI and Interpol, and then it becomes a cat and mouse game as The Four Horsemen attempt a few more magical robberies while the authorities try to figure how to stop them.

There’s lots of plot twists and shocking character revelations, but it’s a pretty by the numbers caper film. It’s kind of like Ocean’s Eleven meets The Prestige. There are multiple heists, people on both sides trying to outwit each other, and there’s an over the top action sequence that seems totally out of place. It’s an entertaining flick, but it’s pretty hollow. They use to many computer-generated special effects. They should have stuck to practical effects like how real stage magicians perform their tricks. At one point Isla Fisher floats around the stage in a CG bubble. That’s not a trick and that’s not impressive.

And there are way too many characters to keep track of or care about. Mark Ruffalo and Mélanie Laurent play the cops tracking down The Four Horsemen. Morgan Freeman plays a rival magician who exposes tricks and who helps the authorities. Michael Caine plays an Insurance magnate and the sponsor of The Four Horsemen with a shady past. Common has a supporting role as an FBI supervisor.

Now You See Me is just another Hollywood blockbuster that pretends to be smarter than it is. And it’s getting a sequel. It’s a franchise now. Bank robbing magician flicks are suddenly a genre. What is the world coming to?

Critically Rated at 11/17

Written, Rated, and Reviewed by Brendan H. Young

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Adventureland

Adventureland is a 2009 comedy about a college grad who takes a summer job at theme park called Adventureland. Jesse Eisenberg stars as James Brennan, who had dreams about going to Europe for the summer and going to Columbia University in the fall, but things fall through and he ends up taking a shitty seasonal job at the local amusement park. He’s the new guy and Joel (Martin Starr) takes him under his wing and introduces him to his coworkers and shows him the ropes. He meets a bunch of new people and starts crushing on a girl named Em (Kristen Stewart). They start hanging out, they share a kiss, but things are complicated because she’s having an ongoing affair with another coworker named Connell. Connell (Ryan Reynolds) is the park technician and an amateur musician, and he pretends to be cooler than he is. James is the only one who sees through his charade, but he never calls him out for his bullshit.

            It’s kind of like a high school comedy, except that instead of being about a high school student, it’s about a college graduate trying to lose his virginity and finding true love in the process. Of course nothing is that simple and hilarity ensues. And no matter how outrageous it gets at times, it’s still honest. It was written and directed by Greg Mottola (Superbad), You can tell it was a personal project for him. It’s period piece set in 1987, around the time when Mottola would be the same age as his characters. It kind of reminds me of Waiting… It’s about a bunch of crazy people working at a crazy place, and Ryan Reynolds plays a cocky guy with insecure tendencies in both. It’s quirky but sincere, and it’s smarter than it pretends to be.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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Zombieland

There are two major classifications of zombie movies. They are either horror films or parody films. Zombieland is one of the latter. That mean’s it’s funny. Ruben Fleischer makes his directorial debut and Jesse Eisenberg stars as a college kid struggling to survive in a post-apocalyptic world. He teams up with a few other survivors, played by Woody Harrelson, Emma Stone, Abigail Breslin, and Bill Murray makes a cameo as himself.

The movie begins with Columbus (Eisenberg) explaining how the world has gone to shit and become infested with zombies. He has a list of rules (like cardio, limber up, check the back seat, enjoy the little things) that he follows religiously to stay alive. He meets another survivor going by the name Tallahassee (Harrelson).  Tallahassee is a badass with a knack for killing zombies and a soft spot for Twinkies. They form an unlikely partnership and soon come across sisters/con artists Wichita and Little Rock (Stone and Breslin). Despite the sisters stealing their guns a few times, the four of them team up and start heading to Pacific Playland, which is supposedly free of zombies.

Along the way they start bonding and getting to know each other. They hang out with Bill Murray for a little bit. Then there’s a conflict and the group separates. The sisters go to Pacific Playland and attract a horde of zombies, but Columbus mans up and rescues them with some help from Tallahassee. The girls are saved, Columbus gets the girl, and Tallahassee gets a Twinkie.

Zombieland is a good movie. It has an interesting premise, it’s funny, it has a great cast, and a distinctive look. It’s not the best zombie parody (Shaun of the Dead was funnier and smarter), but it’s definitely entertaining and worth watching. Jesse Eisenberg carries the film. He plays shy, nerdy guys better than anyone else in Hollywood. He’s like a suave, un-annoying Michael Cera. Woody Harrelson’s always fun to watch but his character is kind of one-dimensional, even with the revelation that he can’t cope with the death of his son. Emma Stone looks as lovely as ever. And you can’t go wrong with Bill Murray in one of the best cameos of all time.

Zombies are in right now. You should have seen this movie by now. You’re slacking if you haven’t. It’s been out for a few years now. You better get on that shit.

Critically Rated at 14/17

Written, Rated and Reviewed by Brendan H. Young

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