Tag Archives: the joker

City of Scars (fan film)

City of Scars is a 2010 independent fan film based on Batman, and it’s actually pretty damn good. It’s a Batman movie made by Batman fans for Batman fans. Writer/director/producer Aaron Schoenke perfectly captures the gritty tone of Gotham City as Batman wonders if his crime fighting methods are making things worse in Gotham whilst on a mission to save a kidnapped boy from the clutches of the Joker. Kevin Porter plays Bruce Wayne/Batman and he’s as good or better than George Clooney. A guy named Paul Molnar plays the Joker and he does a decent job, but he’s not intimidating enough. There are a couple of DC character cameos that most fanboys would appreciate like Harley Quinn and Black Canary. Any genuine Batman fan will be a fan of this short film. It’s only 30 minutes long, and there are some cool fight scenes and special effects. It’s pretty impressive for only having a budget of $27,000. You can find it on YouTube, that’s where I stumbled upon it.

Critically Rated at 14/17

Written, Rated, and Reviewed by Brendan H. Young

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Arkham Asylum: A Serious House on Serious Earth (comic)

Arkham Asylum: A Serious House on Serious Earth is a Batman graphic novel written by Grant Morrison with art by Dave McKean. Most Batman comics are detective stories, but this one is more like a horror story. It’s April Fools Day and the Joker has taken over Arkham Asylum and threatens to kill staff members unless Batman shows up. Batman is a little reluctant to go because he’s worried that he might actually be crazy and going to Arkham would be like going home. But Batman goes anyway because he’s Batman and that’s what he does. Once he’s there, the Joker gives him a chance to escape the asylum, but it’s kind of hard because all the inmates are loose. The Batman has to fight foes like Two-Face, Killer Croc, the Scarecrow, Clayface, and a few others in order to survive. But he’s also battling his inner demons too, so there are internal and external conflicts going on.

The story is pretty solid but Dave McKean’s art takes it to a new level. It’s very dark, gothic, and chilling. It’s the perfect style for a story that takes place in a prison for crazy people. It’s also important how the words look on the page. Lettering is one of the most underrated and often overlooked aspects of comics. Letterer Gaspar Saldino’s work is definitely noticeable in this comic. He gave each character a distinctive font that matches their personality. It’s hard to put down this comic. It’s one of the most visually exciting comic book experiences that you will ever have. You’re not a Batman fan if you’ve never read this book.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Batman: Hush (comic)

Jeph Loeb’s story has everything that you like about Batman. If you like Batman, you’ll like Hush. A mysterious villain (who calls himself Hush) is playing a game with Batman, a game of sabotage and revenge. Hush manipulates and uses some of Batman’s greatest enemies to try to destroy Batman once and for all. Batman has to figure out who is trying to kill him and why before he ends up dead. And he doesn’t wanna die because he just started hooking up with Catwoman and she’s kind of hot.

So someone is trying to kill Batman, someone who knows his secret identity, his strengths, his weaknesses, how he thinks. Someone who wants him to suffer. Someone from his past. But Batman’s pissed off a lot of people, so there are a lot of suspects. One of the main themes of the book is family. Bruce Wayne is an orphan, but he still has a family. Catwoman points out that he has a lot of strings for a loner. He has attachments to Nightwing, Robin, Oracle, Huntress, Jim Gordon… Bruce Wayne has a lot of attachments too: Alfred, Leslie Thompkins, Thomas Elliot (his best friend since childhood). He is far from alone.

Jeph Loeb knows how to tell a good story. There are a lot of familiar characters, a semi-original plot, and more twists than an M. Night Shyamalan movie. Jim Lee’s sketches are gritty, provocative, and larger than life, and Scott Williams brings them to life with his inkwork. This is a good solid Batman comic, satisfying and rich.

Critically Rated at 15/17

Written, Rated, and Reviewed by Brendan H. Young

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Batman: Haunted Knight

Jeph Loeb and Tim Sale are reunited yet again for another Batman graphic novel. Haunted Knight is actually a collection of three short stories, all of which take place on Halloween night. The title is a pun, he’s a haunted knight and the stories take place on a haunted night. That’s clever; see what they did there?

The first story is called Fears and it’s about Batman facing his fears. He has a showdown with the Scarecrow and gets trapped in a giant corn maze and he almost goes crazy. But then he doesn’t and he escapes the maze because he’s the goddamn Batman.

The second story is called Madness. The Mad Hatter kidnaps James Gordon’s adopted daughter. The Mad Hatter has a twisted tea party with kidnapped kids and it’s up to Batman to stop the madness. There’s a parallel storyline involving a young Bruce Wayne and his pre-murdered mama reading Alice in Wonderland to him on a rainy day.

Ghosts is the final story and it’s a spin on A Christmas Carol. Bruce Wayne gets visited by the ghost of Halloween past (she looks like Poison Ivy), the ghost of Halloween present (he looks like the Joker), and the ghost of Halloween yet-to-be (and this ghost is a dead, decomposed Batman). The ghosts teach Bruce not to let Batman take over his life.

There is no sense of continuity between the stories. In fact, you’re not even sure when they take place. It must take place after the events of The Long Halloween storyline because Two-Face is referenced, but before Dark Victory because there is no mention of Robin. And they take place over three years because there are three Halloweens and there’s only one Halloween per year. I might have to double-check my math, but I’m pretty sure I’m right.

The Long Halloween is awesome. Dark Victory is still good, but not as great as The Long Halloween. Haunted Knight is just lazy. Loeb and Sale make great comics, but even they are susceptible to making shitty ones. This is their Kingdom of the Crystal Skull. You wanted to like it, you tried to like it, but they did everything they could to fuck it up and they succeeded in making it suck. It’s not terribly bad. It’s just soul-crushingly disappointing. There are a million better stories out there, and this collection is not necessary.

Critically Rated at 9/17

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Batman: Dark Victory

Jeph Loeb and Tim Sale reunite for the sequel to Batman: The Long Halloween. Both The Long Halloween and Dark Victory take place in the same canon as Frank Miller’s Batman: Year One. Gotham City is in the midst of a transition from crime families to masked freaks taking over the criminal underworld. To make matters worse, a new serial killer is in town, and he’s targeting cops. If that wasn’t enough, Bruce Wayne takes in a young orphaned circus acrobat named Dick Grayson.

The story picks up a few months after the events of The Long Halloween. There’s a new district attorney called Janice Porter, Sofia Gigante has taken over the Falcone Crime Family, Batman and James Gordon are still distraught over the whole Harvey Dent-turning-into-Two-Face incident, and a mass breakout at Arkham Asylum only makes matters worse. Not only does Batman have to deal with the warring crime families, but there’s a whole bunch of villainous freaks that he has to contend with too.

Alberto Falcone a.k.a. the Holiday killer is released and allowed to serve the remainder of his sentence in house arrest under the supervision of his brother, Mario. Alberto starts to hear the voice of his dead father telling him to return to his murderous ways and become Holiday again.

Shortly after Alberto’s release, Gotham City cops start being killed on a holiday each month. The killer leaves behind a hangman riddle on it, and the riddle is always on a document associated with Harvey Dent.

Naturally there are two main suspects as to who the Hangman killer is. It is either Harvey Dent, because everything is related to him, or it could be Alberto Falcone, because all the murders are happening on holidays. Or it could be someone else entirely. Just saying.

The personal lives of the main characters are shattered. Bruce Wayne/Batman is more isolated and alone than ever before. James Gordon has been promoted to Commissioner but at the expense of his marriage. Both men miss their friend Harvey Dent and still feel betrayed by him.

While dealing with a mafia war and a bunch of freaks, Bruce still finds time to go to the circus. But it’s not a fun night because a gangster ends up killing two trapeze artists to send a message to the circus owner; in the process Dick Grayson ends up orphaned. Bruce Wayne takes him in because he feels responsible, obligated, inclined, whatever, to take care of this young kid and teach him to hate the world and fight crime in an elaborate costume.

This comic feels like a continuation of The Long Halloween in a lot of ways. The plot is very similar. A guy is killing people on holidays and Batman has to find out who, and at the same time he has to deal with gangsters and mobsters and villainous freaks. The twist is that this time, the killer is killing cops and not mobsters. And then they tacked on a Robin origin story to spice things up.

Batman has to decide which side Catwoman is on and if she’s trustworthy again. He has to fight the Joker again. He has issues with Two-Face again.  The Scarecrow shows up. And Solomon Grundy. And the Calendar Man. And the Riddler. And a few more. It’s easy to mix up plot points between The Long Halloween and this story. It doesn’t feel as much like a continuation as much as a rehash. It’s good, but it’s not as good and nowhere as original. It’s worth reading. It’s not the best Batman story, but it’s one of the better ones.

Critically Rated at 13/17

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Batman: The Long Halloween (comic)

The Long Halloween is a semi-sequel to Frank Miller’s Batman: Year One. Writer Jeph Loeb continues the tale of a Gotham City that is still partly controlled by mobsters and gangsters, but more and more crazy Batman villains are starting to make their voices heard. A serial killer is slowly killing off members or the Falcone crime family on holidays and Batman has to find out why. He enters a crime fighting pact with Police Captain James Gordon and the new district attorney, Harvey Dent. Over the course of the 13 issues, Harvey Dent transitions himself from a moral and upstanding person to a psychotic villain known as Two-Face. If that spoiled anything for you, I’m not fucking sorry. Everyone knows that Harvey Dent becomes Two-Face.

A notorious mobster named Carmine “The Roman” Falcone tries to get Bruce Wayne to get the Gotham City Bank to launder money. This sets off a chain of events where Batman starts to investigate that Falcone family, allying with James Gordon and Harvey Dent in an attempt to stop organized crime in Gotham.

On Halloween, Jonny Viti (The Roman’s nephew) is shot and killed by an unknown assassin. Each month the killer returns to wipe out another mobster on a holiday, each victim is associated with the Falcones.

Batman, Gordon, and Harvey Dent become intent on catching the killer, who they start referring to as Holiday. Catwoman is constantly spying on Batman and always seems to be present when he’s meeting with Gordon and Dent, or whenever he’s creeping around at nighttime doing his Batman duties. Haha, Batman doodies. Batman’s not sure which side she is on, but he’s got bigger fish to fry.

Harvey Dent finds a link between the Falcone family and the Wayne family that results in Bruce Wayne getting arrested. That puts a slight damper on Batman’s relationship with Harvey Dent.

The crime war between the Falcones and their rivals, the Maronis reaches the point where Maroni agrees to testify against The Roman. Instead of a damning testimony, he hurls acid into Harvey Dent’s face. And Harvey Dent goes crazy and becomes Two-Face.

So now Batman has a new crazy villain to deal with and he still has to find out who the Holiday killer is. And there are a lot of suspects. And there’s a twist so brace yourselves.

Not only does Batman have to deal with the Falcone mobsters and the Maroni mobsters, but there’s a virtual who’s who of Batman villains that make appearances. Catwoman, the Joker, Two-Face, the Calendar Man, Solomon Grundy, the Scarecrow, the Riddler, the Mad Hatter, and Poison Ivy all show up. Even though there are a few sideshows, the main storyline is tight and focused. Just sit back and enjoy where the story takes you.

Tim Sale’s artwork is gorgeous. Loeb and Sale worked together for a few projects; this is one of their better collaborative efforts (check out Superman for All Seasons for a good Superman read).

If you’ve seen any of Christopher Nolan’s Batman trilogy (and I’m assuming you have, because who hasn’t?), then you will notice a lot of things that the movies took from this comic, especially in The Dark Knight. This story is better than The Dark Knight. It’s a murder mystery that can only be solved by the world’s greatest detective and he dresses up like a bat when it’s dark outside.

This is one of the best Batman stories ever. And one of the best comic book stories ever. It’s just a great story period. So read it.

Critically Rated at 15/17

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