Tag Archives: illustration

Howl’s Moving Castle (film)

Hayao Miyazaki is like the Walt Disney of the Japanimation world. He makes amazing and timeless animated family films, and Howl’s Moving Castle is one of them. It’s based on the book by Diana Wynne Jones, but I never read the book, so I can’t really compare them. It’s a decent story, but the animation takes it to a new level. This is a fun fantasy film.

The movie is about a young hat maker named Sophie who makes hats. She’s kind of stuck in a rut and dreams of a better life. Instead she gets cursed by the Witch of the Waste, and Sophie gets transformed into an old woman. She can’t tell anyone about the curse, and so she leaves home to find a cure.

She helps out a scarecrow with a turnip for a head. The scarecrow is under a curse too, and even though Turnip Head can’t talk, he helps out Sophie as much as he can. Sophie eventually ends up in a moving castle, owned by a wizard named Howl. Howl has an apprentice named Merkl, and a fire demon named Calcifer (voiced by Billy Crystal).

Sophie’s country is about to enter war, and the king insists that all wizards be enlisted to help fight. Howl is a pacifist and doesn’t want to, and that kind of kicks off the larger plot. To help disrupt the war, he transforms into a bird-monster-thing, but each transformation makes it harder to return to human form. To complicate matters, a witch named Suliman is also after Howl, and a lot of stuff happens before shit gets resolved and you have your happy ending.

Miyazaki is a genius. He’s one of those filmmakers who creates a masterpiece and retires only to come out of retirement and make another amazing film. His attention to detail is impeccable. Every scene, shot, and frame is a piece of art. He makes the characters compelling and keeps the movie flowing at a good pace.

The castle is fantastic. You can sense the magic in the walls. It adds to the tone of the film and feels like another character, similar to Hogwarts in the Harry Potter movies. In films about magic and wizards it is important to have the sets feel magical and impressive.

A lot of Japanimation films can get lost in translation. Spirited Away is great movie, but unless you know the significance of bathhouse spirits in Japanese culture, you aren’t getting the full picture. Howl’s Moving Castle is based on an English author’s book, so the culture clash isn’t as evident. It also helps getting well known actors to dub the English version. Christian Bale, Billy Crystal, and Lauren Bacall are among the celebrities to voice a character.

You either like Japanimation or you don’t. There is no in-between. If you don’t know if you like Japanimation, Miyazaki is a good start. He’s got a few good movies, this is one of them. Spirited Away is probably his best. This one’s not too shabby.

Critically Rated at 12/17

1 Comment

Filed under Entertainment

Saga of the Swamp Thing: Book 1

Len Wein created swamp Thing, but it took Alan Moore to make Swamp Thing an interesting character. The original Swamp Thing was the story of a scientist named Alec Holland who gets transformed into a plant and becomes the Swamp Thing. Moore revamps his origin and turns the Swamp Thing into a plant that thinks its Alec Holland. Now the Swamp Thing never was human, it just absorbed Holland’s memories and turned itself into a humanoid. He must deal with the fact that his identity is an illusion, that he’s not supposed to be self-aware.

Alan Moore’s Saga of the Swamp Thing Book 1 is composed of issues #21-27 of the comic. His take on Swamp Thing begins with the total deconstruction of the character. An evil businessman has the Swamp Thing’s body, and he hires Dr. Woodrue (the Floronic Man) to figure out how Alec Holland became the Swamp Thing. Woodrue isn’t entirely human; he is a little bit of a plant too, making him the ideal one to research the Swamp Thing.  Woodrue discovers that Planarian worms are responsible for transferring his consciousness into the swamp, and the plants tried to mimic his human form, turning themselves into the Swamp Thing.

The Swamp Thing escapes from being experimented on, and Woodrue goes psycho and becomes a threat. He starts attacking small towns and waging war on humans, using his control of plants as a weapon. He’s the opposite of the Swamp Thing, a parody of what he stands for.

After the Woodrue arc is done, Jason Blood/the Demon shows up. The second part of the story makes it apparent that the Swamp Thing is a horror comic. He deals with demons and black magic. It’s a lot different than what you would expect from a comic with a title like this.

Moore’s story is complex. He goes into the minds of characters and you see what they see. You see Woodrue’s descent into madness. You see the Swamp Thing’s fear as he discovers that he can’t regain his humanity, because he was never human to begin with. The Swamp Thing takes place in the DC universe. Superman and some other members of the Justice League make cameos, but the story is not about them. It’s about the Swamp Thing. It’s about monsters and things that go bump in the night. It‘s about what it means to be human.

The Swamp Thing is kind of an obscure comic character. People know about him, but they don’t know what he’s about. Read Alan Moore’s stories about him, andyou will see that he deserves to be as iconic as Superman or Spider-Man. If you like monsters, demons, and Monkey Kings scaring the shit out of little kids, you will like this comic.

Critically Rated at 15/17

Leave a comment

Filed under Entertainment

Ronin (comic)

Frank Miller’s Ronin is one of his breakthrough comics. Ronin is the story of a disgraced samurai and his demon enemy who are reincarnated into a desolate, futuristic New York City. It’s heavily influenced by manga and Japanimation.

The story begins in old time Japan, where a young samurai loyally serves his master. His master gets assassinated by Agat, a powerful demon. A samurai without a master is a ronin, hence the title. The ronin and Agat do battle and somehow get transported to the future.

The world has gone to hell, and New York City is in shambles. There are gangs of freaks and mutants, lots of bums, lots of anarchy. The city is also home to the Aquarius Corporation, known for their pioneering work in biocircuitry, which they hope to weaponize.

Billy Challas, an armless, legless telekinetic lives in Aquarius and uses his telekinesis to control the biocircuitry. The Aquarius Corporation has an advanced A.I. system known as Virgo. Virgo acts like Billy’s friend and babysitter. Billy has strange dreams involving samurais. He eventually uses the biocircuitry to grow himself limbs, and starts transforming into the ronin. Good thing too, because Agat is back too.

There is a lot more to the story than what meets the eye. This is a story of past and future, east and west, man and machine, of honor and duty. Miller’s version of the future is dark and gritty, and his rough and aggressive artwork compliments it nicely. Miller does comics for men, not for kids.

It’s a cool comic. I realize my half-assed plot summary seems a little confusing, but the story isn’t that convoluted. There’s cool characters, a cool concept, and it’s hard to put down.

Critically Rated at 13/17

Leave a comment

Filed under Entertainment