The Wounds is a Serbian film that I never would have heard of if it weren’t for a Serbian guy that I work with. It’s about a kid named Pinki growing up in Belgrade with his best friend Švaba during the Yugoslav wars. The two friends embrace the criminal lifestyle and their only goal is to be infamous. They evolve from kids into criminals over a few years and the movie is realistic and depressing and you are compelled to watch.
A lot of the movie gets lost in translation. This is a period piece as much as it is a gangster film, and I’m admittedly a little rusty on my Serbian history. But one thing that is universal are characters and emotions. You know who these characters are and you know what they are feeling. And when shit happens to them, you can relate to them.
The movie begins with Pinki riding shotgun with Švaba. The conversation is somewhat casual, but you can’t help but notice that Pinki is riddled with bullet holes and there is an air of tension between the two. The movie flashes back a few years to a younger Pinki and Švaba as they joyfully bully their tagalong friend, Dijabola. They constantly pick on him and ridicule him and throw fucking rocks at his head and laugh as the tears and blood run down his face.
Dijabola’s sexy mom is a TV reporter that works for a show called Puls Asfalta (or Pulse of the Asphalt). She interviews notable persons of the criminal underworld and she turns them into stars. One criminal named Dickie wants to be on the show desperately, and he’s crazy enough to get on it. He introduces Pinki and Švaba to crime and mentors them to be as crazy and ruthless as he is. The time comes when he teaches them everything he can and they no longer need him.
The friends descend deeper and deeper into despair and killing and violence means nothing to them. They only want respect and they try to get it by appearing on Pulse of the Asphalt. They both want to get with Dijabola’s sexy mom and the jealous feelings cause Švaba to shoot Pinki a few times, and the movie is back to the opening scene. Now you now why Pinki was all shot up and why there was so much tension. But the movie’s not over yet. Now you have to experience the climax. Instead of telling you what happens, you should just kill an hour and forty minutes and just watch it now. You’re not that busy, so here you go.
This movie is comparable to City of God. But in The Wounds the main character embraces crime and celebrates it. In City of God, the main character resists crime and fears it. Pinki is not a bad kid, but he still chose to be a criminal. He’s not as coldblooded as Švaba, but he doesn’t back down from anything,
The movie is very sexual. I guess sex and violence go hand in hand as far as entertainment is concerned, but still, holy shit, this film is sexual. Pinki starts by stating proudly that he masturbates, and he does so furiously and frequently. As he starts to rise up the criminal ranks, he starts fucking prostitutes. In front of Dickie and Švaba and Dijabola. And they’ll take turns and watch each other and comment. Pinki and Švaba go skinny dipping together and have no qualms about being naked together but will still insult each other by calling the other one a faggot. Pinki never has a girlfriend. He’s had sex, but he’s never made love. And there’s a difference.
There is a whole subplot involving the family lives of the two friends. Pinki lives with his parents. His dad is stuck in a dead end job in the military. He gets no respect and not much of a paycheck. When Pinki turns to a life of crime, his dad is desperate enough to ask him for work. Švaba lives with his grandma, and there are quite a few funny scenes with her as she ingests drugs and partakes of their lifestyle in the sweet and innocent way that only old ladies can accomplish. When she asks for a cigarette, they offer her a joint and call it an American cigarette. When she sees Pinki doing lines of blow and asks if it’s prescription, he responds it’s Columbian and she joins in.
This movie is subtitled, but it still sucks you in. After a few minutes you are hooked. There are a lot of references to Serbian history that will go over most people’s heads (including my own), but that doesn’t make this movie any less impactful. The movie ends on a down note. It’s not a happy way to sum up the story. But it’s the realistic way to end it. That’s how it ends for most people that choose that lifestyle. I’m trying to be vague here. Just watch it and see how you feel. By the way, the main actor died in 2000 while serving in the Serbian military under mysterious circumstances. You should honor his memory by seeing his work. I can honestly say that this is the best Serbian movie I’ve ever seen.
Critically Rated at 14/17
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