Tag Archives: rocket

City of God (film)

Some movies change your life. This is one of them. It’s the story of a kid named Rocket and his struggles to escape the crime and gang activity that surrounds him in the City of God. It’s a Brazilian film and all the dialog is in Portuguese with English subtitles. A lot of people are thrown off by movies that require reading, but this is one of the best movies of all time, so don’t let a little reading deter you from experiencing this film.

The movie starts with a chicken escaping some gangsters. That’s the ideal way to start any movie by the way. The gang is running after the chicken and they cross paths with Rocket, our main character and narrator. Rocket thinks that the gang wants to kill him and the films jumps to a flashback to explain why.

It begins with the tale of the Tender Trio who spend their days doing small robberies and heists in their slum town called the City of God. Rocket’s older brother is Goose is one third of the trio, the other members are Shaggy and Clipper. The Tender Trio share their loot with the citizens in exchange for protection from the police. A young hoodlum named Li’l Dice wants his shot at the big time and he plans a hotel robbery with the Tender Trio. He’s too young to participate so they make him the lookout. Instead of keeping an eye out, he shoots the fuck out of the hotel occupants. The slaughter draws the attention of the cops and marks the end of the Tender Trio and the rise of Li’l Dice.

The movie jumps forward a few years to the ‘70s. Rocket is busy trying to stay out of trouble. He’s developed an interest in photography but is more preoccupied with losing his virginity. Li’l Dice is more preoccupied with power and wants to control the City of God. He changes his name to Li’l Zé and starts to kill off all the drug dealers to get their turf and customers. Li’l Zé’s partner in crime is Benny. While Li’l Zé is ruthless and cruel, Benny is popular and cool. He’s still a gangster, but he’s not bloodthirsty.

Zé takes over all the competition, except for a dealer named Carrot who is friends with Benny. There’s a brief period of peace for a minute, but then a gang of street kids called the Runts don’t respect the fact that there’s a new boss in town. Zé has a recruit kill a Runt to send a message. Zé also decides that he wants all the turf and wants to kill Carrot, the only thing stopping him is Benny.

Benny dies because that’s what happens when you live by the gun. And Carrot knows that Zé wants to kill him, so he starts to recruit an army. Carrot joins forces with Knockout Ned. At one point Knockout Ned was a peaceful citizen, but then Zé raped his girlfriend, killed his brother, and tried to kill Ned. So there’s a little beef between the two.

The movie moves into the ‘80s, with Carrot and Knockout Ned’s army continuously engaged in combat with Zé’s army… the sides keep recruiting and getting more firepower and the violence continuously escalates. Rocket gets an opportunity to photograph Zé and it gets published in the newspaper. Rocket thinks that his life is now in danger, and the movie comes back full circle to the beginning with Li’l Zé’s gang chasing a chicken and running into Rocket, and him fearing for his life.

What happens next is cool and I won’t give it away. But you should have seen this movie already. In fact, why haven’t you? It should be required viewing. That’s my new rule; you can’t watch any more movies until you see this one.

On the surface, the movie is about crime in the slums of Brazil. If you dig a little deeper, you realize that’s its just the exploits of a horny kid trying to get laid in the slums while occasionally having run-ins with the criminals that control his city. He’s on a quest to lose his virginity, but he doesn’t try very hard and often sabotages his chances.

Most of the actors aren’t actors. The majority are from real slums, some even from the real City of God. They were sent to actor’s workshop for a little while so they wouldn’t suck on camera, and the end result is a film that feels real, that feels like a documentary. Some of their performances will haunt you.

See this movie. Right now. It’s practically a perfect movie. The only downside is that it is subtitled. If it weren’t for my occasional drunken laziness influencing my rating, this would be a perfect score. If you are tired or drunk you don’t want to deal with reading subtitles. But if you are alert and sober, give it a go.

Critically Rated at 16.5/17

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Rookie of the Year (film)

Funky buttloving, the early 90’s had a bunch of family movies about baseball. There was Little Big League, Angels in the Outfield, and The Sandlot. There was also Rookie of the Year, the tale of twelve-year-old Henry Rowengarter who gains the ability to throw 100 mph fastballs after he breaks his arm in a freak accident. Thomas Ian Nichols plays the title character, Gary Busey plays an aging pitcher, and Daniel Stern plays the annoying pitching coach and directs the movie as well. If you didn’t see this movie when you were a kid, you probably think that this movie sucks. And you’re right. It does.

Henry Rowengarter is an average kid who loves baseball. The problem is that he sucks at baseball. He spends his days hanging out with his two friends just having fun and being a kid. He lives with his single mom, and is annoyed with her new douchey boyfriend, Jack. Henry is the worst player on his Little League team and gets made fun of. One day he breaks his arm. When he finally gets his cast removed, the tendons in his arm have constricted, which gives him the awesome side effect of being able to throw a baseball at a hundred miles an hour.

Henry discovers his new ability when he’s at a Cubs game and the visiting team hits a homerun and he throws the ball back. The Cubs are a little desperate for talent and attendance and hiring a kid with an arm like Nolan Ryan would fill the seats. Jack sees dollar signs and becomes Henry’s agent.

Henry joins the Chicago Cubs without being drafted or playing a single game in the minors or even being of legal age. In his first game he comes in to relieve his pitching idol, the fading Chet “Rocket” Steadman (Gary Busey). He gives up a homerun, hits a batter, and throws a wild pitch on his first three professional pitches, but ends up with the win.

With the help of Rocket and the weird pitching coach Phil Brickma (Daniel Stern), Henry learns how to pitch. He starts to get sucked into the glamorous lifestyle of being a professional prepubescent pitcher and starts neglecting his friends. His sleazy agent hatches a plot to trade Henry to the Yankees, but Henry finds out and fires him. Henry realizes that he was being a dick and makes up with his friends and decides that this will be his last season.

Before he quits he wants to send his team to the playoffs. He comes in to relieve his idol in the final game of the season. He pitches well, but then he slips on a ball and loses his arm. He uses his wits and cheap tactics and an illegal pitch to retire the side and send the Cubs into the post season. The movie jumps ahead to Henry winning a Little League game and pumping his fist in celebration, and the movie ends on a close-up of his World Series ring. I guess the Cubbies did it. Even if it’s fictional you gotta take what you can get.

For a movie about baseball, they sure don’t respect it. You never see Henry take a warm-up pitch. You hardly see any real baseball plays. You just see a bunch of obvious discrepancies, like Henry isn’t even eligible to play, and he’s not eligible to win Rookie of the Year because he joined the Cubs in August and you have to pitch at least fifty innings to qualify. Nitpicky stuff, but other movies like Little Big League pay attention to baseball rules and that’s kind of important in a fucking baseball movie.

Gary Busey is a great actor and he has a decent appearance as Chet “Rocket” Steadman. His character is gruff and surly in the beginning but warms up to Henry and become a father figure to him. His great transitional scene is his moment on the mound with Henry where he talks about “hattitude” in a rambling attempt at a pep talk. Daniel Stern does a pretty good job directing this movie, but he insists on ruining it by playing the most annoying character in cinematic history. He is desperately trying to be funny, but even kids can tell when an actor is phoning it in. I know it’s a kid’s movie, but you can at least try to portray a character with a little respect for the audience. John Candy plays the announcer for the Cubs. It’s not his best role, but John Candy is always a plus. He made movies better just with his presence.

This movie is kind of lame. You might have fond memories of it, but if you study this film for its artistic merit you wont find any. It has its moments, but so do most movies. If this is your favorite 90’s kid’s baseball movie, you have obviously never seen The Sandlot.

Critically Rated at 10/17

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